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I was of course already familiar with the general characteristics of Friedman’s writing—hubris, clichéd jingoism, Orientalism, favoritism of Israel, self-contradiction, a severe handicap in the realm of metaphor construction, reduction of complex phenomena to simplistic and baseless theories. However, reviewing three decades of his work made it clear just how frightening, as opposed to simply laughable, it was that such a character had accrued three Pulitzer Prizes and risen to the position of journalistic icon at the US newspaper of record.