For over sixteen years, the webcomic Jerkcity (previously over twelve years ago, wow) has provided beloved characters and (largely worksafe, except for maybe #191 and #5014 although they lack nudity) vulgarity. But more recently, the Jerkcity experience has been expanded by collaborative fan efforts that have been integrated into the main site (along with other site updates like tags and dialogue transcripts): redrawing project Jerkcity HD (some comics NSFW) and audio dramatization project Jerkcity Hi-Fi (if you're using headphones, you might want to turn them down a little when you listen). Too many details on these and other fan-efforts (and how people can contribute) inside. [more inside]
The baffling tweets of Jaden Smith make a surprising amount of sense when repurposed into Garfield comics.
In present day, Garfield and Jon have oval shaped eyes, but when drawing this poster I wanted the look from the Garfield of the early 80's, when E.T. was made.
Charles Forsman (previously) has created another Spielberg/funny pages mashup: E.T. + Garfield [more inside]
A comic strip has caused a political uproar by making a bold, controversial statement on Veteran's Day, considered by some to be an insult to our nation's fighting men and women. The strip that has spit on the work of our country's bravest veterans is, as you would expect, that anti-American bastion of subversive vitriolic societal commentary, Garfield.
Jim Davis' other strip was U.S. Acres, with Orson the Pig, Roy the Rooster, chick and egg Booker and Sheldon, sheep Bo and Lanolyn, and... a dog named Cody and a cat named Blue? Everyone who grew up from that time remembers the long-running Saturday morning show, but no one remembers the strip, which ended a couple of years before the cartoon did and evolved on a different track. Platypus Comix brings us highlights from the strip's surprisingly good, yet neglected, newspaper run.
Garfield is dead...maybe. (Warning: Obnoxious music)
Garfield, Deconstructed! An engaging, adoring daily analysis of Garfield—behold such a lens through which even Jim Davis' legacy starts to seem redeemable.
"I hypothesize that if you remove all the text of Garfield's speech, or thoughts, or whatever that is, that it becomes an oddly surrealist comic."
I hate mondays. I love lasagna. I like naps. I hate Odie. I bet anyone of you people is funnier than Jim Davis' Garfield. Here's your chance.
When I was in college in the early 90s (B.W. -- before web), I used to subscribe to the daily newspaper just to get my comics fix every morning (back when Bill Waterson, Gary Larson, and Berkeley Breathed were king). Then the web came along and I had to suffer through the only (unfunny) cartoonist to embrace the web. But not anymore. With stuff like Comics-via-RSS and Comictastic I can fire up an app and start laughing every morning. I doubt I ever buy a newspaper again for the funny pages, and on top of that, these even let me avoid the lame ones I don't care about.
Garfield turns 25 this week. 25 years of comic strips, none of which were even remotely funny. Why do the great comics, like this or this or even this, disappear from our newspapers, while drivel like Garfield thrives? Some people even love Garfield. The rest of us just want to see him burn.