For your October delight: Top 10 horror movies, as picked by Guardian critics, Ten Exceptionally Well-Written Horror Films, Top Ten Horror-Sci-Fi Films: A Primer And Pseudo-History, The 12 Weirdest Vampire Movies Ever Made, The Top Grossing Scary Movies Of All-Time, and, perhaps most importantly of all: The 25 best horror films on netflix instant.
"Storytelling is inherently dangerous. Consider a traumatic event in your life. Think about how you experienced it. Now think about how you told it to someone a year later. Now think about how you told it for the hundredth time. It's not the same thing. Most people think perspective is a good thing: you can figure out characters arcs, you can apply a moral, you can tell it with understanding and context. But this perspective is a misrepresentation: it's a reconstruction with meaning, and as such bears little resemblance to the event." Charlie Kaufman: Why I Wrote Being John Malkovich. [more inside]
The Guardian has a new series of webchats with various people in the publishing industry starting with literary agent Karolina Sutton. Also various writers are asked: Can you teach creative writing?
The novlist Julie Myerson has written a book, The Lost Child, about her son's addiction to cannabis, the violent behaviour she says this caused and her tough love policy. Extract. Her son is angry that she's published it, and says his parents over-reacted: "I wasn't doing anything that most other teenagers do, but such was their naive terror of drugs they were acting like six-year-olds". It comes out through MumsNet that Julie Myerson was the anonymous author of a Guardian column, "Living with Teenagers," which described her children's behaviour candidly without their knowledge. Extract. Myerson first denied this. The Guardian discusses whether it was right to publish the columns. Myerson is interviewed about whether she was right to publish The Lost Child. Her partner, and son's father, Jonathan Myerson supports her: This is an emergency. Her son says she's addicted to writing. [more inside]
Writers' Rooms The Guardian takes you inside the spaces where writers such as JG Ballard and Will Self attempt to cajole words into doing their bidding.
Susan Sontag on the moral superiority of novels over the mass media. "The real force behind the argument against literature, against the book, comes, I think, from the hegemony of the narrative model proposed by television." [Sontag previously on MeFi]
Extracts from the journals of Susan Sontag dating from the 1950s and 1960s were published in this morning's Guardian G2.