5 posts tagged with frenchliterature by Kattullus.
Displaying 1 through 5 of 5.
Encrypted is an essay by New Yorker critic Alex Ross about French 19th Century poet Stéphane Mallarmé, and the difficulties he poses for translators and scholars. Notoriously the most bourgeois of avant-garde poets, his life has proved difficult to write about. So perhaps it's best to just go straight for the poetry. The Electronic Poetry Center has a nice page on his late masterpiece, Un Coup de Dés Jamais N'Abolira Le Hasard, with the original and several translations.
Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge, but to keep going. It is a little like driving a car at night, in winter, on ice, with zero visibility. You have no choice, you cannot go into reverse, you must keep going forward while telling yourself that all will be well when the road becomes more stable and the fog lifts.—From Patrick Modiano's lecture when receiving the Nobel Prize in Literature [Original French, Swedish and video] which is about cities, old telephone directories but mostly about writing, how to do it and what it's like.
2014 Nobel Prize in Literature Goes to Patrick Modiano who is a French novelist and memoir writer. This article from 2011 is a good overview over his career and life. He was born in Italy to a Jewish father and a Belgian mother. Much of his writing deals with recent Jewish history such as in the book Dora Bruder. His detective novel Missing Person, which won the Prix Goncourt in 1978, has been called a postmodern mystery novel.
Adam Thirlwell has written five essays in as many years for The New Republic. They all concern themselves with literature, especially French, though the first one was about Charles Dickens and how he was the most avant-garde writer of the 19th Century. The second was about Roland Barthes' plans to write a novel which came to nothing when he died. In Visionary Materialism, Thirlwell explores Rimbaud's Illuminations from several angles. Genocide and the Fine Arts is about Claude Lanzmann, the director of Shoah, and his complicated relationship with his famous work. The latest one, Baudelaire's Humiliation as a Way of Life, is about Baudelaire's place at the crux of the 19th Century revolution in letters.
Arthur Rimbaud Documentary [via pb] is an impressionistic tour of Rimbaud's life, from a provincial upbringing, through his teenage poetic revolution, to his world travels and moderately successful business career in the Horn of Africa, featuring contemporary photographs, some taken by Rimbaud, and readings by Joan Baez. His poems (English translations, French, with some translated into English, earlier translations, with French originals) were fundamental in overthrowing the established traditions of writing and his personal story has long been an inspiration to those who chafe under the strictures of society. Ruth Franklin wrote about the whole arc of Rimbaud's life in The New Yorker, while Edmund White focuses on Rimbaud's bull-in-a-china-shop entrance into fellow poet Paul Verlaine's bourgeois existence in The Guardian. You can also read earlier biographical writings on Rimbaud, including his sister Isabelle's hagiographic account. Rimbaud's poetry has been set to music, perhaps most notably by electronic musician Hector Zazou and chansonnier Léo Ferré (links to music below the cut). [more inside]