520 posts tagged with hiphop.
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Not exactly Nas vs Jay-Z...

Meek Mills has finally responded to Drake in their week long feud. Reaction has not generally been kind. Drake's Instagram speaks for itself. Chuck D was not impressed. Toronto Councilor Norm Kelly poured more salt in the wound (after fanning the flames last week). And of course brands are getting in on the action. Other Twitter highlights: 1 2 3 4 5 6
posted by kmz on Jul 30, 2015 - 35 comments

“I ain't never run from nothing but the police.”

Vince Staples - Norf Norf [YouTube] [Video] [Explicit Lyrics] From the debut studio double album Summertime '06 by rapper Vince Staples. [more inside]
posted by Fizz on Jul 20, 2015 - 13 comments

Funky Israeli (sampled) hip-hop from Socalled, Alchemist, and friends

Not since (Socalled's) The Socalled Seder has Hebrew and hip-hop been so thrillingly merged. In his signature funky collage style, Alchemist layers drum brakes, with various warped and looped vintage Israeli records. On “Shalom Alechem,” a pitched up vocal recording of the Sabbath song refrains over a hard, 90s style boom-bap beat, spiced up with intermittent “check it out”s from the voice of an unidentified hype-man. It's awesome.
From Shalom Life's review of The Alchemist's new instrumental album, Israeli Salad. The review also notes that this is similar to Alchemist’s 2012 album Russian Roulette, which uses 1970's Soviet music as its main source material.
posted by filthy light thief on Jul 16, 2015 - 10 comments

We are doing more than just surviving

"Rapper Nasir 'Nas' Jones and director Adam Sjoberg take us on a world tour of breakdancing in the most unexpected places, as we visit the slums, shanty towns and ghettos of the world, where hip-hop really means something. With jaw-dropping breakdancing moves, b-boys and b-girls in Uganda, Yemen, Cambodia and Colombia give us an inspiring tribute to the uplifting power of music and movement." [more inside]
posted by jammy on Jul 11, 2015 - 3 comments

Make It Reign

How An Atlanta Strip Club Runs the Music Industry (slGQ, NSFW)
posted by box on Jul 8, 2015 - 49 comments

The Children Came Back

BriggsGE, aka Adam Briggs, from a town called Shepparton, just dropped his latest track The Children Came Back featuring occasional collaborator Gurrumul, and Dewayne Everettsmith. It's not just a track though, it's an homage to Archie Roach's They Took the Children Away, in and of itself about The Stolen Generation. It features, amongst others, Samara Muir . It namedrops some of the best and brightest, and makes it clear - always was, always will be, Aboriginal land and this struggle is not over.
posted by geek anachronism on Jul 2, 2015 - 5 comments

Nicole catches a body beatboxing

Nicole battles her dad in beatboxing. He disputes the outcome of the first battle, so Nicole leaves no doubt in his mind after the second one. [more inside]
posted by cashman on Jul 2, 2015 - 38 comments

Motherfucking warrior that likes to eat cake

That's right, celebrate that "Muffintop" [more inside]
posted by Brandon Blatcher on Jul 1, 2015 - 23 comments

The McNuggets Rap Because They Can't Sing

Still mourning the loss of walmart.horse? Well, the hot new whimsical mix of corporate identity and new TLDs is mcdonalds.hiphop, which serves up a YouTube playlist of hiphop/rap-themed McDonalds commercials going back 30 years and including non-U.S. content from the UK, Israel, France, Czech Republic, India, Russia and South Africa. From the same merry prankster who brought us nytimes.cat, which got C&D'd in record time, this one has survived a whole week so far (and with some publicity; thanks Mental Floss). But then, Mickey D's has a hiphop history that goes beyond commercials.
posted by oneswellfoop on Jun 21, 2015 - 11 comments

Are many rappers secretly also hunters?

On Medium's Cuepoint, MC Big Data analyzed data from all rap lyrics available on Rap Genius to determine the most popular ride in Hip Hop. [more inside]
posted by numaner on Jun 12, 2015 - 26 comments

Kings of the beat and their all-star show!

Deavid Soul ("The Avid Soul") aka "Rich & Famous" are a Japanese duo who make house/disco/funk and, more recently, world music. You may remember them from such Dreamcast darlings as Jet Set Radio and Jet "Grind" Radio. Their style is an instantly recognizable mix of 90s house and classic disco with copious samples from hip hop, disco, R&B, reggae and 80s/70s film. For their latest album, they've collaborated with Exotic Light Orchestra to add a Latin American fusion sound to their already eclectic aural soup. They're real good. [more inside]
posted by byanyothername on Jun 6, 2015 - 9 comments

the most emotionally affecting music is what was popular when I was 13

25 One-Hit Wonders From The '90s & Early 2000s You Totally Forgot Existed [more inside]
posted by the man of twists and turns on May 20, 2015 - 245 comments

Kanye West's First Beats

Jensen Karp: “I was stumbling through my garage, searching through old storage bins, when I came across some old beat CDs from my days as a signed Interscope rapper. I was shocked to find that two of them, both given to me in ‘01, had the name Kanye West on them.” (via)
posted by Going To Maine on Apr 27, 2015 - 25 comments

Why Zev Love X became MF Doom and put on that metal mask

In 1991, Daniel Dumile was part of KMD, a trio with his brother and another kid from their neighborhood, when they released their first album on Elektra, Mr. Hood (YT playlist). Dumile's next album wouldn't come out until 1999, and on an independent label. Operation: Doomsday was not released under the name he used with KMD, Zev Love X, but M(etal) F(ace) Doom, and he only appeared while wearing his metal mask. The transition from an upbeat youth to a cartoon villain was not clear at the time, unless you got your hands on the unreleased (except as a bootleg) second album of KMD, Black Bastards (full album on YT). Here is the story of that transition: KMD's Black Bastards and the Birth of MF Doom, a chapter from Brian Coleman's Check the Technique Volume 2, "more liner notes for hip-hop junkies." [more inside]
posted by filthy light thief on Apr 20, 2015 - 13 comments

South African Hip Hop

Dear Brothers in SA Hip Hop: a letter by Ntsiki Mazwai/Women In South African Hip-Hop: 6 Leading Female Rappers
posted by josher71 on Apr 18, 2015 - 2 comments

"Cowabunga dudes!!"

'F*cking Young' by Tyler, The Creator [YouTube] [Contains NSFW Lyrics] Rapper Tyler, The Creator, a member of LA hip-hop collective Odd Future alongside Frank Ocean and Earl Sweatshirt, has unveiled a video from his newly-released album Cherry Bomb. Full stream available via Spotify.
posted by Fizz on Apr 14, 2015 - 5 comments

Sunday Candy on a Sunday!

Sunday Candy is a charming new video by Chicago based Chance The Rapper and the Social Experiment.
Previously: 1,2
posted by lkc on Apr 12, 2015 - 11 comments

The Hip-Hop Messiah: An Archetype

The hip-hop messiah is both real and not real. [more inside]
posted by ourt on Mar 25, 2015 - 43 comments

Until I pulled out my Parakeet

Sometimes you just want a quick story before bed. (SLYT, NSFW)
posted by cashman on Mar 17, 2015 - 6 comments

"But TO PIMP A BUTTERFLY. It's the American dream..."

Today, Kendrick Lamar's latest album, To Pimp a Butterfly, was released a week ahead of the release date. Yesterday, the album was briefly made available on iTunes (allegedly, the label's error). But enough of that - let's get to the music. [more inside]
posted by .holmes on Mar 16, 2015 - 35 comments

"the uncanniness of recorded music"

For a hip-hop fan, listening to ’60s and ’70s soul albums means regularly encountering familiar breaks. When I first heard “Are You My Woman (Tell Me So)” by the Chi-Lites, I immediately recognized the horns and drums from Beyoncé’s “Crazy In Love.” While I understand that, logically, the breaks in the Beyoncé song are really from the Chi-Lites, I still hear them as “belonging” to Beyoncé’s producer Rich Harrison.
In the first of four posts about music composition, Ethan Hein looks at sampling, hiphop, copyright, the moral rights of artists and the idea that breaks only exists once they're used by a producer, starting out from “They Reminisce Over You (T.R.O.Y.)” by Pete Rock and CL Smooth.
posted by MartinWisse on Mar 10, 2015 - 80 comments

СУВЕНИР №2 (and other Russian Jazz and Hip-Hop Sounds)

The author’s key creative task is to demonstrate the unique sound of soviet jazz school, where musicians complemented conventional musical tools with folk instruments and soviet electronics. "Souvenir" sets a goal of introducing as many listeners as it can to the legacy of the few jazz collectives there were in USSR. "Souvenir" is a bad mood remedy that will keep you warm throughout the long Russian winter.
Artem Ryazanov (Miracle Libido) is a DJ who likes the music of modern old Russia. And if you like what you hear above, you might also like the mix he just released for Nicolas Jaar's Other People label and the one he made for the Calvert Journal a few years ago.
And if you like those, you might also like the profile that Calvert published about RAD, the label/collective Ryazanov and Low Bob jointly lead.
posted by Going To Maine on Mar 8, 2015 - 6 comments

B4-XVI

beforesixteen - Highlighting an invisible conversation between hip hop and art before the 16th century. (SLTumblr)
posted by Uncle Ira on Mar 6, 2015 - 6 comments

"I'm here to get what's mine." - Fox's 'Empire'

​​Empire is a Monster That Is Eating Network Television - Buzzfeed​, Feb. 26, 2015:​
"When it comes to ratings, Fox’s Empire is on a trajectory that’s unprecedented in broadcast television’s recent history, which has mostly been marked by — to appropriate a phrase from Hakeem Lyon (Bryshere Y. Gray) — drip drops, if not just​​ plain old slaughter. As of last week, it is the No. 1 show on network television in the 18 to 49 demographic advertisers seek. And once again, the show built on its ratings this week."​
[more inside]
posted by joseph conrad is fully awesome on Mar 1, 2015 - 56 comments

Lorn's The Maze to Nowhere EPs, experimental, accessible and free

Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.
From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
posted by filthy light thief on Feb 28, 2015 - 5 comments

Pass me the torch eh eh

Who is the most important rapper right now? A Grantland Survey.
posted by Potomac Avenue on Feb 25, 2015 - 81 comments

Dr. Dre's Secret (Sequined) History

Dr. Dre's Secret (Sequined) History; or, that show in 1983 that widened Dr. Dre's horizons.
posted by goatdog on Feb 20, 2015 - 11 comments

such is the cost of the Experiment

Why Chance The Rapper Is Forgoing Solo Fame To Make Jazzy Songs With Friends (Chance previously) [more inside]
posted by Potomac Avenue on Feb 17, 2015 - 7 comments

Boom Bap

Samplestitch maps hip-hop samples (from J. Dilla, 9th Wonder and Kanye West) to keyboard buttons.
posted by box on Feb 16, 2015 - 10 comments

Proof that The Beatles traveled through time, from 1964 to 1994

Over 50 years ago, The Beatles arrived in New York for their first US visit, but what if ....
Having departed Heathrow on the 7th February 1964, John Lennon, in a playful mood, ordered the pilot to divert the plane via the Bermuda Triangle. Newly declassified documents reveal that Pan Am Flight 101 disappeared from US radar screens shortly after midday, local time. At great expense we have obtained – from reliable Russian mafia sources – an MP3 copy of the black box recorder of that ill-fated Boeing 707. This indicates that as far as those aboard the plane knew, after experiencing severe cyclonic turbulence over the Atlantic Ocean, they re-routed towards New York, believing themselves to have narrowly avoided aeronautical disaster. But on arriving at JFK airport, they were stunned to learn that they had arrived in the year 1994.
That's the premise of An Adventure To Pepperland Through Rhyme & Space, a two-hour ill-trippy musical adventure with golden era hip-hop musicians, from P.E. to Spoonie Gee, Tha Liks to Hieroglyphics and Large Professor to Salt n Pepa, courtesy of Tom Caruna, also the artist behind Enter the Magical Mystery Chamber (previously, and still online)
posted by filthy light thief on Feb 9, 2015 - 14 comments

The Noise and How to Bring It

The Quietus interviews Hank Shocklee on hip-hop production team The Bomb Squad and Public Enemy's legendary sound
I've got a big jazz background and listening to a lot of jazz records I got an understanding of how you can be eclectic, in terms of your musical scales. You could create melodies and rhythms that were atonal. It didn't necessarily have any real tone but the tone would be determined by what you layered on top of it. So, for example, because Chuck has this kind of baritone voice, Chuck becomes the melody, and the track becomes the accompaniment. If you take a Billie Holiday record, and a Public Enemy record, in a way they are very similar. This is where it gets crazy. And Flav, well basically Flav is a tenor. I read a Clive Davis interview. And to me, Clive is one of the greatest producers of all time. And he said something that was cool, he said the artist always has to be the star, and sound like a star. And the beautiful thing about the Public Enemy records is, Chuck and Flavor provide the melody, on all the records.

posted by Mothlight on Feb 4, 2015 - 24 comments

"that it ain’t no gun they can make that can kill my soul"

No other lyrics more perfectly captured the spirit bubbling under the surface of hip-hop in the latter half of 2014 than those sung in J. Cole’s cracking, raspy-voiced performance of “Be Free” on The Late Show on December 10. Clad in a “Fuck Money Spread Love” hoodie, and rocking the post-natural, 2014 version of the revolutionary ’fro, Cole used the venerable Ed Sullivan Theater as a pulpit, bringing attention to Ferguson and the #BlackLivesMatter movement. He provided an anthem for protests taking place just blocks away.
What’s Going On: Kendrick Lamar, D’Angelo, J. Cole, Kanye West, and the New Sound of Protest Music.
posted by MartinWisse on Jan 25, 2015 - 35 comments

reeeee~wind!!

"A good rewind is that rare thing in life: a product of the moment. If the timing is right, a rewind will bring excitement to the dancefloor, a celebration of the music being played, an energy charge for the place and the people." Laurent Fintoni goes deep on the history of pulling the record back across a variety of genres, from reggae and dub, to dubstep and hip-hop.
posted by raihan_ on Jan 23, 2015 - 5 comments

Meta Hip Hop

Meta Hip Hop
posted by cashman on Jan 21, 2015 - 5 comments

Always Strive And Prosper

Steven Rodriguez, aka ASAP Yams, died on Sunday, Jan. 18th. He was 26. [more inside]
posted by gucci mane on Jan 20, 2015 - 20 comments

Viper

Buried deep within a labyrinthine maze of broken links, hastily formatted webpages, Youtube videos with less than 5,000 views, there is transcendent internet magic just waiting for someone stumble onto it and share it with the world. Enter Viper and “You’ll Cowards Don’t Even Smoke Crack,” which the Chicago Reader highlighted last week both for its idiosyncratic sonics and creative approach to grammar. It’s a title that demands attention but it’s also a hell of a trip, a hypnotic anchor oozing with ominous, sluggish menace via Viper’s tar pit bubble of a voice and that glitchy, needle-stuck-on-the-record “beat.”
posted by josher71 on Jan 18, 2015 - 12 comments

Chapstep

Mr B, The Gentlemen Rhymer - who you may know for his chap-hop ditties 'Chap-Hop History', 'Songs For Acid Edward and Hip-Hop Was To Blame After All' has a side project as The Gentlemen Selector with Acid Ragtime and has dropped the first gramophone platter 'Vegetables' [more inside]
posted by fearfulsymmetry on Jan 3, 2015 - 15 comments

I need to know my place

Just because there’s been more successful white rappers, you cannot disregard where this culture came from and our place in it as white people.
In the wake of Azealia Banks' controversial interview on Hot 97, in which she called out Iggy Azalea and the "smudging out of black music," Macklemore appeared on the same show, Ebro in the Morning on Monday and spoke thoughtfully and at length about white privilege and cultural appropriation in hip hop. [more inside]
posted by DirtyOldTown on Dec 30, 2014 - 96 comments

An undeniable 85-song sampler of the year in hip-hop

The best hip-hop tracks of 2014 from the Kernel, the Daily Dot's digital Sunday magazine.
posted by ellieBOA on Dec 29, 2014 - 16 comments

Phenomenally.

Maya Angelou's posthumous hip hop project Caged Bird Songs, has a new music video for Harlem Hopscotch.
posted by ChuraChura on Dec 28, 2014 - 2 comments

Founding Fathers of Hip Hop

The Founding Fathers [1hr25min] "unsung DJ's who contributed to the foundational principals of the music known today as Hip Hop. This documentary transports you to a journey back to the early underground disco days of the streets and parks throughout New York City." Narrated by Chuck D, with plenty of primary interviews and slammin' beats.
posted by Invisible Green Time-Lapse Peloton on Dec 27, 2014 - 3 comments

Kreezus - Local Business Comedy

If Kanye West decided to make a Christmas album where he believed he is Santa Claus, it would be this
posted by East Manitoba Regional Junior Kabaddi Champion '94 on Dec 23, 2014 - 11 comments

Warren G and Nate Dogg, 'Regulate': Oral History

Two decades ago, Warren Griffin III and Nathaniel "Nate Dogg" Hale stormed the pop charts with "Regulate," a back-and-forth tale about an attempted car-jacking that goes down on a clear black night in L.A.'s Long Beach. Recorded in Warren G's apartment, the smooth, Michael McDonald-sampling quiet storm peaked at Number Two on the Billboard singles chart and became one of the defining songs of the 1990s. Rolling Stone talked to Warren G and his collaborators about the song that put West Coast hip-hop on a whole new level.
posted by paleyellowwithorange on Dec 22, 2014 - 20 comments

Bonobo, inspired by beautiful hip-hop, London scenes, and a tumble dryer

From the rather common "skate punk into alternative music" origins to a bedroom producer who signed with Ninja Tune, Bonobo, the stage name for Simon Green, has continued to change musically. From the lone musician who made sample-based music, he has expanded into working with field recordings, studio musicians, and live shows where the band took a four bar drum break transformed it into a seven minute epic drum-sax solo battle, to which the crowd tried to clap along. You can see him live tomorrow at the Alexandra Palace in London in a special Boiler Room session, but until then, there's plenty more to see, hear and read. [more inside]
posted by filthy light thief on Nov 27, 2014 - 12 comments

Eminem at 42

“im bored of the old men threatening young women as entertainment trend and much more interested in the young women getting $ trend. zzzz”
posted by josher71 on Nov 26, 2014 - 57 comments

A Chat with Dionne Osborne, the Vocal Coach Who Changed Drake's Style

What I found in those recordings was that he has the most comfortable voice. It wasn't showy, and it had a very nice tone: it sounded so conversational. He wasn't singing at you, but singing to you. A lot of singers overdo it, try to bombast you, but Drake doesn't. And the average person can sing Drake's songs, and that's part of what they love.
posted by ellieBOA on Nov 20, 2014 - 18 comments

Hip Hop When The World Was Young

In the early 1990s, photographer and cinematographer Lisa Leone was a fixture on the New York hip hop scene. She recently uncovered a trove of old behind-the-scenes photos of iconic rappers and breakdancers, which have been collected into the book Here I Am, and are currently on exhibit at the Bronx Museum of the Arts. The New York Times' Lens blog has an excellent selection of the shots.
posted by Diablevert on Nov 18, 2014 - 4 comments

The 3-6 Chambers

Final Fantasy 3 (or is it 6?) was released 20 years ago. As it was coming out, Enter the Wu-Tang (36 Chambers) was blowing up the NYC music scene. In their honour, enjoy Final Fantasy - The 3-6 Chambers! [more inside]
posted by Lemurrhea on Nov 13, 2014 - 29 comments

These are the times of the parables

A Parable.
"Hey do want to hear an album of spoken word poetry raps?"
*everyone looks uncomfortable*
"It's by a white girl from...England? With uh, garage beats?"
*everyone gets on to a spaceship and flies into the sun"
"Her name is Kate Tempest (previously). There's stories, about dating and generally being disaffected and drinking too much? And she utterly kills it live. Her old band was decent but, this is, like next level."
*no-one is left on earth but Common. He is wearing sunglasses as the sun flares.* *He nods his head.*
Common: "This is dope."
Mike Skinner (he's there too): "Well rude innit. Let's get a kebab mate."
F I N
posted by Potomac Avenue on Nov 7, 2014 - 13 comments

Rick Was Here, a short film on the NYU dorm room where Def Jam started

30 years ago, Rick Rubin was a college student, living in NYU's Weinstein Residence Hall, room #712. It was there that Def Jam Records was formed, shifting the focus of hip-hop from the MCs to promote the DJs, too. Rubin and his label quickly outgrew the dorm, and he hasn't been back since. Recently he returned, and the adventure was captured and put into context by Rolling Stone Film's mini-documentary, Rick Was Here. New footage rolls alongside old, with some animations to bring a few audio-only stories to life. [more inside]
posted by filthy light thief on Oct 20, 2014 - 13 comments

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