TV's Dwindling Middle Class [SLNYT] Now on TV, no matter your actual job, almost everybody belongs to the same generic, vaguely upper-class class. [more inside]
How Lifetime Became One Of The Best Places In Hollywood For Women. Since Lifetime’s acquisition by A&E Networks in 2009, the channel has mounted a successful effort to legitimize itself — 12 Emmy nominations in 2013, and 17 in 2014. This new legitimacy has hinged on two strategies: Lifetime’s prioritizing the hiring of women to write and direct their stories, and its witty, postmodern self-awareness of its own tropes. [more inside]
But yes, definitely, I acknowledge that Joss Whedon, despite being one of my faves, is problematic and that in general yes Your Fave is Problematic. I’d even say that the particular idiosyncratic tics and hypocrisies and contradictions in Joss Whedon’s brand of feminism bear examination, that if we can be mean enough to make a Hollywood in-joke out of parodying the characteristic style of Michael Bay and James Cameron someone by now should’ve done it to Joss Whedon.
Someone did. It was Joss Whedon.
Someone did. It was Joss Whedon.
The Atlantic pulls back the partition on Hollywood, Health, and Society, a CDC-funded clearinghouse for popular media to better understand modern medicine - and modern medical legislation like the Affordable Care Act.
"I had been creating languages for 10 years. But everybody else applying was equally skilled. So I figured the edge that I had was pretty much an endless amount of time—I was unemployed. I just decided: Well, let's just try to create the whole thing. In those rounds of judging, I created about 90 percent of the grammar—which is ridiculous for two months. Then I created 1,700 words of vocabulary—which is equally ridiculous for two months. Overall, I produced about 300 total pages of material. I figure that was probably what put it over the top."
The Hollywood Reporter Roundtable video: Comedy Actresses. Stacey Wilson sits down with The Big Bang Theory's Kaley Cuoco-Sweeting, New Girl's Zooey Deschanel, Nurse Jackie's Edie Falco,The Mindy Project's Mindy Kaling, Shameless' Emmy Rossum, and Orange Is the New Black's Taylor Schilling, to talk about stupid questions from the media, disastrous auditions, odd fan interactions, the crazy stuff people tell them, and the state of American TV. (1:03:14, highlight transcription available)
The BBC put together a series of television commentaries from Orson Welles, "Orson Wells' Sketchbook" none of which need more than his then slightly unfamiliar face (without, he underscores, the usual false nose he wears for roles), his unmistakable voice, and his illustrations — taken, literally, from his sketchbook. In these six fifteen-minute broadcasts, which originally aired in 1955, Welles talks about not just the inauspicious beginnings of his illustrious working life but his experiences with the critics, the police, John Barrymore and Harry Houdini, the infamous radio production of War of the Worlds , and bullfighting Playlist here.
Hettienne Park writes a thoughtful response to recent events in Brian Fuller's Hannibal (link to Nerdist Writer's Panel podcast), specifically the most recent episode, Takiawase (link to AV Club Review). Spoilers ahoy in all links.
The legendary TV production manager and inspiration for the film set term "Abby Singer Shot" has passed away at 96. [more inside]
Just Like The Movies. Michal Kosakowski reconstructs the morning of 9/11/01 completely through clips from Hollywood movies released before 9/11. More of Kosakowski's short films are available here. [more inside]
Prior to his critically acclaimed program The Wire, creator Edward Burns wrote the HBO miniseries The Corner, which also focused on the drug trade in Baltimore. Charles S. Dutton, an African-American Baltimore native and former convict probably best known to most as TV's "Roc," was chosen to direct the miniseries. Who Gets To Tell a Black Story?, part of a Pulitzer-prize winning NYT series on race in America, examines Dutton's take on how to make a TV program which portrays a mostly African-American cast of characters, the struggles and differing perspectives of Dutton and Burns, and how race is portrayed in Hollywood. [more inside]
As the Writer's Guild of America strike wears on into its second week, it seems appropriate to remember why they're striking in the first place. If you ask me, the terms seem almost too reasonable. But in the defense of the studios, I'm sure the businessmen involved have gotten used to spending those millions of dollars, and wouldn't want to see them go. Now that Broadway has shut down in allegiance to their Hollywood compatriots, things are looking grim for anything to be resolved without more financial bloodshed.
The 25 most popular television broadcasts, actors and directors based on anonymous, aggregated data from DVR owners, updated weekly.
If you're a fan of the works of J. Michael Straczynski (especially Babylon 5, and let me take this moment to give massive props to The Lurker's Guide to Babylon 5, the second website I ever visited (after searching Yahoo! for "Babylon 5")), then you probably already know that he has long been an advocate of online communication as a means of both promotion of his work and communication with the fans of said work. JMSnews.com has an archive of all his postings going back eleven and a half years, a neat accomplishment by ephemeral Internet standards, and it's fascinating reading that gives you a nice portrait of a guy with a story to tell, and his journey to get it told. If you're a geek for "the business" that is Hollywood, this is for you.