Stephen Biesty is an award-winning British illustrator famous for his bestselling "Incredible" series of engineering art books: Incredible Cross-Sections, Incredible Explosions, Incredible Body, and many more. A master draftsman, Biesty does not use computers or even rulers in composing his intricate and imaginative drawings, relying on nothing more than pen and ink, watercolor, and a steady hand. Over the years, he's adapted his work to many other mediums, including pop-up books, educational games (video), interactive history sites, and animation. You can view much of his work in the zoomable galleries on his professional page, or click inside for a full listing of direct links to high-resolution, desktop-quality copies from his and other sites, including several with written commentary from collaborator Richard Platt [site, .mp3 chat]. [more inside]
Nearly three decades ago, folklorist Alvin Schwartz published Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s. But most of the backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued with new illustrations by Brett Helquist, of A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09, or the dramatic readings of fellow YouTuber daMeatHook.
When he's not recording more songs than Bob Dylan, former Guided by Voices frontman Robert Pollard is busy creating collages, many of which can now be seen online in an exhibit from Studio Dante in New York City. [more inside]
"A paper around her neck said she was Ida, but Ida said nothing at all." So tells the story of the saddest, unluckiest girl that ever lived. [more inside]