Adnan Khan: ‘Our Brownness Does Not Belong Here’
"The record store, the guitar shop, and now social media: when it comes to popular music, these places become stages for the display of male prowess. Female expertise, when it appears, is repeatedly dismissed as fraudulent. Every woman who has ever ventured an opinion on popular music could give you some variation (or a hundred) on my school corridor run-in, and becoming a recognized 'expert' (a musician, a critic) will not save you from accusations of fakery." The World Needs Female Rock Critics, by Anwen Crawford for the New Yorker. Discussed in the piece is Jessica Hopper's new collection of essays, The First Collection of Criticism by a Living Female Rock Critic, which has been greeted with glowing praise. Here's an interview she did with Hazlitt: 'Am I Womansplaining To You?' And here she speaks to Meredith Graves of Perfect Pussy: "Being a fangirl is all the qualification you need. And don't wait for anyone to give you permission. They won't. And you should do it anyways." [more inside]
Vengeance is a goal-driven act, sought out to restore a sense of justice to the universe. But what happens when retaliation is targeted at someone other than the original transgressor? [more inside]
Ebola is nightmare fuel: a biological doomsday device conspiring with our bodies to murder us in uniquely gruesome fashion. It’s also killed fewer than 2,000 people. How has a virus with such a modest body count so fiercely captured the darkest corners of our imagination? - Leigh Cowart for Haziltt.
"A talented writer such as John Jeremiah Sullivan might, fifty years ago, have tried to explore his complicated feelings about the South, and about race and class in America, by writing fiction, following in the footsteps of Walker Percy and Eudora Welty. Instead he produced a book of essays, called Pulphead, on the same themes; and the book was received with the kind of serious attention and critical acclaim that were once reserved for novels. But all is not as it seems. You do not have to read very far in the work of the new essayists to realize that the resurrection of the essay is in large measure a mirage." (via) [more inside]
On 10 December 1821 the radical essayist and journalist William Hazlitt set out on a journey from London to Hungerford where, the next day, he witnessed a bare-knuckle boxing match between Bill Neate, a butcher from Bristol, and Tom 'The Gas-man' Hickman. Hazlitt's account of the event – 'The Fight' – was published in 1822, and is regarded as a pioneering work of sports journalism and an insightful study of popular culture.
The art of economics consists in looking not merely at the immediate but at the longer effects of any act or policy; it consists in tracing the consequences of that policy not merely for one group but for all groups.Economics in One Lesson, by Henry Hazlitt, is available online for all to peruse, and makes sobering reading for anyone who's ever fretted over the United States' $8.7tn national debt. Or if you prefer action to theory, you can always help your fellow citizens out by making a check payable to the Bureau of the Public Debt.