Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Samplestitch maps hip-hop samples (from J. Dilla, 9th Wonder and Kanye West) to keyboard buttons.
New York’s golden era had hip-hop luminaries digging in the crates at the legendary Roosevelt Hotel Record Convention. Record dealer John Carraro reflects on introducing old music to the likes of Pete Rock, Q-Tip, Busta Rhymes, Large Professor, Buckwild, Diamond D, Prince Be, Mr. Walt, and DJ Clark Kent, among others.
Lil Ugly Mane. What do we know about this person? Take a trip on through to the other side... [more inside]
Combining the voices of many struggles, peoples and nations, from LA to Chicago, Detroit to New Brunswick, Germany to Palestine, Phoenix to Greece, Nəxʷsƛ̕áy̕əm̕ , Tsalagi and Six Nations, to Anishinaabe and Mi’kmaq, and everywhere in between, the #NationHood Mixtape brings together an amazing array of hip-hop, spoken word, beats, ideas and sounds from artists across the world. [more inside]
If you've browsed some of the many year-end Best Album Lists, you might have seen AraabMUZIK's Electronic Dream rank highly. If his name means nothing to you, check an interview with the then 19 year old Hispanic kid from Rhode Island, who had recently graduated high school and connected with Dipset, or the 20 year old drummer-turned-producer whose performance was copied by Kanye (and other information on his life and times). Or maybe you follow producers, and knew he made the beat for Cam'ron's track I Used To Get It In Ohio, or cuts on the Dipset Trance Party mixes (DatPiff has volume 1, 2, and 3). If you want to know more, you can check a mini AraabMUZIK documentary (6:38 on YouTube), or just watch him work the MPC. [more inside]
The name Clams Casino has been floating around for a while, whose production was likened to a castle floating in the clouds by the BasedGod himself, Lil B [prev]. But recently, 24 year old Mike Volpe has shot up from relative obscurity to being dubbed a "visionary beatmaker" in Rolling Stone. You can hear the start of the north Jersey bedroom producer's ethereal sound in his 2006 remix of Mobb Deep's "Get Twisted", which has carried forward into tracks for Squadda Bambino, Lil B, Havoc (of Mobb Deep), and Soulja Boy. Clams Casino has since released a free mixtape of his instrumental production (streaming) to glowing reviews. [more inside]
"I've been studying the planets and learning the personalities of each planet." Dr. Dre is considering a hip-hop instrumental answer to Gustav Holst.
45King Perhaps you'll remember his 1-900 song that Ed Lover used to (and still apparently does) shake his ass to. Turns out the guy -- 45 King -- has been producing into the modern age. The interface runs the gamut from "OK" to "barely passes", though doesn't overly interfere with your
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