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If you've browsed some of the many year-end Best Album Lists, you might have seen AraabMUZIK's Electronic Dream rank highly. If his name means nothing to you, check an interview with the then 19 year old Hispanic kid from Rhode Island, who had recently graduated high school and connected with Dipset, or the 20 year old drummer-turned-producer whose performance was copied by Kanye (and other information on his life and times). Or maybe you follow producers, and knew he made the beat for Cam'ron's track I Used To Get It In Ohio, or cuts on the Dipset Trance Party mixes (DatPiff has volume 1, 2, and 3). If you want to know more, you can check a mini AraabMUZIK documentary (6:38 on YouTube), or just watch him work the MPC. [more inside]
posted by filthy light thief on Dec 26, 2011 - 12 comments

Bryan Hollon, better known by his musical handle Boom Bip, is probably recognized for two drastically different sounds: abstract hip-hop from his early Mush Records days, and his Mercury Prize-nominated Neon Neon collaboration with Gruff Rhys. Add to that a new inspiration: black magic from the turn of the 19th century. What does that sound like? Let Boom Bip walk you through his new album, Zig Zaj. Step behind the deep red velvet curtains for a peek at the history of Boom Bip. [more inside]
posted by filthy light thief on Oct 24, 2011 - 12 comments

So you want to try and remix someone else's songs, but all you have are a random collection of instrumentals and acapellas to work with. Fret not! First, you can find inspiration from the folks who share their reworkings at Tea's Björk Remixes, as there aren't many Björk acappelas to start with, but they still find a way. Then check out the Acapella Archives blog, for a lot of indie hip-hop acapellas and more vocal tracks. If you've browsed those archives, you might notice a link to Beastie Remixes, a community for remixers of Beastie Boys. They have an acapellas page which has more than just vocal tracks: there are also copies of show vinyl, with the tracks that the Boys have used to back up their live shows.
posted by filthy light thief on Oct 22, 2011 - 13 comments

Inside Tunisia's Hip-Hop Revolution: a look back at the Tunisian Revolution, and the role played by El Général and other rappers. 5 song YT playlist | Tunisia Is Our Country | Vive la Tunisie || previously: hip-hop songs of North African solidarity
posted by filthy light thief on Sep 1, 2011 - 3 comments

So you come across the free IamOmni album, and you'll probably think one of two things: hey, it's a new direction from underground L.A. MC, Omni; or wow, it's an album produced by UK musician Tricky. Both are true! Omni tells his story of connecting with Tricky in a few minutes, and Rap Reviews ties Omni and Tricky together through other routes, going back to the 2002 album, Sunch Punch, by Gershwin B.L.X. (Bassline Xcursionists). Lo and behold, that album is also free on Bandcamp.
posted by filthy light thief on Aug 26, 2011 - 11 comments

The name Clams Casino has been floating around for a while, whose production was likened to a castle floating in the clouds by the BasedGod himself, Lil B [prev]. But recently, 24 year old Mike Volpe has shot up from relative obscurity to being dubbed a "visionary beatmaker" in Rolling Stone. You can hear the start of the north Jersey bedroom producer's ethereal sound in his 2006 remix of Mobb Deep's "Get Twisted", which has carried forward into tracks for Squadda Bambino, Lil B, Havoc (of Mobb Deep), and Soulja Boy. Clams Casino has since released a free mixtape of his instrumental production (streaming) to glowing reviews. [more inside]
posted by filthy light thief on Jun 28, 2011 - 12 comments

It started two months ago to the day, when a stuttering/strobing video of angry man obscenely rapping over a spasmodic drumbeat was posted on YouTube from an unknown group who called themselves Death Grips, with the promise of an album and a mixtape within the year. The next day, a new track went up, not furious like the day before, but the rapper sounded a bit hoarse now. More tracks were uploaded every few days, and on April 26th the mixtape was on YouTube, soundcloud, and available to download from their website and other places. Still, little is known about the group, beyond that it's probably a trio and Zach Hill is involved. [more inside]
posted by filthy light thief on May 8, 2011 - 16 comments

There was a brouhaha around the name of a particular micro-genre, tossed out amongst other titles for a new genre variant: rape-gaze. The discussion started with a listing of genre names applied to the band Salem, a band whose debut album ranked high in some year-end charts. That specific genre title was coined by the group Creep, who chose the label themselves as some alternative to the more prevalent "witch house" genre title. More music and music pondering inside. [more inside]
posted by filthy light thief on Dec 17, 2010 - 63 comments

September 2010 marked 20 years of Ninja Tune, the independent label formed by the duo known as Coldcut. Starting with an album by the duo that they released under a different group name, the small UK label has since spiraled out to include three separate imprints (plus an artist-specific mini-label), with an extensive collection of singles, EPs and albums from an ever-growing list of artists. More history in words, music and video awaiting inside... [more inside]
posted by filthy light thief on Nov 12, 2010 - 52 comments

The pumpkins are mouldering or smashed, candy wrappers are strewn about, and your costume is tossed aside. Keep the mood going for a bit longer with some Halloween mixtapes, from film composer Alan Howarth (credits, IMDb), and three(tracklist) streaming mixes from electronic/breakbeat producers Evil Nine. If you are looking for more beats and rapping in your mixtapes, here are three volumes of Night of the Living Dead (NSFW), from Cookin' Soul.
posted by filthy light thief on Nov 1, 2010 - 9 comments

Seba Jun, aka Nujabes, was a quiet and rather reclusive Japanese hip-hop DJ/producer/label head, as far as hip-hop personalities go. He didn't do many interviews, and his two albums and 15 or so vinyl singles which were released on his own Hydeout Productions label, all of which were only released in Japan. Regardless of the limited push, he gained renown world-wide for his relaxed, jazzy hip-hop, due in part to his music being featured on the anime series Samurai Champloo. The musician's life was cut short in late February, following a car accident. He was 36 years old. [more inside]
posted by filthy light thief on Apr 3, 2010 - 27 comments

Mark Skillz, hip hop historian of a sort and an occasional writer for Wax Poetics, represents the old school of hip hop and lets others tell their stories on Hip Hop 101A. From Eddie Cheba recalling his time as a top DJ in the small world of hip hop in 1977, to the life of Sparky D, who took up the good fight for UTFO and started the Roxanne Wars, one of hip hop's first rap battles. Read up on the fall of funk and the rise of Planet Rock, and reminisce with Reggie Wells about the birth of hip hop from black club deejays in Manhattan who were refining a slick style of talk over disco records to open hip hop jams in the park. As a bonus, Wells throws out a playlist straight from Club 371 (videos after the break). [more inside]
posted by filthy light thief on Sep 18, 2009 - 23 comments

Hip hop is made of four elements: Deejaying and turntablism, Emceeing (rapping and freestyling), Breaking (more previously), and Graffiti. And don't forget beatboxing (more), which blends turntablism and emceeing. But what if you can't make the wikka-wikka sounds with your mouth? You could learn from others, or you could dust off your flute with Nathan Lee, or bust out your sousaphone with Nat McIntosh (formerly with Youngblood Brass Band (interviewed on NPR), now with Dallas Brass).
posted by filthy light thief on May 19, 2009 - 19 comments

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