The Story of Feminist Punk in 33 Songs: From Patti Smith to Bikini Kill, the songs that have crushed stereotypes and steered progress (Pitchfork). More than a list of songs, it's an overview of feminist expression through raw music, from 1975 to 2015, with an introduction by Vivien Goldman. "Because nothing beats jamming and singing with your sisters. That is punk. Punk freed female musicians. It is yours. Sing it, play it, live it now." [more inside]
"Life does not have a narrative arc. The world does not have a narrative arc. Or if it does, it’s bigger than anything we could ever fucking write about." An unusually great, philosophical interview with punk/DIY legend Ian MacKaye on self-preservation, digital obsession and finding your life tree trunk.
27 years after their recording, Fugazi gives their first set of demos an official release. Alternative Press checks in with an appreciation (with SoundCloud streams of the entire release). The Washington Post recounts the band's early years. [more inside]
In our past midnight conversation, Steve Albini discussed his interesting history with Kurt Cobain, his abandoned work with Fugazi, the stories behind making In Utero, the mostly good but surprisingly sad and surreal professional aftermath of making In Utero, how it might have changed his life, how the new Shellac LP’s test pressings are on route to the band, and why he doesn’t care about Breaking Bad but can tolerate The Newsroom.
It’s a fierce object, many-layered yet taut as could be. It’s a dense field made of raw materials so rarefied that even in combination the resulting effect is singular, tensile. The album in question is Fugazi Edits, for which Chris Lawhorn took the extensive discography of the hardcore band Fugazi and combined multiple songs into new hybrid compositions.
On May 22nd, 2011 at the Bowery Ballroom in New York, a number of bands put on a concert hosted by Eugene Mirman and Janeane Garofalo to celebrate the 10th anniversary of the publication of Michael Azerrad's Our Band Could Be Your Life. [more inside]
Between 1987 and 2003, Fugazi played over 1000 concerts in all 50 states and all over the world. Over 800 of these shows were recorded by the band's sound engineers. The goal of this project is to make each of these recordings available to download for a small fee. The standard suggested download price is $5 a show but they also offer a sliding scale option where you can set your own price. (Bonus Banter)
Music fans have known for a long time that Ian MacKaye's post-hardcore group Fugazi and the members of Shaolin-based hip-hop collective The Wu-tang Clan were really just two sides of the same awesome-sauce coin. So enter the mash-ups of -- wait for it -- WUGAZI! [more inside]
Minor Threats "The punk icon Ian MacKaye always wanted to create a tribe. Now an elder statesman of D.C. hardcore, the musician talks about organized religion, breaking toilets, and making peace with his mother’s death." A simply fantastic interview with Ian Mackaye from a magazine you wouldn't expect to be covering a hardcore music legend. I know there are some fans here on the blue who may really enjoy this.
"I like people to support the label, but as a musician, when I write a song I want it to be heard." Ian Mackaye
Fugazi on the web: Instrument excerpts, "Suggestion," "Waiting Room," "Shut the Door," "Reclamation," "Long Division," and much more. (previously 1, 2)
Punk Love “If you weren’t up for being a quarterback or going to a Fleetwood Mac concert, then this was your alternative." A collection of images from the D.C. punk scene of the early '80s, captured by Susie J. Horgans, with commentary from Fugazi's Ian MacKaye and (former Häagen-Dazs manager) Henry Rollins.
Ian MacKaye has been making good music for so long that it was great finally to see his picture in the NY Times. Not a very informative article, but it's a small victory for Fugazi fans everywhere. "We're not the first, hope we're not the last..." (Requires log-in)
A Minor Threat to business as usual: A fine Q&A with Ian MacKaye (Minor Threat, Fugazi) about the ethical, fan-friendly approach to music business at Dischord Records. Obligatory MeFi disclaimer: It's a Salon link.