...if I’m honest with myself, I would be lying if I didn’t say there was an element of wanting to be liked that influenced my decision to close the deal without a real fight. I didn’t want to seem “difficult” or “spoiled.” At the time, that seemed like a fine idea, until I saw the payroll on the Internet and realized every man I was working with definitely didn’t worry about being “difficult” or “spoiled.”Academy Award-winning actress Jennifer Lawrence on the wage gap between male and female actors
But yes, definitely, I acknowledge that Joss Whedon, despite being one of my faves, is problematic and that in general yes Your Fave is Problematic. I’d even say that the particular idiosyncratic tics and hypocrisies and contradictions in Joss Whedon’s brand of feminism bear examination, that if we can be mean enough to make a Hollywood in-joke out of parodying the characteristic style of Michael Bay and James Cameron someone by now should’ve done it to Joss Whedon.
Someone did. It was Joss Whedon.
Someone did. It was Joss Whedon.
'Looper's Noah Segan (aka Kid Blue) Explains What It's Really Like As a Working Actor
While waiting to interview Looper director Rian Johnson during Fantastic Fest, a chance encounter challenged even my notions of what it meant to be a movie star. Sitting there, in the garish luxury of the Four Seasons hotel lobby, I met a rather lost-looking young man with whom I struck up a conversation. He was passionate and sharp, and it took a good five minutes before I recognized him as Noah Segan, the actor who played Kid Blue in Looper. I assumed he too had been sent by the studio to promote the movie, but in fact he had come of his own volition, on his own dime, and was being soundly ignored by the publicists.[more inside]
Talking with Noah, it became clear that, though he had appeared in several theatrical films, he was far from living the life of privilege and extreme comfort we tend to associate with movie stars. Noah’s experience echoes those of many with occupations in the creative field; the epitome of the blue-collar artist. This interview was completely unexpected, and we didn’t end up talking much about the movie, but if you’re struggling with the financial logistics of doing what you love professionally, you too will probably find a kindred spirit in Kid Blue.
in the 1920s and 1930s, the hottest spot in Hollywood was The Garden of Alla(h). In the mid 1920s, the actress Alla Nazimova turned her mansion into a hotel and surrounded the pool with cottages rented to famous actors, artists, musicians, mobsters, and writers. It was a legendary for its parties, affairs, feuds, and star power. It was also a "radical hotbed". [more inside]
"'I'm not that kind of guy. He was a physical man,' Hackman said of Popeye [Doyle] in the Ebert interview. 'We had to go back and re-shoot the first two days of scenes because I hadn't gotten into the character enough. I wasn't physical enough.'" (Steven Hyden's piece on actor Gene Hackman at Grantland.) [more inside]
"As Maggie Gyllenhaal put it in accepting an award for her performance in 'The Honorable Woman': 'What I see, actually, are women who are sometimes powerful and sometimes not, sometimes sexy, sometimes not, sometimes honorable, sometimes not. And what I think is new is the wealth of roles for actual women in television and in film.'" The 'strong female character' is dead. All hail the complicated woman., by Alyssa Rosenberg for The Washington Post. [more inside]
Jack Lemmon and Walter Matthau speaking at UCLA 12/1/1971 (audio with rotating pictures, 45 min 25 sec) [SLYT]
"Scandals of Classic Hollywood: The Long Suicide of Montgomery Clift" by Anne Helen Petersen for Vanity Fair. (Warning: graphic description of car accident in the link.) [more inside]
Ever wondered why your favourite movie star is now in straight-to-video hell? What the hell happened? is a series of articles about the career ups and (mostly) downs of contemporary actors, actresses and directors who were once Hollywood stars (but who stumbled at one point) or serious contenders for stardom (but who did not make it). While the articles are made of known material and rather-matter-of-fact ("...but it got terrible reviews and bombed at the box office"), they offer a singular perspective on what it takes to reach the A-list and stay on it. [more inside]
Anne Helen Petersen, the voice behind "Scandals Of Classic Hollywood" (previously) and "doctor of celebrity gossip" gives us an academic rundown of the hows and whys of the last hundred years of Hollywood Star Making, celebrity, PR, marketing, fandom, and scandal management.
Here Is What Happens When You Cast Lindsay Lohan in Your Movie. The movie in question is The Canyons, the Kickstarter-funded erotic thriller written by Bret Easton Ellis and directed by Paul Schrader. There's no release date yet, but the film does have several retro-themed trailers.
Look out, New York ladies, the Goot is loose! His experience on Dancing With the Stars "made him a better person"; after getting the hook as a hoofer, a disllusioned Steve Guttenberg abandons Hollywood for New York.
Prime Suspects. Providing actors, extras and consulting services to the movie and TV industry, Suspect Entertainment is Hollywood's best source for street cred.
San Fran: Matrix 2 Casting Call June 5, 6, 7 I don't live in SF but maybe you do, and maybe you'd be interested in being in The Matrix 2? (sorry, no link and more details within...)
No Need for Actors. While this article has certain phrases meant to incite -- "With quality actors who won’t ask for a bigger trailer or a sauna for their iguana, why then would Hollywood ever cut another cheque for the demanding stars that have always filled our screens?" -- Final Fantasy seems to be the next generation in animation of live actors.
Brando ill. The saddest, scariest part of this story is that he was just getting ready to film Scary Movie II when he got sick. Scary Movie II...and the Oscar for "Most Pathetic Former Genius" goes to....
Where Are The Hollywood Conservative? Does a liberal cabal of Hollywood executives destroy the careers of conservative performers? Or, is the conservative philosophy (opposed to change, antiquated morals...) just too boring for artists and performers?