Heavily influenced by samurai films from film makers such as Akira Kurosawa, French/Burkinabe filmmaker Cédric Ido produced a short award winning film, Hasaki Ya Suda (The Three Black Samurai) set in the future. Its synopsis reads: It is 2100. In the world engulfed in chaos and war whose residents are consumed by terrible hunger, the last fertile land became the subject of fierce battles. Three warriors: noble Wurubenba (Jacky Ido), Shandaru (Cedric Ido), who wants to avenge his father’s death, and Kapkaru (Min Man Ma) craving for power, will face one another in a fight for life and death. Watch the full 25-minute Hasaki Ya Suda short film (available only with French subtitles at the moment) or the 1 minute teaser. Interview with Cedric in English.
After Kad & Olivier sign off and the Satisfaction production logo fades, viewing audiences are oftentimes treated to a cold open of an empty talk show set... one that quickly becomes the impromptu dance floor for a shameless Frenchman making an absolute giddy fool of himself while lip-syncing pop songs alongside a menagerie of... wait, *what*?! That's right. The Late Late Show's Craig Ferguson appears to have a not-so-secret French admirer -- one who's not above ripping off both his opening titles and his signature dance sequences (including the iconic animal puppets): "ABC" by The Jackson 5, "Flashdance" by Irene Cara, "On the Floor" by Jennifer Lopez and Pitbull, "Waka Waka" by Shakira, "Men in Black" by Will Smith, "Let's All Chant" by the Michael Zager Band, "Wake Me Up Before You Go-Go" by Wham!, "It's Raining Men" by The Weather Girls, and "Vive Le Vent (Jingle Bells)" by Tino Rossi. Luckily, Ferguson's sense of showmanship is more prodigious than litigious -- he responded to Arthur's "homáge" by booking a pair of translatlantic crossover shows, with Arthur visiting LA that week and Ferguson flying out to Paris just last month. Video of both shows (plus lots more) inside! [more inside]
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]
A veritable potpourri of je ne sais quoi : so, I'm just dinkin' around, looking things up from my wish list, compiled before I got online at home, tonight's quest was 'Virgil Finlay,' and I back into this incredible virtual theme park devoted to the greatest living American science fiction author (that lifted straight from my show's, ahem, links page, that), imo--no humble here and now--and it's got starcharts of the Oikumene and maps and meals...gee, did I say it was a French site? And Rpgs and on and on and on...You 'could her nipples be any harder?' Klingon forehead hair splitting color TV babies have no idea: the technology does not exist to take his work to screen. The man is the premiere prose stylist of the genre and this concept has merit, I tells ya...