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The Art of Hermann Zapf film "was produced in 1967 at Hallmark Cards in Kansas City and in my design studio in Dreieichenhain, Germany... After long discussions and the help of a lot of alcohol
we started late in the night. I was sitting at a slanted glass table with a hot spotlight in my neck. Frank Robinson was lying on the floor with the camera ready for a frog-view shot. My task was to write beautiful letters with ink which dried as soon the pen touched the slippery surface of an astralon sheet." —
Hermann Zapf
posted by netbros
on Jan 23, 2011 -
16 comments
How a misunderstanding about Chinese characters has led many astray. The explication of the Chinese word for crisis as made up of two components signifying danger and opportunity is due partly to wishful thinking, but mainly to a fundamental misunderstanding about how terms are formed in Mandarin and other Sinitic languages... Among the most egregious of the radical errors in this statement is the use of the exotic term “Ideogram” to refer to Chinese characters. Linguists and writing theorists avoid “ideogram” as a descriptive referent for hanzi (Mandarin) / kanji (Japanese) / hanja (Korean) because only an exceedingly small proportion of them actually convey ideas directly through their shapes... [more inside]
posted by KokuRyu
on May 6, 2010 -
83 comments
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