See string svengali Eddie Peabody drive three count 'em THREE ladies crazy with his smooth-as-silk strumming on three count 'em THREE exotic instruments: Strum Fun, for sure! And not only was ol' Eddie a suave lady's man, he was surely one of the best violinists (when it comes to bird calls, anyway) of his day! And what say we drop in and watch the wild and crazy guy strutting his stuff, doing a bit of crooning, banjo picking, toy-violin sawing and who knows what else, with His College Chums. We'll close it out with Eddie and the Beachcombers, as the irrepressible picker and grinner demonstrates some newfangled *electrified* instruments! Thanks, Eddie, and keep on plucking, baby!
"Is it fair to say you just weren't made for these times, Frank?" "Is it? Uh, I dunno. I think everything's just as it should be."
Frank Fairfield is a folk musician who feels like he came fresh out of another century. He plays banjo (The Winding Spring & Nine Pound Hammer and Cumberland Gap), guitar (Call Me A Dog When I'm Gone and Bye, Bye, My Eva, Bye, Bye), and fiddle (Rye Whiskey and Poor Old Lance [with quartet], which is the piece that introduced me to him).
Like many other great American folk songs, She’ll be Comin’ Round the Mountain reaches us through the filter of both religious and secular movements. The music underneath the words has its original genesis in a spiritual sung originally by slaves and later popularized in the black churches of the south; the lyrics we know today – the version which came into the larger cultural vernacular and which spawned various children’s versions – was, originally, a protest song. [more inside]
I had this concept--after a strange dream, while scoping out the I Dreamed I Saw st. Augustine tab in my just-in-case-it-disappears downloaded dylanchords, of ...St. Augustine as a slow moody slide in Open D ala Blind Texas Marlin. But then I got to wondering whether someone might have a chord dictionary online where a few variations on a first position B Minor in Open D might be found. Voila! Achtung, Baby! Behold Brian's huge chordlist collection. Oh, man, he's got your standard and open tunings on guitar plus mandolin, uke, banjos, bouzouki, pipa and lute. A living room guitarist's must have, no doubt, although a few more open tunings for pipa would have been nice... [more inside]
Whether on fretless electric guitar or fretless Turkish banjo, mister Salih Korkut Peker sounds mighty fine. And here he is again on banjo, getting down on some Turkish grooves with percussionist Gencer Savaş. Sweet! [note: see hoverovers for link descriptions] [more inside]
MusicMoose wants "to provide the world with free, useful music lessons, and a community based site to help back it all up." The site contains hundreds of free video music lessons (often containing notation and/or tablature) with a distinct focus on acoustic and bluegrass music, all taught by some pretty badass pickers (including the astonishingly good mandolin shredder Anthony Hannigan). There are also obligatory but very useful forums. Takeaway: the whole thing is free and you don't have to register to watch the lessons.
You really shouldn't miss the snazzy ukulele stylings of the great Roy Smeck, strummer and showman extraordinaire, who was not only fast as greased lightning, but for whom the ukulele also occasionally functioned as a wind or percussion instrument. The man was indeed a wizard of the strings: just give him a slide and watch him lay down that Hawaiian sound. And as you'll see here, he was still going strong in his later years. [most links to YouTube]
The bouzouki, the saz, chonguri and sarod, the veena and the shamisen, the cuatro and the oud. These and many hundreds more are to be found at the Atlas of Plucked Instruments. Plenty of guitars, banjos and mandolins as well.