Depiction vs. Endorsement and Sexism in GoT: How Game of Thrones presents a sexist narrative when A Song of Ice and Fire doesn’t (spoilers through GoT 5x03 and the books). "The world in which Martin set his A Song of Ice and Fire (ASOIAF) is a terribly sexist one. But George R.R. Martin is not sexist. The books are not sexist. The show…is. And here’s why: where Martin actively forces the reader to address the problematic treatment of women in his series head-on as an overarching theme, showrunners David Benioff and Dan Weiss (D&D) actively incorporate sexist tropes and demonstrate a fundamental misunderstanding of the source material." [more inside]
The highlight of Monday Night's Emmy Awards telecast was (MeFi's Beloved) Weird Al Yankovic performing a medley of the lyrics that popular shows' theme songs SHOULD have. (With Very Special Guest Andy Samberg as 'Joffrey' making a very special presentation to George R. R. Martin in the audience... that [SPOILER] apparently was NOT poisoned)
I finally gave in and started reading Game of Thrones. When I got to the end of the first chapter, I texted a bunch of my nerd friends like, "Why do people think this is surprising? It is like super-obviously signposted!" From there, it turned into a project where I try to predict what will happen in Game of Thrones. Predicting Game of Thrones, a blog by Eyebrows McGee, with an accompanying predictions log. NOTE: this is full of spoilers for the first two books, and the first half of Book III (Storm of Swords) will be online soon. Plus any number of theories could come true in the later books. [via mefi projects] [more inside]
"I had been creating languages for 10 years. But everybody else applying was equally skilled. So I figured the edge that I had was pretty much an endless amount of time—I was unemployed. I just decided: Well, let's just try to create the whole thing. In those rounds of judging, I created about 90 percent of the grammar—which is ridiculous for two months. Then I created 1,700 words of vocabulary—which is equally ridiculous for two months. Overall, I produced about 300 total pages of material. I figure that was probably what put it over the top."
To put it simply, this is why we can't have nice things. If the only thing that gets a serious segment of fandom up in arms about Game of Thrones's use of rape and violence against women is the fear of having tarnished the gleam of a favorite male woobie, then the showrunners have absolutely no reason to change their behavior. If they know that favorite characters can get away, literally, with murder so long as the person they murder is a woman who hurt them and slept with other men, they will simply keep showing us that. I'm not saying that I have the solution here, and god knows that simply by continuing to watch the show I'm part of the problem. But it is enormously frustrating to watch a critical conversation build around this show and its handling of violence against women, only to devour itself when it becomes clear that the real problem is a man.Abigail Nussbaum takes a long hard look at Game of Thrones, its fandom and the way both handle rape.
Who is Jon Snow's mother? What's up with the crazy seasons in Westeros? Why have the White Walkers returned after all this time? These questions and more have been the subject of much speculation and debate among fans of George R.R. Martin's Game of Thrones / A Song of Ice and Fire / Dunk and Egg universe for more than a decade. Fans have published their theories in forums, on fansites, and even as the occasional academic journal article. (Spoiler warning: All sources -- show, books, cut scenes, DVD special features, pre-released chapters, interviews, visions you got from a tree, etc. -- are fair game in this thread!) [more inside]
Vanity Fair interviews George R.R. Martin about his plan for staying ahead of HBO.
"All this gives us one way to understand the Lannister zeal for power in King's Landing. In effect, Tywin is attempting to execute a debt-for-equity swap since his debts aren't actually recoverable. But that simply underscores the extent to which the loans to the Iron Throne are, themselves, worthless as financial assets." Economics of Ice & Fire, Part I and Part II (minor dialogue spoilers for S03E03) [more inside]
The Tower Of Joy, an adaptation by comic book and storyboard artist Jeff McComsey of one scene from A Game of Thrones.
“Racist rape-culture Disneyland with Dragons” -- Laurie Penny on the popularity of George R. R. Martin's Song of Ice and Fire and the critically acclaimed HBO dramatization Game of Thrones. (Hint: Despite the obvious gender-racial-class problems, Miss Penny really likes the show.) [more inside]
HBO is now selling a life-size replica of the throne from “Game of Thrones,” its epic fantasy adapted from George R. R. Martin’s “Song of Ice and Fire” novels. [HBO-blue] The replica is made not from molten steel but from hand-finished, hand-painted fiberglass and fireproof resin, weighs 350 pounds and measures 7 feet, 2 inches tall; 5 feet 11 inches deep; and 5 feet 5 inches wide. HBO, which also offers artifacts and memorabilia inspired by its other original series, said in a news release about the throne that “calling it impressive is an understatement” but offered no advice on how to sit in a seat constructed from so many sharp and pointed instruments. [Via: NYTimes.com]
"First of all, we almost had no battle at all. For budgetary reasons we came very, very close to having all the action take place off-screen, the way plays have handled battle scenes for a few thousand years." - How the epic battle at the heart of the latest episode of Game of Thrones, Blackwater, written by George R. R. Martin and directed by Neil Marshall, came to be. Mentor relationships in Game of Thrones (and Mad Men). The National's Lannister song. And, perhaps sriking closest of all to the central themes of the show, Jezebel plays Game of Thrones: Marry, Fuck, Kill.
Sady Doyle of Tiger Beatdown (warning: spoilers in all links) reviews the first four books of A Song of Ice and Fire and declares that "George R. R. Martin is creepy. He is creepy because he writes racist shit. He is creepy because he writes sexist shit." Alyssa Rosenberg of Think Progress responds, as does Delphine on GeekMom.
Fifteen years after the publication of A Game of Thrones, the first volume in George R. R. Martin's [website] [blog] epic fantasy series A Song of Ice and Fire, and six years after the publication of the fourth volume in the series, the fifth volume, A Dance With Dragons, was finally released on July 12, 2011 to critical and commercial success. [more inside]
A Song of Ice and Fire [SLYT] Game of Thrones Violin Cover. An acoustic and electric violin cover of the main theme song from Game of Thrones. Arranged and performed by Jason Yang. Original song and soundtrack by Ramin Djawadi.
"Welcome! We are two big fans of George R.R. Martin’s Song of Ice and Fire series. We are also fans of food. What, then, would be more natural than to combine them into one fabulous blog?" The authors of The Inn At The Crossroads cook their way through the book series that starts with A Game of Thrones [previously on Metafilter: the HBO adaptation] and post the sometimes intricate and often tasty-looking results. Recipes are included. [Via Anger Burger] [more inside]
HBO's Game of Thrones, "Narnia populated by super-hard bastards", has been a ratings and critical success and has already been picked up for a second season. HBO have a secret weapon in bringing George R. R. Martin's fantasy epic to screen: An awesome title sequence that doubles as a painless infodump.