Abandoned artificial satellites. Tanks jettisoned from shuttles. Refuse generated during space station construction. This junk, space debris, is traveling around the Earth at speeds approaching 8 km/s. This is a story of 2075, a time in which this space garbage has become a serious problem. This is Planetes, a near-future hard sci-fi story that focuses on a small group of debris collectors who are part of a larger company. Both the original manga and the anime adaptation set small personal stories and dramas in the realistic context of near-future space exploration, complete with radiation sickness, impacts of growing up on the moon, and of course, the dangers of space debris. The reality of the show is emphasized by a recent JAXA presentation was titled PLANETES could be a true story?: Instability of the current debris population in LEO, and the English DVDs include interviews with NASA staff who work on assessing orbital debris.
Paolo Bacigalupi writes hard sci-fi set in the near future, inspired in part by the stories from his science journalist friends and the imminent future of cyberpunk. Some of his works have been classified as "biopunk," due to his focus on bio-engineered products that run rampant, with involvement for battling mega-corporations that (try to) run everything in a world where oil is expensive and human labor is cheap. His first published novel, The Windup Girl (Google books preview), won both the Hugo and Nebula awards in 2010. He has published three novels since then, all categorized as Young Adult fiction, but Bacigalupi sees his only adaptations for a younger audience to be to shift the focus to pacing, and less sexuality, but otherwise similar to his "adult" works. He has also written a number of short stories (plus a few non-fiction pieces) over the years, many of which can be found online. [more inside]
"Here, in my final post on the ending, I present the case that its final hour was the worst ending in the history of science fiction on the screen. This is a condemnation of course, but also praise, because my message is not simply that the ending was poor, but that the show rose so high that it was able to fall so very far." -Brad Templeton's dissection of the modern version of Battlestar Galatica and where it went wrong