"The Fantastic Four is the Great American Novel
. It is therefore the modern Shakespeare
The Fantastic Four is an allegory of the most powerful nation in the history of the world, during its triumphant phase: from its first man in space (1961) to the end of the cold war (1988-9). A nation is understood through its art, and the superhero comic is America's unique contribution to art." [more inside]
"Often the protagonist of an Important Novel of the Latter Half of The 20th Century is male, and is a thinly veiled version of the author. So thin of a veil. A veil so thin is it possible to discern whether the author was circumcised. Also, he often displays a particular stomach-turning combination. He regards women as, one the one hand a mere necessary evil, not things one would be inclined to befriend or discuss life with, and on the other hand, beings of terrible power that make one very angry indeed." -- Belle Waring takes aim at a particular kind of novelist, the canonical important American late 20th century novelist and his 21st century would-be heir
. (More background
: it's all Jonathan Franzen's fault
The Nation's William Deresiewicz looks at Ann Beattie's evolution as a writer.
"... many critics and editors, especially male ones, make a fetish of "ambition,"
by which they mean the contemporary equivalent of novels about men in boats ("Moby-Dick," "Huckleberry Finn") rather than women in houses ("House of Mirth"), and that as a result big novels by male writers get treated as major events while slender but equally accomplished books by women tend to make a smaller splash." [more inside]