In the 1990s, a group of Australian misfits who made anti-rave music [NSFW audio, present elsewhere, too], influenced by their local Newcastle industrial heritage and the international sounds of gabber. In 1994, they bashed out some tunes and pulled together enough money to make 102 hand-stamped records, officially starting Bloody Fist Records. The label gained recognition world-wide, but abruptly closed shop in 2004, and a decade later Bloody Fist was celebrated in Newcastle with Fistography, an exhibit to the history and legacy of the label. If you missed any of this the first time around, you can stream and buy much of the label's catalog on their Bandcamp page. [more inside]
Terrorcore, for when you are listening to "I Wanna Be A Gabber Baby" and thinking "Man, I wish my 90's techno nostalgia could get just a bit 90's-ier"
This is Belgium Part Two
At the time this was the devil's music for us, but we have learned to listen through the claps and distorted kicks and discovered that if you slow these really dark and heavy techno records down all the way to about 115 bpm, it suddenly makes them sound less frantic, ballsier and a lot sexier. Belgium at its best when pitched down.[more inside]
Gracht is a short stop motion animation movie about the perils of moving house in Amsterdam, created as a graduation project for the Utrecht School of Arts in Hilversum.
We want to sing a big shout to U.S., and to all ravers in the world! And to Westbam, Marusha, Steve Mason, The Mystic Man, DJ Dick, Carl Cox, The Hooligan, Cosmic, Kid Paul, Dag, Mijk van Dijk, Jens Lissat, Lenny D., Sven Vath, Mark Spoon, Marco Zaffarano, Hell, Paul Elstak, Mate Galic, Roland Casper, Sylvie, Miss Djax, Jens Mahlstedt, Tanith, Laurent Garnier, Special, Pascal F.E.O.S., Gary D., Scotty, Gizmo,... and to all DJs all over the world!