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5 posts tagged with historiography and history. (View popular tags)
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No Need to Choose: History from Above, History from Below

Where does the new inter­est in the “his­tory of cap­i­tal­ism” come from? I’d sug­gest the fol­low­ing rudi­ments of an answer. The finan­cial cri­sis of 2008-09 has clearly placed cer­tain issues of his­tori­ciza­tion on the agenda. If the accel­er­ated and seem­ingly unstop­pable drive for the “flat­ten­ing” of the world through a process of neolib­eral glob­al­iza­tion since the early 1990s has not actu­ally brought us to a per­ma­nently unfold­ing and self-reproducing neolib­eral present, but has rather encoun­tered severe struc­tural prob­lems, then how do we his­tori­cize this cur­rent time? That is, how do we under­stand the con­tem­po­rary cri­sis of cap­i­tal­ism, in all its polit­i­cal and social ram­i­fi­ca­tions, in rela­tion to longer-run processes of cap­i­tal­ist restruc­tur­ing and their log­ics of devel­op­ment and dif­fi­culty; and how do we locate the his­tory of the present inside a larger-scale frame­work of peri­ods and conjunctures? [more inside]
posted by whyareyouatriangle on Jun 29, 2014 - 9 comments

Avant-Garde in a Different Key: Karl Kraus’s The Last Days of Mankind

Act 1, scene 1. "The stage directions read, “Vienna. The Ringstrasse promenade at Sirk Corner. Flags wave from the buildings. Soldiers marching by are cheered by the onlookers. General excitement. The crowd breaks up into small groups.”[2] The newsboys with their “Extra Extra,” announcing the outbreak of war, are interrupted by a drunk demonstrator who shouts “Down with Serbia! Hurrah for the Hapsburgs! Hurrah! For S-e-r-bia!” and is immediately kicked in the pants for his mistake (LTM, p. 69). A crook and a prostitute exchange insults, even as two army contractors, talking of possible bribes the rich will use to avoid the draft, cite Bismarck’s words, in Neue Freie Presse (Vienna’s major newspaper at the time of the assassination of the archduke in Serbia), to the effect that the Austrians deserve kissing. One officer tells another that war is “unanwendbar” (of no use) when he really means, as his friend points out, “unabwendbar” (unavoidable) (LTM, pp. 70–71). A patriotic citizen praises the coming conflict as a holy war of defense against “encirclement” by hostile forces, and the crowd responds by making up rhymes (in Viennese dialect) denigrating the enemy (LTM, p. 72)." [more inside]
posted by whyareyouatriangle on Jun 10, 2014 - 9 comments

Growing Up in a Cocoon

In an ongoing revisionist history effort, Southern schools and churches in the United States still pretend the Civil War wasn't about slavery.
posted by SkylitDrawl on Feb 22, 2014 - 459 comments

People of Color are not an anachronism

The Tumblr blog People of Color in European Art History, or medievalpoc for short, has a simple mission: to showcase works of art from European history that feature People of Color. All too often, these works go unseen in museums, Art History classes, online galleries, and other venues because of retroactive whitewashing of Medieval Europe, Scandinavia, and Asia. [more inside]
posted by daisyk on Dec 8, 2013 - 107 comments

Historiography of Alan Moore

"In Wells, God writes the human narrative, in Moore's version, it is humanity that ghostwrites its own story and credits it to God. The decision left to humanity is whether it will script its own history consciously, or allow the narrative to be shaped secretly by leaders and figures of authority..." The historiography (alternate, longer explanation) of Alan Moore. Warning: long. [more inside]
posted by flibbertigibbet on Aug 14, 2008 - 14 comments

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