Let Us Face the Future - "All parties pay lip service to the idea of jobs for all. All parties are ready to promise to achieve that end by keeping up the national purchasing power and controlling changes in the national expenditure through Government action. Where agreement ceases is in the degree of control of private industry that is necessary to achieve the desired end. In hard fact, the success of a full employment programme will certainly turn upon the firmness and success with which the Government fits into that programme the investment and development policies of private as well as public industry." [more inside]
"We will have screens everywhere, in the kitchen, in the restrooms, in the office, in the streets." Marguerite Duras was asked in 1985 what she thought the future would be like. [more inside]
Thanks to science, most of us accept the deep past – so why are our imagined futures so shallow? [more inside]
"some of these prognostications may seem a wee bit hyperbolic, a bit paranoid, maybe even a little nutty" What will American civil liberties look like in 2015? If things take a turn for the worse, they might look a little familiar. Slate also explored this terrain today, but not at such length. [more inside]
Electronic Beats interviews five Detroit residents (Michael Stone-Richards, a professor in the Department of Liberal Arts at CCS in Detroit; Mike Huckaby, an internationally successful DJ and longtime producer of Detroit techno; Cornelius Harris, aka "The Unknown Writer", the label manager and occasional MC for Underground Resistance Records; Walter Wasacz; a journalist and writer based in Hamtramck, an enclave in the center of Detroit; Mark Ernestus, the Berlin-based producer, DJ and co-owner of Hard Wax record store; Mike Banks of Underground Resistance [UR]; George Clinton, the founder and leader of Parliament Funkadelic; and Samantha Corbit, who has over a decade of involvement with multiple Detroit record labels) on the past and future of Detroit, and it's (electronic) (musical) history. 72 Hours in Detroit
Will Killer Robots Destroy Humanity? What The Future Of Robots Reveals About The Human Condition. Peter Thiel says 'Robots Are Our Saviours, Not the Enemy,' via. Brad DeLong reponds with The Rise of the Robots. Don't forget your 'Terrifying Robot Update,' especially when robots grow our food. Or maybe we'll get the Robots of Resistance, with human values. New World Order: Labor, Capital, and Ideas in the Power Law Economy. AI, Robotics and the Future of Jobs. [more inside]
How renegade sci-fi writers of the 1960s paved the way for today's blending of literary and genre fiction [more inside]
A day in the life, imagined 50 years from now, by ftrain: "It’s interesting when you scan old history scrolls to learn just how panicked everyone was about total global micro-surveillance. They just didn’t see it as a means of liberation, like we do now. Of course they lived in the era of giant government-run spying computers like Multivac. No one could imagine the upside of having every human interaction observed by penny sensors at all times. I’m glad to live in a world where a young woman can hop into a self-driving car with a total stranger and not feel a bit of concern." [more inside]
Direct brain-to-brain communication in humans has been demonstrated for the first time. DARPA begins work on miniaturized implants to control and regulate the nervous system. Researchers study using brain signals to operate drones. [more inside]
Wilson recently calculated that the only way humanity could stave off a mass extinction crisis, as devastating as the one that killed the dinosaurs 65 million years ago, would be to set aside half the planet as permanently protected areas for the ten million other species. “Half Earth,” in other words, as I began calling it—half for us, half for them. [more inside]
Why We're Not Driving the Friendly Skies A number of us can thank a cartoon character from the future, George Jetson, for instilling our longing. Students of aviation history might look for inspiration to the Autoplane prototype built in 1917 by the flight pioneer Glenn Curtiss. And tens of millions of motorists who have been stuck in traffic jams stretching toward the horizon must also feel a need to know: Where are the flying cars?
I come from the future, and I’m here to tell you: transcending the limits of the flesh can be downright dull. [more inside]
You Were Made for Loneliness is a Twine text adventure by Tsukareta that explores the idea of love in different situations. Since it's release back in June reviews have been overall positive. [more inside]
In "These Aren't the Droids" Neko Case (previously) and Kelly Hogan (previously) imagine a future designed by teenaged fanboys, and Ellie Kemper plays the unlucky wife of a Stromtrooper. [SLYT] [more inside]
Today Google unveiled their purpose-built self-driving car prototype, complete with no steering wheel, brake, or gas pedals. You just jump in, and go. The demo video is pretty impressive, and even the funnier Kara Swisher video of her first ride makes it look kind of fun. [more inside]
#PostModem [SLVimeo,nsfw:nudity] is "a comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through as series of cinematic tweets." [more inside]
VC for the people - "It's just that people who have options are much more likely to actually find success than people who don't." [more inside]
Scientists Progress in Quest to Grow Muscle Tissue in Labs - "The researchers are now working on optimizing the growth of human muscle tissue, including finding a way to get blood flow to the tissue, the best source of cells and the best growing medium for the cells."
The Two Cultures and the Scientific Revolution - "[Charles Percy Snow] was pleading for a more adequately educated ruling class so that the suffering of the poor might be ameliorated... Snow wanted to believe something like this: political decisions in the modern world often concern how to deploy science and technology, so people well-trained in science and technology will be better prepared to make those decisions. But that's a syllogism without a minor premise." (previously) [more inside]
2001: A Space Odyssey – Stanley Kubrick’s 1968 sci-fi masterpiece – seems an appropriate place to start a blog about typography in sci-fi. Amongst other delights, it offers a zero-gravity toilet, emergency resuscitations, exploding bolts, and product placement aplenty. It’s also the Ur Example of Eurostile Bold Extended’s regular appearance in spacecraft user interfaces. [via]
BBC Future predicts what will happen over the next 150 years, and also for the next 100 quintillion years, in handy infographic form.
The State of the World 2014 Bruce Sterling and Jon Lebkowsky have started this year's WELL-based review.
The Cooper-Hewitt Design Museum's collections, now searchable in color. Colors? They got colors. All kinds of colors. My god, it's just full of colors. But wait, there's even more inside... [more inside]
Whenever I look around me, I wonder what old things are about to bear fruit, what seemingly solid institutions might soon rupture, and what seeds we might now be planting whose harvest will come at some unpredictable moment in the future. The most magnificent person I met in 2013 quoted a line from Michel Foucault to me: "People know what they do; frequently they know why they do what they do; but what they don't know is what what they do does." Someone saves a life or educates a person or tells her a story that upends everything she assumed. The transformation may be subtle or crucial or world changing, next year or in 100 years, or maybe in a millennium. You can’t always trace it but everything, everyone has a genealogy. Rebecca Solnit in TomDispatch: The Arc of Justice and the Long Run: Hope, History, and Unpredictability [more inside]
"After two decades online, I'm perplexed. It's not that I haven't had a gas of a good time on the Internet. I've met great people and even caught a hacker or two. But today, I'm uneasy about this most trendy and oversold community. Visionaries see a future of telecommuting workers, interactive libraries and multimedia classrooms. They speak of electronic town meetings and virtual communities. Commerce and business will shift from offices and malls to networks and modems. And the freedom of digital networks will make government more democratic. Baloney. Do our computer pundits lack all common sense? The truth [is] no online database will replace your daily newspaper, no CD-ROM can take the place of a competent teacher and no computer network will change the way government works." A view of the Internet's future from February 26, 1995 at 7:00 PM
“Stylistically, I never had a plan – at the time, I was listening to a lot of intelligent drum ’n’ bass, but when I heard Squarepusher I was like, I can’t listen to normal jungle any more." Vapor City is the 9th album from North Carolina born, New York & Berlin based 'future jungle' producer Machinedrum. Illustrated by the grey-and-black industrial sprawl on the cover, (it) is about an imaginary metropolis; each of its ten tracks is devoted to one of its districts. [more inside]
An Aura of Familiarity: Visions from the Coming Age of Networked Matter. The Institute for the Future commissioned six science fiction writers to create short stories for their Age of Networked Matter research project. "We asked our collaborators to envision a world where humans have unprecedented control of matter at all scales, and to share with us a glimpse of daily life in that world. It was a process meant to make the future tangible." Three of the stories have appeared so far. [more inside]
Project Kronos: is a documentary film set in the not too distant future, following a mission to achieve interstellar space travel. As the mission unfolds with extraordinary results, the scientists find themselves dealing with a much bigger agenda.
UFO is a 1970 British science fiction television series about a secret military organization which defends the Earth from Alien invaders. The series was created by Gerry & Sylvia Anderson, who previously created the "Supermarionation" puppet TV series in the 1960's (Thunderbirds, Fireball XL-5), and would later create Space: 1999. The production is highly stylized, from the cars, hair styles, and future fashions to Ebert-worthy parties of the future, mesh space shirts and groovy theme music. [more inside]
With the Terrafugia Transition flying car (or drivable plane) getting closer to production (though there are doubters), the company has released plans for the TF-X, which looks like the flying car of our dreams. The plans call for a hybrid electric fully-automated transforming car that can take-off and land vertically, travel 200 mph, and not require a pilots license. Flying cars are apparently hot again, with crowdfunded efforts, a mysterious Silicon Valley startup Zee.Aero, the UK's AugustWestland, and the AirMule getting into the game; all while Terrafugia is also developing a "flying humvee" for the military. Of course, we have seen this all before, including one of the first flying cars, which was built around a Ford Pinto and killed its inventors.
Since time immemorial, people have tried to predict the future. In the second half of the 20th century, these efforts grew more ambitious and sophisticated. Improvements in computational power, data gathering, and analysis were all put to work to try to lift the veil on the future. But the last decade has not been kind to futurology. Bankers' and insurers' forecasts of risk turned out to be drastically wrong, torpedoing the financial system and ushering in a long stagnation. Politicians' visions of long-term stable economic growth evaporated. Perhaps relatedly, scathing critiques of our ability to foresee the future rose to the top of bestseller lists. In this newly self-conscious mood, Nesta funded research that tries to get under the surface of different ways of talking about the future. This paper leans on that research, defending some forms of futurology. Accompanying Guardian post on uncertainty being the only certainty.
They wash dishes in restaurants, clean toilets and look after elderly incontinent people in the West. That makes the majority of the 30 million who have emigrated from Africa. Some are much luckier, they work in subaltern management positions in corporate America or in public institution in Europe. Few are real stars, successful with high pay and social status. Regardless of their current fate, they all share one thing in common: most of them want to return to Africa. The recent medias’ drumbeat about “Africa is Rising” is making them restless and hopeful because most of them have quite a petty life in the West. They are constantly harassed by the state police, crushed by daily racism from their neighbors and strangers, economically and politically isolated, and with very little hope for a near-future improvement. Unfortunately their dream to return home is painfully held back by deep fears and unanswered questions. Here are the top 10 fears of the African diaspora about Africa, and also the top 10 questions most of them are confronted with.
Nobel laureate's campaign calls for pre-emptive ban on autonomous weapons. As our technology advances, it becomes more and more feasible to give more and more autonomy to our drones. A new campaign led by 1997 Nobel laureate Jody Williams calls for an international ban on the design of autonomous weaponized drones. [more inside]
For WIRED magazine's 20th anniversary, they've "gathered stories for, by, and about the people who have shaped the planet's past 20 years—and will continue driving the next."
The Smell of Orange Groves. This short story by Lavie Tidhar (author of Osama: A Novel) is part of his Central Station story cycle, taking place in or around Tel Aviv’s Central Station neighborhood sometime in the future. [more inside]
The stereotypes about Africa/Africans are too many to list here. They’re mostly negative, myopic depictions that focus on war, famine, abject poverty, disease, and corruption. In other oversimplifications, Africans are written up as model immigrants, overachieving geniuses, or displaced chiefs moonlighting as gas station attendants. Outside of these caricatures, many Africans are going to work and school, voting in their local elections, and spending way too much time on Facebook. And they’re over the ignorance that has collectively miscast them. In response, a swelling movement of young Africans are launching concerted efforts to wrest the image of Africa from entities and interests that don’t promote a balanced understanding of the continent.
"In a stunning first for neuroscience, researchers have created an electronic link between the brains of two rats, and demonstrated that signals from the mind of one can help the second solve basic puzzles in real time — even when those animals are separated by thousands of miles."
Omens: When we peer into the fog of the deep future what do we see – human extinction or a future among the stars? [Via]
Dougal Dixon is a scientist, author, and illustrator. While he is most famous for his work on dinosaurs, his books After Man: A Zoology of the Future and Man After Man: An Anthropology Of The Future attempt to explore what might happen in the far future. The Posthuman Art Of Dougal Dixon. [more inside]
Looking to print your own house, jewelry or dessert? Then check out Engadget's Consumer Guide to 3D printers.
The Timeline of the Far Future is a Wikipedia article which serves as a gateway to a ton of fascinating scientific topics on the far edge of human understanding: ~50,000 years from now the Earth will enter a new Glacial period; ~100,000 years from now the Earth will likely have experienced a supervolcanic eruption; ~10,000,000 years from now the East African Rift divides the continent of Africa in to two land masses; ~20,000,000,000 years from now the Universe effectively dies due to The Big Rip.