"Since 2002, Sharon Jones and her band, the Dap-Kings, have been the world’s standard-bearing funk-bringers," according to Maxwell George, writing about Jones for the Oxford American. "On Sharon’s stage, delivery and dance moves are queen, and in her audience one can rediscover the lost arts of performance: command, direction, showmanship, sincerity." Horns, funk, soul, strength—Jones and her band bring it just for you. [more inside]
Here's forty four minutes and forty four seconds of James Brown: said to be the total of all his appearances on Soul Train.
Funk singer Marva Whitney, who was dubbed Soul Sister #1 by her mentor James Brown, has passed away at the age of 68. Backed by the whip-crack James Brown band (the JBs), Whitney's raw expression was just what the doctor ordered for those who wanted their funk uncut. Witness the supreme grooving goodness of It's My Thing (live TV appearance), Unwind Yourself, What Do I Have To Do To Prove My Love To You, I Made a Mistake Because It's Only You, and Things Got to Get Better (another live TV appearance, with James Brown himself conducting the band and Whitney resplendent in platinum blonde afro). Here she is in a southern-flavored soul ditty recorded for Excello in 1972 called Live and Let Live. Later in her career she cut an album with a JBs soundalike band from Japan called Osaka Monaurail, which included a recreation of the James Brown hit Give It Up or Turnit a Loose. And here's a radio interview from 2006, in which she reminisces about meeting James Brown and working under his wing. Heaven is a funkier place tonight. RIP Marva Whitney. [more inside]
'textbook definition of surrealism' In his epic new bio of James Brown, "The One"--an account of not just the man's life and music, but a panoramic view of African-American, southern and American political and cultural history of the 20th Century--author R.J. Smith briefly discusses "Future Shock," a dance show that Brown hosted in the mid-1970s. It aired on a pioneering Atlanta station, WTCG, a Ted Turner-owned UHF station that would become a satellite channel by the end of 1976. Along with the pay-only HBO (started in '75 in select markets), WTCG paved the way for a cable TV revolution. Its name would be changed to WTBS (otherwise known as Superstation WTBS) in 1979. [more inside]
Although she's not a household name, Marva Whitney is fondly remembered by funk devotees as one of the rawest, brassiest, most powerful divas the music ever produced. Along with fellow funk belters Lyn Collins and Vicki Anderson, Whitney made her name singing with the James Brown Revue for a few years, and her limited, much-sampled recordings for Brown-associated labels now fetch astronomical sums on the collector's market. - AllMusic
Give the drummer some? Nuh-uh. PAY the drummer some! Living Legend Tries to Make a Living. I'm talking about the man who gave us the drum solo (at 5:35) that launched a thousand hip hop ships, James Brown's funky heartbeat, Clyde Stubblefield. [previously].
Shaft was so cool that he had his own theme song. Shaft walked across the street whenever he wanted to. Shaft was a complicated man. But not all Blaxploitation heros were Private Dicks. They could be a Pimp, a Power-Hungry Criminal, a Coke Dealer, or a Male Prostitute. One was a Former Green Beret, one was a Bounty Hunter, and one was a Prize Fighter. Some were Foxy Ladies, such as Vigilante Nurses, US Special Agents, or Escaped Convicts. They might even be a Karate Master or a Vampire. [more inside]