But even then, Beckmann will be there before you, and seem more at ease. And in how he stands and where he’s chosen to stand, it’s also clear that he can leave, that he can move out the door just to his right. Again, the sense that he belongs here, that he knows better than you how to dress and what to do, gives the impression that you aren’t an audience viewing him, but that he is giving you an audience instead. He belongs, we don’t, or don’t so well as he. Max Beckmann's 1927 Self-Portrait in Tuxedo, appreciated by Harvard art historian Joseph Koerner. [more inside]
"A selection of pages from an 18th-century demonology book comprised of more than 30 exquisite watercolours showing various demon figures, as well as magic and cabbalistic signs. The full Latin title of Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros, roughly translates to “A rare summary of the entire Magical Art by the most famous Masters of this Art”. With a title page adorned with skeletons and the warning of Noli me tangere (Do not touch me), one quickly gets a sense of the dark oddities lurking inside its pages." - The Public Domain Review presents illustrations from a 18th century guide to demons and demonology (NSFW illustrated nudity, snakes on bits.)
Anna & Eve is a photo project by artist Viktoria Sorochinski exploring relationships between mother and daughter.
With their brutal, simple riffs and aggressive, fast tempos, Accept were one of the top metal bands of the early '80s, and a major influence on the development of thrash. Led by the unique vocal stylings of screeching banshee Udo Dirkschneider, the band forged an instantly recognizable sound and was notorious as one of the decade's fiercest live acts. - AllMusic
Confessions of a Genius Art Forger — In one of Germany's greatest art scandals, former hippie and talented artist Wolfgang Beltracchi forged dozens of paintings over a period of 35 years, earning millions and fooling top collectors and museums. In a SPIEGEL interview, he reveals how he did it and why he eventually got caught. Photo Gallery. Background... [more inside]
In the sixty-odd years since their composition, the Four Last Songs have acquired in many people’s minds an unassailable status as simply the most beautiful music known to them, to be listened to in a dimly lit room and a state of rapt meditation, surrendering to the extraordinary spell of profound, other-worldly calm that they cast. This is not surprising. They were, indeed, the last things of any significance that Strauss wrote, between May and September 1948, at the age of eighty-four. (previously) [more inside]
Until the End of the World was conceived over most of the ’80s, filmed on four continents (including video smuggled out of China), and foresaw a future abetted by such diversions as mobile viewing devices, proto-GPS and a highly sought-after contraption that records images for the blind. Starring William Hurt, Sam Neill, Solveig Dommartin, Jeanne Moreau and Max von Sydow among an international ensemble of actors, the film also skyrocketed to a $23 million budget and found its distributors — including Warner Bros. in the United States — requiring cuts that reduced it to barely a quarter of Wenders’s original vision. Later locked in at just under five hours, it’s the type of material that today would be a shoo-in for a cable miniseries that could probably win Emmys for everyone involved. Twenty years on, however, it’s relatively lost to the mainstream, with Wenders’s directors cut as yet unreleased outside two territories in Europe.
Despite appearing early in his career, Aguirre, the Wrath of God is for me the quintessential Herzog movie. ... It deals with possibly the most obsessed group of people in history, the Spanish conquistadors, and their desperate hunt for the most magic of all Grails, the elusive golden land of El Dorado – leaving destruction and death to millions in their wake. A few lines in an old chronicle is all that remains of the historical facts, thus leaving plenty of room for Herzog to employ his imagination and re-arrange the facts. In short: an ideal topic for a visionary director, tackled with just the right crew, and on a location guaranteed to make the shooting an ordeal in itself.
Over Your Cities Grass Will Grow bears witness to German artist Anselm Kiefer’s alchemical creative processes and renders as a film journey the personal universe he has built at his hill studio estate in the South of France. [more inside]
Parasitic Subway Projector: High concept German art students cram a Mac mini and a projector into a suitcase and mount it to the side of a subway car with suction cups. The resulting images, projected onto the tunnel walls, make for a fascinating work of public art. [QuickTime] Link via: The Unofficial Mac Weblog
The British Council polls non-English speakers for the seventy most beautiful English words. Mother comes out on top (as ever), with lullaby, oi (my favourite), and — bizarrely — hen night also appearing. I much prefer the examples of Wilfred Funk (and others): dawn, chalice and gossamer, for instance [source origin]. Beautiful words can be combined to form beautiful phrases and sometimes more. German words are also beautiful; habseligkeiten (meaning property), and such. Words can also be curious, people have observed; but also be truly awful, as a quick search of the phrases "global experience" and "leading edge" will attest.
German Objectivist photographer Karl Blossfeldt (1865-1932) once said "the best constructions for industrial design have already been anticipated in nature." Do your eyes a favor and look here.