Saga Thing is a podcast [iTunes link] about the Sagas of the Icelanders by Professors Andrew Pfrenger and John P. Sexton. The format is simple, the two of them discuss a single saga over the course of one or more episodes. Then they render judgment at the end, on such issues as the quality of its nicknames, witticisms, characters and bloodshed. If you need a refresher on the medieval literature and history of Iceland, Saga Thing has you covered with three introductory episodes (1, 2, 3), or you could listen to the BBC's In Our Time episode about the sagas. Andy and John also have a few short episodes on related topics, such as the gruesome blood eagle, dueling and Norse remains in Newfoundland.
An expert in prison literature, Smith felt sure that the book was written by someone with firsthand knowledge of 19th-century correctional facilities. And if Haunted Convict was a genuine account, it would be groundbreaking: the earliest-known narrative penned by an African-American prisoner.
Sci-Fi Author (and Metafilter's own) Charlie Stross has an interesting thought experiment: Could you get to a technological society without the use of writing? And if so, what would that look like?
René Girard, literary theorist and religious historian, has died at the age of 91. The French-born academic and Immortel of the Académie Française first became famous for developing the idea of mimetic rivalry as a predominant theme in modern literature. Later, and more controversially, he argued for the centrality of violence and scapegoating in ancient religions, by which the sacrifice of a chosen victim restores peace in society. Most controversially of all, he argued that the Judeo-Christian tradition is unique in exposing and refuting this scapegoating mechanism. (Previously, previously)
In late December of 1895, the writer Stephen Crane—nervous, shabby, and all of twenty-three—attended the first annual dinner of the Society of the Philistines as its guest of honor. He little dreamed he was walking into one of history's first celebrity roasts.
History v Historical Fiction by Jane Smiley [The Guardian] Historical fiction is not a secondary form – I was condescended to by a conservative historian who cannot see that he too constructs stories.
“The condescender was Niall Ferguson, a conservative historian about 15 years younger than me, who wanted to be sure that I understood that the historical novel is all made up, but that historical non-fiction, written by historians is truth. He referred to his research. I referred to my research. He wasn’t convinced. I suggested that the demands of history and fiction are slightly different – that since a novel is a story, it must be complete, and since a history must be accepted by the reader as accurate, it must be incomplete.”
The Role of Writers in a STEM Obsessed Society
“As writers, it’s easy to think of how we matter to literature classrooms, but what the appointment of writers-in-residence in hospitals, history classrooms, foreign language learning spaces, and cooking schools reminds us is that we are relevant wherever there is humanity—which is to say, wherever humans are with their stories. Writing is healing. Writing is art. Writing is learning. As such, writing across the disciplines matters. Many models of artist residencies depend upon the retreat model, wherein the artist sequesters herself away with a small community of other artists. While these models have value, especially when considering how solitude relates to the creative process, it’s heartening to me to see more models catch on that value the place of the writer in society, rather than hidden away from it.”
Frank Norris and the Invention of Film Editing: "At the heart of American author Frank Norris’ gritty turn-of-the-century fiction lies an essential engagement with the everyday shock and violence of modernity. Henry Giardina explores how this focus, combined with his unique approach to storytelling, helped to pave the way for a truly filmic style."
For tens of thousands of years, wild horses have inspired humans - to nurture, to create, to slaughter - culminating in the past century of America’s legal and psychological battles over the horses we can’t own. [more inside]
Larry Kramer’s The American People: Volume 1: Search for My Heart: A Novel (previously) is now on the shelves. [more inside]
A handy single-page explanation of horse-drawn carriage varieties, with pithy descriptions and occasional photographs of the barouche, the brougham, the cabriolet, the calash, the char-a-banc, the char-de-cote, the curricle, the dog-cart, the gig, the governess cart, the jaunting car, the landau, the Ralli car, the sociable, the sulky, the waggonette, and others. [more inside]
The University of Glasgow's French Emblems project hosts thousands of 16th century woodcuts and etchings. The archive boasts an unusually thorough metadata scheme, allowing you to browse cryptic images of beards, birds in cages, pointed fingers, triumphal conquerors, and fabulous animals, among many other categories. [more inside]
Thomas King wins Governor-General’s Award for fiction In February, King won the British Columbia’s National Award for Canadian Non-Fiction for The Inconvenient Indian: A Curious Account of Native People in North America. On Tuesday, he won the Governor-General’s Literary Award for Fiction for The Back of the Turtle, his first novel in 15 years. [more inside]
It's said that even a century and a half after Montaigne's death, when the marquis d'Argenson subtitled a book with that word, Essays, he was shouted down for impertinence. Not a context in which many people would find themselves tempted to self-identify as "essayists." When the French do finally start using the word, in the early nineteenth century, it's solely in reference to English writers who've taken up the banner, and more specifically to those who write for magazines and newspapers. "The authors of periodical essays," wrote a French critic in 1834, "or as they're commonly known, essayists, represent in English letters a class every bit as distinct as the Novellieri in Italy." A curiosity, then: the essay is French, but essayists are English. What can it mean?—The Ill-defined Plot is an essay about the history of essays by John Jeremiah Sullivan.
The story of Dr Zhivago’s publication is, like the novel itself, a cat’s cradle, an eternal zigzag of plotlines, coincidences, inconsistencies and maddening disappearances. The book was always destined to become a ‘succès de scandale’, in Berlin’s words, but the machinations and competing energies that went into seeing it into print, on the one hand, and trying to stop it going to print, on the other, make it the perfect synecdoche for that feint, counterfeint round of pugilism we call the Cold War.—The Writer and the Valet by Frances Stonor Saunders tells the story of Isaiah Berlin's part in publishing Boris Pasternak's novel Dr. Zhivago while Michael Scammell details the CIA's role.
83 year old Chicano author John Rechy (City Of Night, The Sexual Outlaw, Rushes) talks to Lambda Literary about gay assimilation, being mistaken for white, melding truth and fiction, the post-Stonewall peroid, and hating the word 'queer.'
Mahmoud Darwish once wrote, of Gaza, “We are unfair to her when we search for her poems.” [more inside]
Shakespeare's Restless World is a BBC radio series (podcast link) where the director of the British Museum, Neil MacGregor, explores England during the lifetime of William Shakespeare as represented by twenty objects, much in the way of his earlier A History of the World in a 100 Objects (previously). The focus is on Shakespeare's plays and how they were understood by his contemporaries. The series was also published as a book.
"Novels are no use at all in days like these, for they deal with people and their relationships, with fathers and mothers and daughters or sons and lovers, etc., with souls, usually unhappy ones, and with society etc., as if the place for all these things were assured, the earth for all time earth, the sea level fixed for all time." [more inside]
Animal Land where there are no people was a children's book released in 1897, written by Sybil Corbet, who was four years old, and illustrated by her mother, Katharine Corbet. "Animal Land where there are no People is quite near, only you can't see it... They live by the North Pole and in the leafy places near. It is always light there, always day, they climb the poles and always play." [more inside]
Act 1, scene 1. "The stage directions read, “Vienna. The Ringstrasse promenade at Sirk Corner. Flags wave from the buildings. Soldiers marching by are cheered by the onlookers. General excitement. The crowd breaks up into small groups.” The newsboys with their “Extra Extra,” announcing the outbreak of war, are interrupted by a drunk demonstrator who shouts “Down with Serbia! Hurrah for the Hapsburgs! Hurrah! For S-e-r-bia!” and is immediately kicked in the pants for his mistake (LTM, p. 69). A crook and a prostitute exchange insults, even as two army contractors, talking of possible bribes the rich will use to avoid the draft, cite Bismarck’s words, in Neue Freie Presse (Vienna’s major newspaper at the time of the assassination of the archduke in Serbia), to the effect that the Austrians deserve kissing. One officer tells another that war is “unanwendbar” (of no use) when he really means, as his friend points out, “unabwendbar” (unavoidable) (LTM, pp. 70–71). A patriotic citizen praises the coming conflict as a holy war of defense against “encirclement” by hostile forces, and the crowd responds by making up rhymes (in Viennese dialect) denigrating the enemy (LTM, p. 72)." [more inside]
The Travels of Sir John Mandeville is a remarkable 14th Century book which tells the autobiographical story of Sir John Mandeville's travels from England to Jerusalem and beyond to Asia. The only problem is that the book "had been a household word in eleven languages and for five centuries before it was ascertained that Sir John never lived, that his travels never took place, and that his personal experiences, long the test of others' veracity, were compiled out of every possible authority, going back to Pliny, if not further." The book was very popular for many centuries and was illustrated many times. For more about the book there is the introduction to a recent scholarly Middle English version and an illuminating podcast interview [iTunes link] with Professor Anthony Bale, the translator of a new version of the "defective" version of the book, which was the best known version for centuries. The interview goes into the many errors and fantasias of Mandeville but also puts the work in the context of its time and place.
Lessons From A Demigod
The Epic of Gilgamesh has been read in the modern world for a little longer than a century, and, in that time, this oldest of stories has become a classic college text. In my own courses on ancient literature and mythology, it is the book I always begin with. But why should a tale whose origins stretch back more than four thousand years draw such attention in an age of genetic engineering and text messaging? The answer I have given to hundreds of students is that almost every joy and sorrow they will face in life was revealed in Gilgamesh millennia before they were born. Reading Gilgamesh will not only teach them to face the challenges that lie ahead, but also give them an appreciation for the idea that no matter how much our modern world might seem different from earlier times, the essence of the human experience remains the same.[more inside]
In 2002 Henry Louis Gates jr. published The Bondwoman's Narrative. It was the first publication of a novel written in the 1850s by a former slave who wrote under the name Hannah Crafts. The original manuscript has been digitized by Yale's Beinecke Library. The book caused a splash at the time, sold well and was reviewed widely, including an essay by Hilary Mantel in the London Review of Books. The identity of Hannah Crafts was uncertain, which cast a slight shadow on its provenance, but Prof. Gregg Hecimovich discovered the writer's true identity. Her name was Hannah Bond and after escaping slavery she became a teacher in New Jersey. Journalist Paul Berman further fills in the story of Colonel Wheeler, the slaveowner whose family was depicted in The Bondwoman's Narrative. Wheeler was the US ambassador to Nicaragua in the 1850s and played a major part in the administration of General Walker, the American who became a short-lived dictator of Nicaragua and tried to set it up as a slave state.
447 years ago this morning, the Provost's house at Kirk o' Field, Edinburgh, was annihilated in an explosion. Lord Darnley, king consort to Mary, Queen of Scots, had been staying in the house to recuperate from a bout of pox; his body was found in a nearby orchard, unburnt but asphyxiated. Rafael Sabatini recounts the possible course of events in his Historical Nights' Entertainment, a two volume anthology of murders, court intrigues, and scandals. [more inside]
Warning! The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased, entry for the United States of America
That Homer used the epithet "wine-dark" to describe the sea in the Iliad and Odyssey so puzzled 19th Century English Prime Minister William Gladstone that he thought the Ancient Greeks must have been colorblind. Since then many other solutions have been proposed. Scientists have argued that Ancient Greek wine was blue and some scholars have put forward the case that Homer was describing the sea at sunset. Radiolab devoted a segment to the exploration of this issue, saying that Gladstone was partly right. Another interpretation is that the Ancient Greeks focused on different aspects of color from us. Classicist William Harris' short essay about purple in Homer and Iliad translator Caroline Alexander's longer essay The Wine-like Sea make the case for this interpretation.
This is my window. Or my windows—the view from my living room, where I sit and write. Might not seem very inspiring. I wish I could offer green mossy lava, roaring waves, a glacier mountain top. I do have other spaces—in an abandoned powerstation, a favorite fisherman’s cafe by the harbor, a summer house on the arctic circle—but this is my honest view, what I really see most of the days. This house was built in the 1960s when people were fed up with lava and mountains; they were migrating to the growing suburbs to create a new view for themselves. The young couple who dug the foundation with their own hands dreamed of a proper garden on this barren, rocky strip of land. They dreamed of trees, flowers, shelter from the cold northern breeze. What is special depends on where you are, and here, the trees are actually special. They were planted fifty years ago like summer flowers, not expected to live or grow more than a meter. The rhododendron was considered a miracle, not something that could survive a winter. It looks tropical, with Hawaiian-looking pink flowers; Skúli, the man who built the house and sold it to me half a century later, took special pride in it. I am not a great gardener. We are thinking of buying an apple tree, though they don’t really thrive in this climate. I would plant it like a flower, not really expect it to grow, and hope for a miracle. —Andri Snær Magnason [more inside]
A wonderful, generous and free selection of authors, collections and books online at Lit2Go for awake times or drowsy ones. The Count of Monte Cristo from the Adventure collection | or perhaps a Just So Story from the Fantasy collection | Beowolf from the Here Be Dragons! collection | Aladdin from Andrew Lang's Fairy Books of Many Colors or The Heart of Happy Hollow from the African American collection. Also practical for children. Previously. [more inside]
Symposium Magazine bills itself as "where academia meets public life". Its promotes long-form, accessible articles about a variety of topics.
New technology has changed scholarship. Whereas previous generations of experts have sought to reconcile the differences between quarto and Folio, current thinking highlights the difficult relationship between the various incarnations of Shakespeare's texts, something made easier by the availability of rare Shakespeare quartos in digital databases such as Early English Books Online. The scholar Eleanor Prosser thus detects "considerable evidence" for the elimination of metrical and stylistic "irregularities" in the Folio: short lines are lengthened to 10 syllables, verbs agreed with subjects, double negatives resolved. In addition, a range of unusual words are added to the text, words not used elsewhere by Shakespeare. Prosser concludes: "somewhere behind the Folio … lies a conscientious and exacting editor with literary pretensions", albeit one "more experienced in the transcription of literary than of theatrical works". But who was it?—Who edited Shakespeare? by Saul Frampton. [more inside]
"During his days as Harvard’s influential president, Dr. Charles W. Eliot made a frequent assertion: If you were to spend just 15 minutes a day reading the right books, a quantity that could fit on a five-foot shelf, you could give yourself a proper liberal education. Publisher P. F. Collier and Son loved the idea and asked Eliot to compile and edit the right collection of works. The result: a 51-volume series of classic works from world literature published in 1909 called Dr. Eliot’s Five Foot Shelf, which would later be called The Harvard Classics." (Via) [more inside]
Great artists rise early, stay up late, float themselves in coffee, flirt with amphetamines, drink carefully, eat if necessary, take morning walks followed by afternoon naps, procrastinate, amuse themselves, avoid their friends, hold down jobs, indulge their oddities, and work — work like draft horses. [more inside]
The Pickwick Papers, one of the most honored first novels of all time, was conceived as a showcase for the comic etchings of the celebrated illustrator Robert Seymour. His publishers tapped a 24 year old journalist named Charles Dickens (their third choice) to provide the humorous "commentary" linking the pictures, which were to depict the hunting mishaps of a club of cockney sportsmen. Dickens, who knew nothing about hunting, ignored the prospectus and wrote his own way forward. As it became clear that Seymour was ill-equipped to depict the darker turns of Dickens' imagination, illustrator and writer fell into a conflict which ended in horror. [more inside]
"...forcing its cast to act around a Jack Russel terrier decked out in full period costume." Blogger Josh Marsfelder of Soda Pop Art explores the legacy of Wishbone.
"But you have not told us a syllable about the greatest general and greatest ruler of the world. We want to know something about him. He was a hero. He spoke with a voice of thunder; he laughed like the sunrise and his deeds were strong as the rock and as sweet as the fragrance of roses. The angels appeared to his mother and predicted that the son whom she would conceive would become the greatest the stars had ever seen. He was so great that he even forgave the crimes of his greatest enemies and shook brotherly hands with those who had plotted against his life. His name was Lincoln and the country in which he lived is called America, which is so far away that if a youth should journey to reach it he would be an old man when he arrived..." [more inside]
"It was John Polidori's misfortune to be comic without having a sense of humor, to wish to be a great writer but to be a terrible one, to be unusually bright but surrounded for one summer by people who were titanically brighter, and to have just enough of an awareness of all of this to make him perpetually uneasy. Also, he couldn't jump."
"Cheever wasn't the only one who found inspiration at the Writers' Project [NYT]. Others included Conrad Aiken, Nelson Algren, Saul Bellow, Arna Bontemps, Malcolm Cowley, Edward Dahlberg, Ralph Ellison, Zora Neale Hurston, Claude McKay, Kenneth Patchen, Philip Rahv, Kenneth Rexroth, Harold Rosenberg, Studs Terkel, Margaret Walker, Richard Wright and Frank Yerby. These federal employees produced what would become the renowned American Guide Series, comprising volumes for each of the 48 states that then existed, as well as Alaska."
John And Hank Green (previously), amusing youtube teachers of world history and biology have finished the first cycle of their educational series Crash Course (previously) and have wrapped up mini lessons on Literature and Ecology. Now they've just started two brand new series on U.S History and Chemistry (to come). Outtakes.
Perched high up above the Thames in downtown London every month this past year a different writer has spent four days living in a replica of the Roi des Belges, the boat Marlow travels up the Congo in Joseph Conrad's The Heart of Darkness. Each author would write a short text during their stay "which explores London, rivers, the work of Joseph Conrad, or even all three." They would be visited on the last day by a journalist from The Guardian who recorded them reading their essay, poem or short story. Among the poets, historians and novelists were Adonis, Jeanette Winterson, Teju Cole, Michael Ondaatje and Kamila Shamsie. These recordings, each prefaced by a short interview, are all available on the Guardian website, to stream or download. Below the cut there is a link to each recording, with a short description. [more inside]
With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else. December 2012 marks the 40th anniversary of Invisible Cities -- the sublime metaphysical travelogue by author-journalist Italo Calvino. In a series of pensive dialogues with jaded emperor Kublai Khan, the explorer Marco Polo describes a meandering litany of visionary and impossible places, dozens of surreal, fantastical cities, each poetically reifying ideas vital to language, philosophy, and the human spirit. This gracefully written love letter to urban life has inspired countless tributes, but it's just the most accessible of Calvino's fascinating literary catalogue. Look inside for a closer look at his most remarkable works, links to English translations of his magical prose, and collections of artistic interpretations from around the web -- including this treasure trove of essays, excerpts, articles, and recommended reading. [more inside]
The Secret Lives of Readers Books reveal themselves. Whether they exist as print or pixels, they can be read and examined and made to spill their secrets. Readers are far more elusive. They leave traces—a note in the margin, a stain on the binding—but those hints of human handling tell us only so much. The experience of reading vanishes with the reader. How do we recover the reading experiences of the past? Lately scholars have stepped up the hunt for evidence of how people over time have interacted with books, newspapers, and other printed material.
"Some remarkable Books, Antiquities, Pictures and Rarities of several kinds, scarce or never seen by any man now living."
Musæum Clausum is a catalog of invented books, pictures and antiquities written by 17th Century Englishman Sir Thomas Browne. It is a fantastical and witty meditation on the ravages of time on literature and other works of man. The Musæum Clausum is perhaps the finest example of the invented, or invisible, library, a genre which seems to have originated with Rabelais. The genre has been of special interest to Beachcombing's Bizarre History Blog (older posts), where he has written about the invisible libraries of writers such as Charles Dickens, Neil Gaiman, H. P. Lovecraft and invisible libraries in video games. The natural medium for invisible libraries might be pictures, and Musæum Clausum inspired a suite of etchings by Erik Desmazieres.