"The film is like trance music in movie form. It is liquid. Scenes flow in and out of each other. A scene will start and then the imagery will jump to another, sometimes from the past, other times from the future, while the audio from the initial scene continues to play through. Other times repetition is used as a narrative device, most prominently Alien’s southern, sizzurp-inflected drawl, rolling out in languid syllables, so that each is enjoyed to the fullest, reminiscent, although with his own depraved contemporary hip-hop spin, of Humbert Humbert’s delectation over the individuation of his young love’s name: Lo-li-ta,as it trips along the tongue, but for Alien, his long relaxed exhale of Sppprrrrrrriiiiiiinnnnnngggggg Brrrreeeeeeeeaaaaaak again and again, emanates more from the back of the throat, you might say the deep throat, and just to the side, to give it it’s arch southern twang. " James Franco (previously) reviews Spring Breakers (previously) starring James Franco.
Harmony Korine's new film Spring Breakers [trailer] is "an outrage and an abomination. It’s also some kind of masterpiece." Or maybe it's swill, or just plain old racist. In any event, the movie looks gorgeous, courtesy of cinematographer Benoît Debie, best known for his work on his work on Gaspar Noe's Irreversible and Enter the Void. Actress Ashley Benson thinks the sex scenes were beautiful: "It wasn't raunchy. It was telling a story." Actor Gucci Mane, meanwhile, fell asleep during his sex scene. Korine showed up on Reddit to answer questions, but his responses were somewhat incoherent.
Harmony Korine's Ushimini Wam. A 16-minute short where Ninja and Yo Landi from South Africa's Die Antwoord, "play trigger-happy, gun-toting misfits who bond throughout the film by sharing cartoonishly huge joints, sticking-up business owners, and seeking refuge and shelter in the woods."
"Kids, a film about a bunch of hard-living New York City kids, premiered 15 years ago today. It seems that in many ways the city seems to have forgotten the film, just as many of those involved in the film also seem happy to forget it." Proof that 80s New York was Hella Real (courtesy TMN).
"I am your favorite horse." No More Workhorse Blues dir. Harmony Korine