See string svengali
Eddie Peabody drive three count 'em THREE ladies crazy with his smooth-as-silk strumming on three count 'em THREE exotic instruments:
Strum Fun, for sure! And not only was ol' Eddie a suave lady's man, he was surely one of the best
violinists (when it comes to bird calls, anyway) of his day! And what say we drop in and watch the wild and crazy guy strutting his stuff, doing a bit of crooning, banjo picking, toy-violin sawing and who knows what else, with
His College Chums. We'll close it out with Eddie and the Beachcombers, as the irrepressible picker and grinner demonstrates some
newfangled *electrified* instruments! Thanks, Eddie, and keep on plucking, baby!
posted by flapjax at midnite
on Jun 15, 2013 -
13 comments
Like many other great American folk songs, She’ll be Comin’ Round the Mountain reaches us through the filter of both religious and secular movements.
The music underneath the words has its original genesis in a spiritual sung originally by slaves and later popularized in the black churches of the south; the lyrics we know today – the version which came into the larger cultural vernacular and which spawned various children’s versions – was, originally, a protest song.
[more inside]
posted by luriete
on Jul 30, 2012 -
36 comments
Ali Spagnola's
Synonyms for Drunk is a remarkably catchy song featuring 91 words for "Drunk" in less than one minute.
[slyt]
posted by quin
on Jul 7, 2012 -
20 comments
He's responsible for the deliciously relaxed and understated guitar work you remember from
Rainy Night in Georgia and the driving chukka chukka whipsnap that propelled Aretha Franklin's
Rock Steady, as well as her version of
Spanish Harlem. And he's lent his masterful musical sense to many, many other tunes from artists as diverse as Ringo Starr, Archie Shepp, Joe Cocker, Miles Davis and Paul Simon. Guitarist
Cornell Dupree has died at
age 68. Primarily a studio musician, Dupree was more often heard than seen, but you can catch some glimpses of his Southern-fried six-string artistry on this live version of King Curtis'
Memphis Soul Stew.
posted by flapjax at midnite
on May 9, 2012 -
23 comments
"
Birdcloud met in Murfreesboro and
immediately didn’t like eachother. At a party in 2009 they had some
whiskeys and became friends and started dicking around on guitar,
writing their first song, a song about going down on your best friend,
now lost to the sands of time. Despite a lukewarm reception at
Nashville’s Bluebird Cafe, they have been sitting on eachother’s faces
ever since, showing eachother their bruises and generally doing
whatever they want when it works out that way." Songs on the inside NSFW if you can't tell.
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posted by cmoj
on Feb 21, 2012 -
14 comments
Behold the gAtari 2600. An Australian musician performing under the pseudonym cTrix specializes in creating chiptunes using a combination of games consoles from 1977 - 1992, including a Commodore 64, Amiga 500, a clear-cased Gameboy, and an Atari 2600. The latter is possibly the most striking setup, incorporating the Atari (running custom-written sequencing software) into an oversized guitar body, with a fretboard packed with Boss stompboxes and a great pun as a name — gAtari.
posted by KevinSkomsvold
on Dec 31, 2011 -
40 comments
William Brown was a man who recorded a handful of blues on Sadie Beck's Plantation on July 16, 1942 for
Alan Lomax. Once thought to be the same man as the Willie Brown who played with Son House and Charley Patton--and was immortalized in Robert Johnson's
Crossroad Blues--the consensus now is that William Brown was a different man, about
whom we know next to nothing. Certainly, the handful of recordings we have that feature him supports this. The Willie Brown who recorded
Future Blues and
M & O Blues was an archetypal Delta bluesman, with both songs being stripped down versions of Charley Patton's
Screamin' and Hollerin' the Blues, among others, and
Pony Blues, respectively. The
William Brown who recorded
Mississippi Blues,
Ragged and Dirty and
Make Me a Pallet on the Floor plays and sings nothing like that Willie Brown. That we know nothing about him and never heard any more of his music is one of the many tragedies of recorded blues.
[more inside]
posted by y2karl
on Aug 30, 2011 -
15 comments
"Call me nuts, but I find extraordinarily endearing the improbable blend of country music traditionalism and tastefully restrained space-age guitar pyrotechnics that can be heard in these tunes." Yes, friends, the fine folks at WFMU are back with the long-awaited 2nd installment of the tasty and wonderful
Country Fuzz Spectacular!
[more inside]
posted by flapjax at midnite
on Aug 24, 2011 -
8 comments
The most famous Steinberger design is the L-series instrument... made entirely of the Steinberger Blend, a proprietary graphite and carbon fiber mix in two pieces: the main body and a faceplate. It had no headstock for tuning, tuning instead at a redesigned tailpiece using micrometer-style tuners and special strings with a ball at both ends.
posted by Trurl
on May 13, 2011 -
43 comments
The Blues Accordin’ to Lightnin’ Hopkins A 1967 Les Blank film of Lightnin Hopkins visiting his hometown of Centerville, TX
"…a gorgeous 31-minute poem of a movie, a series of snapshots from his life as well as a look at an era fast disappearing…Watching the film is something of a revelation, at least if you ever had a doubt where the blues came from." [more inside]
posted by madamjujujive
on Feb 19, 2011 -
16 comments
"Tone-Quester" is generally a musician (more than likely a guitarist) who purchases/modifies amps/pedals/cabinets in search of a certain sound. They fiercely pride themselves on being able to distinquish the differences between pickups, tube amps vs. transistor amps. With this in mind,
Wolfe McCloud, a pickup designer, decided to challenge
My Les Paul forum members.
[more inside]
posted by KevinSkomsvold
on Jun 18, 2010 -
34 comments
