A very long interview with screenwriter Lem Dobbs. Single link to text on a page but it's a wonderful interview and those who love film, culture, the arts... will dig it I think.
posted by You Should See the Other Guy on May 4, 2012 - 8 comments

Joe Eszterhas (writer of The Music Box, Basic Instinct, and many other films) has written a letter to Mel Gibson after the actor neglected to contact him regarding his screenplay for "the Jewish Braveheart," which Gibson had hired him to write.
posted by You Should See the Other Guy on Apr 13, 2012 - 99 comments

Zombie Baby, Fucking Jane Austen, The Last Witch Hunter, Abraham Lincoln: Vampire Hunter, American Bullshit, Better Living Through Chemistry... just some of the titles that made this year's Black List, a list of the best unproduced screenplays of the year as voted on by industry insiders. LA Times and Deadline Hollywood have pieces on it and here's an October audio interview with Franklin Leonard, creator of the Black List. In past years, aspiring screenwriters could find PDFs of the scripts online. It's gonna be a lot harder now.
posted by dobbs on Dec 13, 2010 - 42 comments

PDF screenplays of most of the scripts that will probably pick up Oscar nods this year. And the Public Enemies and Funny People scripts, too.
posted by You Should See the Other Guy on Dec 11, 2009 - 3 comments

ScriptShadow reviews the latest screenplays from Hollywood, usually with links to the screenplays themselves.
posted by alby on Jul 7, 2009 - 13 comments

I Find Your Lack of Faith Disturbing is the new blog by screenwriter Josh Friedman. Not much there yet but what is is fun, especially parts one and two of his adventures with arbitration on War of the Worlds. (Of note: Friedman is the writer who adapted James Ellroy's The Black Dahlia for David Fincher Brian De Palma.) {via The Screenwriting Life}
posted by dobbs on Aug 21, 2005 - 9 comments

Tired of having to go through directors and producers, more and more screenwriters have their own websites to speak directly to the public (and to speak privately to each other.) Craig Mazin (screenwriter of the upcoming Opus the Penguin film) talks about why the hero aims low and how the screenwriter is like the Director of Photography. John Rogers worked on Catwoman and says "The one tiny shred of my artistic integrity I can take out of that process is that I've never actually seen the movie". Max Adams (whose Excess Baggage is reputed to be one of the best scripts ever made into a crappy movie) talks about how scripts get ruined. William Martell (the Robert Towne of made-for-cable movies) thinks it's a mistake to be too original. Terry Rossio (co-author of Pirates of the Caribbean reveals the physics of the story molecule. (Terry Rossio's site was mentioned in this thread on screenwriter John August's website but is worthy of a front page post of its own.)
posted by yankeefog on Feb 8, 2005 - 19 comments