OkayAfrica keeps up to date with pop culture and news from across the continent. Africa In Your Earbuds gives DJs and musicians from across the diaspora the chance to curate a playlist or mixtape of their favorite African and African diaspora music. Chief Boima of Dutty Artz starts off Africa In Your Earbuds. [more inside]
Immortal Technique is an American rapper of Afro-Peruvian descent as well as an urban activist. Most of his lyrics focus on controversial issues in global politics. The views expressed in his lyrics are largely commentary on issues such as class struggle, poverty, religion, government and institutional racism.
The Hip-Hop Family Tree: A Look Into the Viral Propagation of a Culture (part two, part three) is a "semi-regular, ongoing feature" currently running in the comic Brain Rot by Ed Piskor. (Ed Piskor and Wizzywig Comics previously on MeFi)
Amerigo Gazaway combined the music of Fela Kuti and De La Soul to create Fela Soul. All the tracks along with liner notes and album commentary are available free for download here. [more inside]
How to make an Art-- a tutorial [with Addendum] by HennesyYoungman...via the amazing Victory Light blog [more inside]
Why I Hate the Avant-Garde or, Why Laurie Anderson is less Avant-Garde than DJ Kool Herc. A rant with videos. Via The Front Section.
Pen and Pixel are well known for the outlandish covers they created for Southern rap labels Rap-A-Lot and No Limit. It's been about 12 years since their heyday, so people are now looking back at the artistry present under the surface of these covers. [more inside]
Die Antwoord is a "next-level rap-rave krew" from South Africa. Their incredible video, Enter the Ninja, is probably the best introduction to the group. The group consists of a white MC named Ninja, his mulleted wife Yo-Landi Vi$$er, and DJ Hi-Tek (aka Leon Botha), a painter who at 24 one of the oldest living sufferers of progeria syndrome. Further viewing: Zef Side. [more inside]
Can I get an amen? An installation featuring an acetate pressing of a well worded spoken piece about copyright law, creative commons, culture and even advertising from the perspective of the history of the now ubiquitous Amen Break featuring audio samples of songs and artists from the well known to the unusual. Please feel free to use this archive.org mirror of the video indicated on the project description page with the entirety of the audio of the acetate at archive.org. (34MB MP4/Quicktime, majority of video portion consists of various views of the turntable, but the audio is quite good.)