Electronic Beats interviews five Detroit residents (Michael Stone-Richards, a professor in the Department of Liberal Arts at CCS in Detroit; Mike Huckaby, an internationally successful DJ and longtime producer of Detroit techno; Cornelius Harris, aka "The Unknown Writer", the label manager and occasional MC for Underground Resistance Records; Walter Wasacz; a journalist and writer based in Hamtramck, an enclave in the center of Detroit; Mark Ernestus, the Berlin-based producer, DJ and co-owner of Hard Wax record store; Mike Banks of Underground Resistance [UR]; George Clinton, the founder and leader of Parliament Funkadelic; and Samantha Corbit, who has over a decade of involvement with multiple Detroit record labels) on the past and future of Detroit, and it's (electronic) (musical) history. 72 Hours in Detroit
In "These Aren't the Droids" Neko Case (previously) and Kelly Hogan (previously) imagine a future designed by teenaged fanboys, and Ellie Kemper plays the unlucky wife of a Stromtrooper. [SLYT] [more inside]
Hey! The Bad Brains have a new album out! You can give it a spin here at ye olde You Tubes.
"If you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough."
Wired talks to William Gibson: on Why Sci-Fi Writers Are (Thankfully) Almost Always Wrong, on Twitter, Antique Watches and Internet Obsessions, and and on Punk Rock, Internet Memes, and ‘Gangnam Style’.
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
The Coalition for the Future of Music is a group started by Jenny Toomey of now-defunct indie record label Simple Machines, entertainment lawyer Walter McDonough, Brian Zisk of iCast, and Michael Bracy of the Low Power Radio Coalition. Jenny's been doing some thought-provoking writing about the subject of digital music, even if I don't agree with everything she's said, and I'm glad to see a group springing up that seems (unlike the corporate mouthpieces from the RIAA) to be thinking about how musicians are going to make a living in a post-Napster world.