The Memory of the Netherlands is an image library making available the online collections of museums, archives and libraries. The library provides access to images from the collections of more than one hundred institutions and includes photographs, sculptures, paintings, bronzes, pottery, modern art, drawings, stamps, posters and newspaper clippings. In addition there are also video and sound recordings to see and listen to. The Memory of the Netherlands offers an historic overview of images from exceptional collections, organized by subject to provide easy accessSearch 833928 objects from 133 collections from 100 institutions.
"Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alÿs, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings — as the genre is called — about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works. Photos of the exhibition
"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " - Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
Breakfast looks different to different people. That alone made me wanna post this cuz that's just hella cool, but after I saw that, I started wondering what does breakfast sound like? Why should we even bother with breakfast? Here's some more thoughts on breakfast. Hungry yet? This was a great movie by the way. I guess that one was okay too. So what did you have for breakfast? [previously]
Cover Art: The Time Collection [Flash] "In 1978 Time Magazine gave to the National Portrait Gallery some 800 works of original art that had at one time or another appeared on its covers." The gallery has created an online-only exhibition of the covers (the museum is closed for renovation until July 4, 2006). "And while one may normally imagine ornately framed oils of distinguished luminaries when thinking of the NPG, the Time covers offer a much closer to 'street level' survey of the prominent figures of any specific period." [via CSM]
Post No Bills. At the intersection of life and advertising one may unexpectedly find art, or at least humor. Henry Ho shines a light on it. (42 pages. Or view all thumbnails together)