Unlike many cinematic exports, the Disney canon of films
distinguishes itself with an impressive dedication to dubbing
Through an in-house service called Disney Character Voices International
, not just dialogue but songs, too, are skillfully
re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to an uncanny degree
(while still leaving plenty of room for lyrical reinvention
The breadth of the effort is surprising, as well -- everything from Arabic
gets its own dub, and their latest project, The Princess and the Frog
, debuted in more than forty tongues
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in multilanguage mixes
and one-line comparisons
, linguistic kaleidoscopes that cast new light on old standards. Highlights:
"One Jump Ahead," "Prince Ali,"
and "A Whole New World"
) - "Circle of Life," "Hakuna Matata,"
(The Lion King
) - "Under the Sea"
and "Poor Unfortunate Souls"
(The Little Mermaid
) - "Belle"
and "Be Our Guest"
(Beauty and the Beast
) - "Just Around the Riverbend"
) - "One Song"
) - "Bibbidi-Bobbidi-Boo"
) - Medley
) - "When She Loved Me"
(Toy Story 2
) - Intro
A Nazi zombie invasion!? Yep, it's the Worst Case Scenario [more inside]
"To make off with hubby's fortune, yea, I think I heard of that happenin' once or twice around L.A. And… you want me to do what exactly?" He found the paper bag he'd brought his supper home in and got busy pretending to scribble notes on it, because straight-chick uniform, makeup supposed to look like no makeup or whatever, here came that old well-known hard-on Shasta was always good for sooner or later. Does it ever end, he wondered. Of course it does. It did. Thomas Pynchon
's next novel, the 416-page Inherent Vice
, is described by Penguin Press
as "part noir, part psychedelic romp, all Thomas Pynchon — private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog." While we wait for its August 4 publication, we can read an essay on the dystopian musical he co-wrote at Cornell
or watch a clip of that movie they made of Gravity's Rainbow
. [more inside]
: Jan-M. Studt's writing/directing debut. "Businesswoman Sarah Townsend looked back on a successful day when a promising, unknown man called on her 3D-holophone. Too bad the holophone technique isn't very advanced yet. And men are not what they used to be..." (German with English subtitles.)