Trailer for Michel Gondry's new film, Mood Indigo, based on the book Foam of the Daze (or Froth on the Daydream, depending on the translation) by Boris Vian. [more inside]
Haircut Mouse. A short animated film by Michel Gondry.
The long take, an uncut, uninterrupted shot in film, is seen by some as the counter to CGI, the last great field for cinematic art. The linked page features six clips from 1990 on, plus the opening shot from Orson Welles' 1958 film, Touch of Evil. Alfred Hitchcock's film from a decade earlier, Rope, took the long cut further, with the whole film shot in eight takes of up to 10 minutes each, a decision shaped by the limit of the physical recording media. With digital media, the long take could be pushed further, as with Russian Ark, from 2002. The movie was shot in one long take, with the narrative working through the history of Russia, set within The State Hermitage Museum, and captured in one day on the 4th take. If the long takes are a tad long for you, try the "short" long takes that are one-shot music videos [videos inside] [more inside]
A relatively long list of music videos by Michel Gondry. From his humble beginnings with Oui Oui to his eventual mastery of both space and time. [more inside]
Michel Gondry has a new movie coming out called "Be Kind Rewind." And then, since I guess he wasn't entirely happy with the way the studio's trailer looked, he made his own.
Michel Gondry Curates YouTube from Sundance; Pussy On The Mat : Ornette Coleman and Mark Kostabi: anxiety attack: Devendra Banhart - A Ribbon: Max Roach at his best: MIT sketching: game Over
Michel Gondry on the making of "Declare Independence" (also, YouTube), his seventh collaboration with Björk. It makes their romp with a Paint Piano a couple years ago seem oddly prescient. [more inside]
Mum with no arms changes baby's nappy with her feet. There's something really unnerving about this (rather old) video, but it sure puts Gondry to shame.
The first clip (QuickTime movie, 15 MB) from The Science of Sleep, Michel Gondry's new film, starring Gael Garcia Bernal and Charlotte Gainsbourg (set photos), out later this year and hailed by reviewers at Sundance as a "a glorious mess", "loaded with gags and gimmicks and spectacularly beautiful and memorable images", a "wild visual phantasmagoria... and a lot of fun".