The stark, modal banjo and achingly poignant, weathered voice of the great Dock Boggs [previous] are the perfect aural accompaniment to a slideshow of William Gedney's [previous] powerfully intimate photographs: Kentucky, 1964. [more inside]
What Was True. From the mid 1950s through the early 1980s, William Gedney (1932-1989) photographed throughout the United States, in India, and in Europe, and filling notebook after notebook with his observations. From the commerce of the street outside his Brooklyn apartment to the daily chores of unemployed coal miners, from the lifestyle of hippies in Haight-Ashbury to the sacred rituals of Hindu worshippers, Gedney was able to record the lives of others with clarity and poignancy. Gedney's America is a nation of averted eyes, and broken automobiles, and restlessness, a place Edward Hopper would recognize, but so, also, Walt Whitman.