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"She sounded like Saturday night on a Sunday morning. Patsy on Jesus. Elvis without the pelvis." is how the liner notes for The Glory Road, the Numero Group's 2005 reissue of Fern Jones' classic album Singing a Happy Song start. When her album was recorded, the session musicians had just played Elvis's 1958 sessions. Later, Jimmie Davis and Johnny Cash both covered one of Fern's songs (I Was There When It Happened(YT)). Much of the information on the web, including this brief piece from The Oxford American about Fern, these images from her revival days, and other history comes from the website maintained by her daughter. Fern's daughter is interviewed about her mother here (mp3), with musical clips included. NPR reviewed the reissue in 2005 when it came out. [more inside]
posted by OmieWise on Jan 9, 2012 - 9 comments

A decade on, the Coen brothers' woefully underrated O Brother, Where Art Thou? [alt] is remembered for a lot of things: its sun-drenched, sepia-rich cinematography (a pioneer of digital color grading), its whimsical humor, fluid vernacular, and many subtle references to Homer's Odyssey. But one part of its legacy truly stands out: the music. Assembled by T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from cheery ballads and angelic hymns to wistful blues and chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a heartfelt, homespun feel that echoed its cultural heritage, a paean and uchronia of the Old South. Though the multiplatinum album was recently reissued, the movie's medley is best heard via famed documentarian D. A. Pennebaker's Down from the Mountain, an extraordinary yet intimate concert film focused on a night of live music by the soundtrack's stars (among them Gillian Welch, Emmylou Harris, Chris Thomas King, bluegrass legend Dr. Ralph Stanley) and wryly hosted by John Hartford, an accomplished fiddler, riverboat captain, and raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on Hulu and YouTube -- click inside for individual clips, song links, and breakdowns of the set list's fascinating history. [more inside]
posted by Rhaomi on Dec 22, 2011 - 107 comments

Gospel singer Herman Cain's album "Sunday Morning" is now available online. In the fifteen years since the album was originally released the singer and baptist preacher has also found success in the business world, broadcasting, and politics.
posted by furiousxgeorge on Jul 11, 2011 - 12 comments

Satan your kingdom must come down. [more inside]
posted by flapjax at midnite on Jun 15, 2011 - 31 comments

American gospel singer Marion Williams (wiki) performs for a Dutch television special, recorded in Utrecht, November 1962:
"Somebody Bigger Than You And I"
"Mean Old World"
"Take Me To The Water"
"It Is Well With My Soul"
"I Believe" [more inside]
posted by hermitosis on Jun 3, 2011 - 15 comments

Say, you wanna hear a sad song? Eddie Hinton was a guitar player, vocalist, and songwriter from Tuscaloosa, Alabama. Co-writer of one of the tenderest, sexiest hits of the late 60s, Dusty Springfield's Breakfast in Bed, Hinton was a key member of the world-famous Muscle Shoals Rhythm Section from 1967 to 1971 (turning down an invitation from Duane Allman to be a member of the Allman Brothers Band) who worked as a studio musician on albums by Aretha Franklin, Otis Redding, Wilson Pickett, Percy Sledge, the Staples Singers, and Toots Hibbert, but his early success was sidetracked by mental problems, booze, and drugs. [more inside]
posted by BitterOldPunk on May 31, 2011 - 22 comments

The Evangelical Adoption Crusade [more inside]
posted by zarq on Apr 28, 2011 - 137 comments

He began his musical career as Georgia Tom, playing barrelhouse piano in one of Al Capone’s Chicago speakeasies... [more inside]
posted by magstheaxe on Feb 5, 2011 - 4 comments

He Touched Me: The Gospel Music of Elvis Presley -- Where other documentaries have focused on the early rock-and-roll of the Sun years, the Memphis Mafia, or the fat, drugged Elvis of the Las Vegas era, this documentary focusses on a side of Elvis many people may not be familiar with, and does a convincing job showing that it was early Southern gospel groups (both black and white) which were his true love and the main musical influence throughout his life. Filled with wonderful archival footage and revealing, and rather tender interviews from his band and his backup singers. (Part One) 1::2::3::4::5::6::7::8::9::10::11::12 (Part Two) 1::2::3::4::5::6::7::8::9::10::11 And here is a clip of Elvis singing the Battle Hymn of the Republic section from his American Trilogy, used to good effect in the Bazooka & Jetpack Scene from the movie Kick Ass. [This post dedicated to "The King" of Metafilter music, the mighty mighty flapjax at midnight]
posted by puny human on Jan 24, 2011 - 13 comments

Blues Houseparty is a fun, entertaining and highly recommended 57 minute documentary that takes us into a Virginia houseparty of 1989, where the assembled Piedmont blues and gospel musicians and their friends pick guitars, sing, dance and engagingly reminisce on the houseparties of old. Amidst hearty laughs, barbecue and general good times, the guests recount personal memories of fun and rowdiness, corn liquor, 500-pound hogs, the devil's music and the Lord's music. There's a whole lot of cultural history on display here, a slice of black American life that is all but gone now. The mood is infectious, to say the least, and the music just keeps getting better and better throughout the film. The next best thing to being there!
posted by flapjax at midnite on Dec 10, 2010 - 13 comments

Albertina Walker, the reigning Queen of Gospel, has died at 81. [more inside]
posted by magstheaxe on Oct 16, 2010 - 4 comments

The trick is to give without looking to receive - to give of yourself to your family, your friends, your community, and the world community with love. The King of Rock and Soul Solomon Burke, Archbishop of the House of God For All People and member of the Hall of Fame died on a plane (2) after arriving in Amsterdam. [more inside]
posted by ersatz on Oct 10, 2010 - 47 comments

Lewis Marshall "Grandpa" Jones was one heck of a banjo player and storyteller best known for his role on Hee Haw. Those Delmore Boys? Lord can they sang,sang,sang. Merle? Hell he invented a whole new way to pick. Want to learn how? Drawn together by their love of traditional gospel music, they became country music's first supergroup. The Brown's Ferry Four. Their complete recordings.
posted by timsteil on Jul 11, 2010 - 9 comments

Given it is Sunday, feel free to get your Jesus on with The Mighty Clouds of Joy. Somebody say Amen.
posted by timsteil on Jun 27, 2010 - 17 comments

Who's that writing? [MLYT] [more inside]
posted by chaff on Jun 26, 2010 - 10 comments

Have you heard of Washington Phillips? He was possessed of a wonderful voice, and delivered his simple but gorgeous gospel tunes in an easy and utterly unprepossessing style. He accompanied himself not on guitar or piano, as might be expected, but rather on a chiming, delicately ethereal zither, lending a curiously timeless air to his recordings from the 1920s. An altogether unique performer, his music is a real treat for the soul: Take Your Burden To the Lord, What Are They Doing in Heaven Today, Denomination Blues, I Had a Good Father and Mother, Lift Him Up, Paul and Silas in Jail, Mother's Last Word To Her Son and Train Your Children. [more inside]
posted by flapjax at midnite on Jun 14, 2010 - 23 comments

Folk America: Excellent BBC 3-part documentary tracing folk music from the '20s to the folk revival of the '60s, encompassing the depression and the civil rights era. part 1: Birth of a Nation (59.21) part 2: This Land is Your Land (59:30) part 3: Blowin' in the Wind (58:49) [more inside]
posted by madamjujujive on Feb 21, 2010 - 13 comments

Fans know him as Tonéx. His eccentric style and vertiginous high notes helped make him one of the most acclaimed praise singers of the past decade, and, for a time, one of the most successful. ... This past September, the television host known as Lexi broadcast an interview [Part 1 / Part 2 / Part 3] with Tonéx on the Word Network, a gospel channel, in which he made his clearest public statements about his sexual orientation. He is, within the church world, the first high-profile gospel singer in history to come out of the closet. Within hours, he started to realize what he had done. His relationship with the mainstream gospel industry was effectively over.
From a fascinating article in the most recent New Yorker [abstract only]. This podcast [freely accessible] with the author of the article, Kelefah Sanneh, delves into the rarely discussed "secret" in the black church that many gospel musicians have been and are gay. Sanneh touches on the stories of both James Cleveland, the creator of the modern gospel sound who died of AIDS in 1991, and one of his backup singers, Carl Bean, who became famous for the 70s disco hit "I Was Born This Way." One contemporary preacher and gospel singer that Sanneh discusses in relation to Tonéx is Donnie McClurkin, a man made infamous during the Obama campaign for railing against homosexuals in Southern Black churches. McClurkin has admitted to engaging in homosexual acts for 20 years but does not identify as gay and believes a strong Christian faith can deliver a person from the "sin" of homosexuality. He recently delivered a sermon directed at young black homosexuals in the church, specifically calling out Tonéx. [McClurkin sermon Part 1 / Part 2 / Part 3]
posted by (Arsenio) Hall and (Warren) Oates on Feb 2, 2010 - 44 comments

On gospel, Abba and the death of the record: an audience with Brian Eno
posted by Artw on Jan 17, 2010 - 134 comments

There was a historic music festival in the summer of 1969. But it's not the one that took place in Bethel, NY. The Harlem Cultural Festival ran from June 29 to August 24 that summer, presenting a concert every Sunday afternoon in Mount Morris Park (known today as Marcus Garvey Park). Three hundred thousand people turned out for the six free concerts, hearing acts like Nina Simone , Sly & the Family Stone (the only act to play both Woodstock and the "black Woodstock"), Stevie Wonder, Mahalia Jackson, The 5th Dimension, Moms Mabley and. Speakers included Jesse Jackson and "blue-eyed soul brother" Mayor John Lindsay. Security was courtesy of the Black Panthers, since the NYC police refused to provide it. Filmmaker Hal Tulchin recorded over 50 hours of concert footage, which has remained unreleased. Historic Films seems to hold the footage; it was supposed to be made into a movie to premiere at Sundance 2007, but its release seems to be continually delayed for reasons unclear. [more inside]
posted by Miko on Aug 20, 2009 - 19 comments

"She was a rock star," recalls Ira Tucker Jr., who grew up watching Tharpe with his father's gospel group in the 1940s and '50s. "You know, like Beyonce today and people like that. That's what Rosetta was to us." Sister Rosetta Tharpe wasn't the first one to bring black popular music into the church. (Here's the great Arizona Dranes playing barroom honky-tonk piano on the gospel side I Shall Wear a Crown in 1927.) But her fierce stage presence and her original blend of gospel, boogie-woogie, swing and smoking hot blues guitar was a crucial forgotten influence on what we now recognize as rock and roll. (Many more recordings inside. Enjoy!) [more inside]
posted by nebulawindphone on Jul 21, 2009 - 20 comments

As soon as you start saying that it’s not something that Christians do, well, guns are just the foil. The issue now is the Gospel. So in a sense, it does become a crusade. Now the Gospel is at stake. Of the 40 states with right-to-carry laws, 20 allow guns in churches. [more inside]
posted by VikingSword on Jun 26, 2009 - 180 comments

Pilgrim Productions Presents: Voices Across America, an archive of gospel music in a variety of genres, submitted for free play and download by church groups and folk and traditional groups across the country and beyond. Style, age, and quality vary greatly, but fans of noncommercial music will enjoy hunting for the gems of blues, Cajun, bluegrass, choral, shapenote, country, vintage, and mountain gospel and more.
posted by Miko on May 24, 2009 - 15 comments

The foot bone connected to the ankle bone, the ankle bone connected to the leg bone, the leg bone connected to the knee bone, the knee bone connected to the thigh bone, the thigh bone connected to the hip bone, the hip bone connected to the back bone, the back bone connected to the shoulder bone, the shoulder bone connected to the neck bone, the neck bone connected to the head bone, now hear the word of the lord...and be sure to check the hover-overs for link details on all this bony business,
posted by flapjax at midnite on May 2, 2009 - 24 comments

Desperate Man Blues Edward Gillen's documentary about Joe Bussard, renowned collector of 25,000+ blues, folk and gospel 78rpm records from the 20s and 30s. It's about the hunt and the hunter, as much as what he found. One week only on Pitchfork TV [more inside]
posted by msalt on Jan 31, 2009 - 15 comments

"Looking For a City..." Johnny Cook and Vestal Goodman have a competition to see who can sing the highest. [SLYT]
posted by hermitosis on Dec 7, 2008 - 15 comments

Get Down on Your Knees , Crying Holy (Unto the Lord) with Vince Gill, and Working on a Building with Patty Loveless. Some gospel music from Del McCoury.
posted by RussHy on Oct 18, 2008 - 17 comments

The music of the People's Temple. Five years before Jim Jones coerced 900 of his church members to commit suicide in Guyana, the People's Temple cut an album. [more inside]
posted by Bookhouse on Aug 7, 2008 - 24 comments

September 14, 1998 "the Tan Canary" passes away. He started out as a gospel singer but went on to perform blues, soul, county, and jazz. In 1968 he covered the country standard "Release Me" and it became a hit. His audience grew, but stardom outside of his home in New Orleans was not to be his. [more inside]
posted by nola on Jul 6, 2008 - 4 comments

Did a 'dream team' of biblical scholars mislead millions? [Chronicle of Higher Education] You may recall the curfuffle over the gnostic "Gospel of Judas" (previously). The National Geographic's documentary premiere "attracted four million viewers, making it the second-highest-rated program in the channel's history, behind only a documentary on September 11. . . . However, it's a perfect example, critics argue, of what can happen when commercial considerations are allowed to ride roughshod over careful research. What's more, the controversy has strained friendships in this small community of religion scholars — causing some on both sides of the argument to feel, in a word, betrayed."
posted by spock on Jun 30, 2008 - 142 comments

And THEN the ewoks fucking jam out. [SLYT]
posted by [NOT HERMITOSIS-IST] on May 2, 2008 - 63 comments

The Pointer Sisters rehearse. [more inside]
posted by StopMakingSense on Apr 30, 2008 - 11 comments

THE church elder’s reaction was one of utter disbelief. Shaking his head emphatically, he couldn’t take in what the distinguished professor from Yale University was telling him. "No," insisted Jim McRae, an elder of the small congregation of Clearwater in Florida. "This way of worshipping comes from our slave past. It grew out of the slave experience, when we came from Africa." But Willie Ruff, an Afro-American professor of music at Yale, was adamant - he had traced the origins of gospel music to Scotland. [more inside]
posted by brautigan on Jan 11, 2008 - 96 comments

Porter Wagoner has gone to his reward. [more inside]
posted by smartyboots on Oct 29, 2007 - 41 comments

Legendary tremolo guitar king Link Wray discovered him singing gospel with the Mighty Clouds of Joy, and figured he might be the kind of rock'n'roll screamer he was looking for. If he was gonna sing the devil's music, though, he'd need another name, so they came up with a rather unlikely moniker: Bunker Hill. Just listen. [more inside]
posted by flapjax at midnite on Sep 18, 2007 - 14 comments

Here is Uncle John Scruggs singing and playing Little Log Cabin Round the Lane in RealAudio Dial Up and DSL format. The dancing is great and I do like the walk-on kitten part, myself.

That's from the Center For Southern African-American Music Video Link Page. Their audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's Trials, Troubles, Tribulations rules in my world.
posted by y2karl on Jun 29, 2007 - 9 comments

Five Blind Boys Of Alabama - Too Close
Supreme Angels - Hush Hush
Soul Stirrers - Listen To The Angels Sing
King Louis Narcisse - This Little Light Of Mine
Goldia Hayes with the Harmonizing Four - Beams of Heaven
Sister Rosetta Tharpe & Choir - Up Above My Head
Hall Johnson Choir - Little Black Sheep
Norfleet Brothers - I Am A Pilgrim And A Stranger
Caravans - No Coward Soldier
Soul Stirrers - I'm A Soldier In The Army Of The Lord
Gospel Paraders - Have You Got Good Religion
Pilgrim Jubilee Singers - Testify
Imperial Gospel Singers - The Lord Will see You Through
Lucy Rodgers Singers - Hold To God's Unchanging Hand

YouTube in the Holy Spirit--mostly old school black gospel...
posted by y2karl on Dec 4, 2006 - 53 comments

P2P is a sin [bugmenot]
posted by PenguinBukkake on Oct 10, 2006 - 35 comments

For murder ballads, here's your Mississippi John Hurt's Louis Collins and your Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your Frank Hutchison's K. C. Blues. Not to mention Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives 78 RPM tag. where there is way more--like Bix Beiderbecke's first record, Davenport Blues, Louis Armstrong's Ain't Misbehavin' and Geeshie Wiley's Last Kind Words, among many others. Then, for more, Nugrape Records has an mp3 page. The standout there, at least for me, is Gus Cannon's Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of I've Got Your Ice Cold Nugrape. And don't let me omit mentioning PublicDomain4U. They have Mississippi John Hurt's Frankie, for one. Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first directed us to Dismuke's Virtual Talking Machine.
posted by y2karl on Aug 25, 2006 - 48 comments

Made most popular to many Americans as the closing song for the Grand Ole Opry programs, Will The Circle Be Unbroken was written in 1907 by Ada Habershon, an intensely religious young woman and acquaintance of Dwight Moody and Ira David Sankey. The music was "composed" by Charles Gabriel, a popular songwriter and composer of the era who is often solely credited with the song, but while he may have put the notes down on paper, the tune itself already existed as the African-American spiritual Glory Glory / Since I Laid My Burden Down. [lots more inside]
posted by luriete on May 26, 2006 - 18 comments

A comprehensive list of early Christian writings gives a list of, links to the online full text of, and articles detailing some of the alternative Christian writings that were and weren't canonized. Of note include the Infancy Gospel of Thomas, Justin Martyr, the Didache, the Acts of Thomas , the Gospel of Thomas (which many link with the "Q" from the two-source hypothesis, which attempts to answer the Synoptic problem), and some early apocalyptic writings. [mi]
posted by charmston on Apr 9, 2006 - 16 comments

Gnostic Gospel of Judas, they say! Hot on the heels of Christ On Ice and the, er, "newly discovered" Gospel fragment, the news outlets are currently drooling all over National Geographic's recent conclusive dating and translation of surviving fragments of the Apocryphal Gospel of Judas, now dated to about 300 CE. The text is classically Gnostic, emphasizing a duality splitting Christ's "spiritual" and "fleshly" natures, as opposed to Christian orthodoxy's belief in the Incarnation. Looking beyond the wide-eyed "OMG THIS WILL REVOLUTIONIZE CHRISTIANITY AS WE KNOW IT" sensationalism, Internet Monk asks if a 300 year-old apocryphal biography of George Washington would be regarded as authentic were it discovered in 1970. James F. Robinson, an expert on ancient Egyptian texts, regards the Judas Gospel as mostly a dud, produced by Cainite Gnostics who took it upon themselves to "rehabilitate" villians of Bible mythos. Even if you don't believe in the account of Judas, there's no denying his contributions to the Christian narrative. Truly a historical icon.
posted by brownpau on Apr 6, 2006 - 42 comments

So You Think You Hate Country Music? Then listen to this. The roots of American country music may surprise you. In this series of NPR programs, trace the gradual development of real country music through the first half of the 20th century. Learn how a woman's instrument of the late 1800s, the parlor guitar, became the the central symbol of country and rock; see how African-American musical forms like gospel and blues meshed with the development of country and early rock and influenced the traditional forms in turn; listen to German-Mexican hybrids of accordian style; find out why women had so many honky-tonk torch songs to sing in the late 40s. The series contains hours of content (narrative, interviews, music tracks), and a multitude of excellent links for deeper digging.
posted by Miko on Feb 2, 2006 - 111 comments

Vera Hall was a black woman born near Livingston, Alabama at the turn of the century. She grew up in a supportive family and community, but in difficult, poor rural living conditions. At a young age, Hall became a respected and devout member of the church, and remained so for the rest of her years. But after leaving home, she also fell in with more worldly crowd, for whom blues, craps, and alcohol were the entertainments of choice. The tension between these two spheres-- that of spirituals and the church, on one hand, and that of blues and the juke-joint, on the other-- is a theme that recurred throughout her life and infused her music. She drew upon both perspectives to cope with and overcome her life's perennial difficulties; sadly, it was dotted with tragedy: she lost both parents, a sister, a husband, a daughter, and two grandchildren-- all before she herself passed away in 1964 at the age of 58.

The Vera Hall Project [+}
posted by y2karl on Sep 17, 2005 - 5 comments

Ry Cooder once said Dark Was The Night--Cold Was The Ground was the most soulful, transcendent piece of American music recorded in the 20th Century. Unearthly and music of the spheres were common descriptions long before both became fact when it was included on a golden record was affixed to the star bound Voyager space probe. My first encounter with Dark Was The Night was while watching, and then listening to the soundtrack album of, Piero Paulo Pasolini’s The Gospel According To St. Matthew--or as it is known in Sicily kickin' Bootsville, Il Vangelo de Matteo--which is, in my humble opinion, the Greatest. Jesus. Movie. Evar. Ironically, coincidentally and serendipitously, it was an apt choice by Pasolini, as the hymn from which Blind Willie Johnson's wordless moan derives is a song about Christ’s passion—his suffering and crucifixion. (Continued with much more within)
posted by y2karl on Sep 15, 2005 - 67 comments

Gospel Mime to the EXTREME!!! Only the power of Jesus can help you escape from the box! Breaking though the barriers of religion and tradition, K&K Mime Minstries electrifies!
posted by Robot Johnny on Aug 12, 2005 - 34 comments

A man walked with Jesus on a beach. "This beach is your life," said Jesus. And looking back, the man could see two sets of footprints, side by side. "You see, I have always walked beside you."
posted by fandango_matt on Jun 21, 2005 - 78 comments

"Precious Lord" sung by Mahalia Jackson (mp3)
No artist brought more acclaim to gospel music than Mahalia Jackson (October 26, 1911 – January 27, 1972). Beginning in 1950, her divine (.wav) talents were featured weekly on Studs Turkel's radio program, and through her music and gentle personality she became so beloved worldwide that her funeral rivaled that of royalty. Mahalia sang "Precious Lord" at Reverend Martin Luther King, Jr.'s funeral -- at Mahalia's funeral, Aretha Franklin did the honors. Mahalia was inducted into the Rock & Roll Hall of Fame posthumously in 1997. Word has it she also made a mean okra gumbo.
posted by miss lynnster on Jan 27, 2005 - 6 comments

The Mormons Got Game!
"Mortality!" Finally, a truly fun, uplifting gospel game!

Mortality is built around gospel principles as taught by the Church of Jesus Christ of Latter-day Saints. However, no LDS background is necessary in order to play, enjoy, or win the game, which makes it a wonderful missionary activity. It's great for parties and mixers. Get a game going with your friends, and you'll find yourselves laughing over the troubles each player meets: Your children come home from school with lice; a hailstorm wipes out your tomato plants; you break your arm on the kids' jungle gym; mice invade your teenage son's stash of Twinkies. If you have enough inner strength, you'll grow from each of these challenges. Otherwise, they may do you in!
posted by miss lynnster on Jan 4, 2005 - 33 comments

In the spirit of Sunday morning (and the Martin Luther King holiday weekend), I bring to you the news of a musical release of historical proportions. Dust to Digital has compiled Goodbye, Babylon an exhaustively annotated, beautifully packaged collection of American gospel music from the turn of the century up until 1960. Some performers are recognizable names in sacred and secular music. Others practice lesser known styles like Sacred Harp singing. Non-religionists, don't feel left out, this music is enjoyable strictly on it's musical and historical import, since along with blues, traditional country and Tin Pan Alley, gospel music both white and black is one of the main foundations of modern American music. Judging by the raves it's been recieving, this (admittedly expensive, but worth every penny) box set is destined for a place next to the Anthology Of American Folk Music in the collection of any serious student of American music.
posted by jonmc on Jan 18, 2004 - 15 comments

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