Here is Uncle John Scruggs singing and playing
Little Log Cabin Round the Lane in RealAudio
Dial Up and
DSL format. The dancing is great and I do like the walk-on kitten part, myself.
That's from the
Center For Southern African-American Music Video Link Page. Their
audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the
Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's
How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's
Trials, Troubles, Tribulations rules in my world.
posted by y2karl
on Jun 29, 2007 -
9 comments
For murder ballads, here's your
Mississippi John Hurt's Louis Collins and your
Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your
Frank Hutchison's K. C. Blues. Not to mention
Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives
78 RPM tag. where there is way more--like Bix Beiderbecke's first record,
Davenport Blues, Louis Armstrong's
Ain't Misbehavin' and Geeshie Wiley's
Last Kind Words, among many others. Then, for more,
Nugrape Records has an
mp3 page. The standout there, at least for me, is Gus Cannon's
Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of
I've Got Your Ice Cold Nugrape. And don't let me omit mentioning
PublicDomain4U. They have
Mississippi John Hurt's Frankie, for one.
Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first
directed us to
Dismuke's Virtual Talking Machine.
posted by y2karl
on Aug 25, 2006 -
48 comments
Vera Hall was a black woman born near Livingston, Alabama at the turn of the century. She grew up in a supportive family and community, but in difficult, poor rural living conditions. At a young age, Hall became a respected and devout member of the church, and remained so for the rest of her years. But after leaving home, she also fell in with more worldly crowd, for whom blues, craps, and alcohol were the entertainments of choice. The tension between these two spheres-- that of spirituals and the church, on one hand, and that of blues and the juke-joint, on the other-- is a theme that recurred throughout her life and infused her music. She drew upon both perspectives to cope with and overcome her life's perennial difficulties; sadly, it was dotted with tragedy: she lost both parents, a sister, a husband, a daughter, and two grandchildren-- all before she herself passed away in 1964 at the age of 58.
The Vera Hall Project [+}
posted by y2karl
on Sep 17, 2005 -
5 comments
Ry Cooder once said
Dark Was The Night--Cold Was The Ground was
the most soulful, transcendent piece of American music recorded in the 20th Century.
Unearthly and
music of the spheres were common descriptions long before both became fact when it was included on a golden record was affixed to the star bound
Voyager space probe. My first encounter with
Dark Was The Night was while watching, and then listening to the soundtrack album of, Piero Paulo Pasolini’s
The Gospel According To St. Matthew--or as it is known in Sicily kickin' Bootsville,
Il Vangelo de Matteo--which is, in my humble opinion, the Greatest. Jesus. Movie. Evar. Ironically, coincidentally and serendipitously, it was an apt choice by Pasolini, as the
hymn from which
Blind Willie Johnson's wordless moan derives is a song about Christ’s passion—his suffering and crucifixion. (Continued with much more within)
posted by y2karl
on Sep 15, 2005 -
67 comments
"Now What a Time": Blues, Gospel, and the Fort Valley Music Festivals, 1938-1943 Approximately one hundred sound recordings, primarily blues and gospel songs, and related documentation from the folk festival at Fort Valley State College (now Fort Valley State University), Fort Valley, Georgia. The documentation was created by John Wesley Work III in 1941 and by Lewis Jones and Willis Laurence James in March, June, and July 1943. Also included are recordings made in Tennessee and Alabama by John Work between September 1938 and 1941.
Audio Title IndexThe John and Ruby Lomax 1939 Southern States Recording Trip Folk singers and folksongs documented during a three-month trip through the southern United States.
Audio Title IndexCalifornia Gold: Northern California Folk Music From the ThirtiesMaterials from the WPA California Folk Music Project Collection, including sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians.
Audio Title Index
(As Always, More Inside)
posted by y2karl
on Apr 14, 2003 -
12 comments
