Endbahnhof, a collection of photographs of every U-Bahn station in Berlin, organised by line and showing the variety of architectural styles in the system. There is an interview with the photographer, Kate Seabrook, here.
During a recent visit to the United States Holocaust Memorial Museum in Washington, D.C., I was reeducated in the power of branding — especially as applied to poster design — at the special exhibition, State of Deception: The Power of Nazi Propaganda, which demonstrates how the Nazi party used carefully crafted messages, advertising and design techniques, and then-new technologies (radio, television, film) to sway millions with its vision for a new Germany. (related)
book (design) stories: modernist book design in germany and switzerland 1925–1965 (and beyond)
The Gerd Arntz Web Archive collects graphics from the career of the man who - in creating over 4000 Isotypes for social scientist Otto Neurath in 1930s Red Vienna - can make a serious claim to be the inventor of the modern stick figure. He attacked the corruption of German society as the Nazis rose to power, then joined Neurath in an attempt to create a transnational visual language that bore later fruit in Otl Aicher's 1972 Olympic pictograms and the AIGA passenger/pedestrian symbol signs. [via Mark Larson and Austin Kleon]
http://www.digitank3001.de It's oh so eighties... nice retro design and a quite inspiring graphic design portfolio.