MetaFilter posts tagged with hollywood and tv

We've Seen This Before

mattbucher — Thu, 11 Dec 2008 08:40:11 -0800

Just Like The Movies. Michal Kosakowski reconstructs the morning of 9/11/01 completely through clips from Hollywood movies released before 9/11. More of Kosakowski's short films are available here. David Foster Wallace articulates this rather well: "Any really felt sense of a larger world — is televisual. New York's skyline, for instance, is as recognizable here as anyplace else, but what it's recognizable from is TV."

Who Gets to Tell a Black Story?

whir — Mon, 17 Dec 2007 22:02:50 -0800

Prior to his critically acclaimed program The Wire, creator Edward Burns wrote the HBO miniseries The Corner, which also focused on the drug trade in Baltimore. Charles S. Dutton, an African-American Baltimore native and former convict probably best known to most as TV's "Roc," was chosen to direct the miniseries. Who Gets To Tell a Black Story?, part of a Pulitzer-prize winning NYT series on race in America, examines Dutton's take on how to make a TV program which portrays a mostly African-American cast of characters, the struggles and differing perspectives of Dutton and Burns, and how race is portrayed in Hollywood. The Wire junkies looking for a pre-season five re-up may be able to stomp some life out of the following package of previous MeFi links, which everybody already posted while I was trying to craft an awesome, meticulous post about The Wire: HBO prequel videos, an outstanding profile of Burns from the New Yorker, the marriage of the real-life people who formed the basis of The Wire's Omar and The Corner's Fran (this article itself is mentioned towards the end of the Burns profile), an examination of the legal principles in Burns's book Homicide, an interview with the actress who plays Snoop.

Understanding the WGA Writer's Strike

GoodAaron — Sat, 10 Nov 2007 19:10:15 -0800

As the Writer's Guild of America strike wears on into its second week, it seems appropriate to remember why they're striking in the first place. If you ask me, the terms seem almost too reasonable. But in the defense of the studios, I'm sure the businessmen involved have gotten used to spending those millions of dollars, and wouldn't want to see them go. Now that Broadway has shut down in allegiance to their Hollywood compatriots, things are looking grim for anything to be resolved without more financial bloodshed.

Yes, you need a TV to appreciate this.

crunchland — Thu, 23 Feb 2006 14:53:19 -0800

The 25 most popular television broadcasts, actors and directors based on anonymous, aggregated data from DVR owners, updated weekly.

We hope, very shortly, to release a mouse in the elephant's cage.

WolfDaddy — Mon, 19 Jan 2004 11:06:55 -0800

If you're a fan of the works of J. Michael Straczynski (especially Babylon 5, and let me take this moment to give massive props to The Lurker's Guide to Babylon 5, the second website I ever visited (after searching Yahoo! for "Babylon 5")), then you probably already know that he has long been an advocate of online communication as a means of both promotion of his work and communication with the fans of said work. JMSnews.com has an archive of all his postings going back eleven and a half years, a neat accomplishment by ephemeral Internet standards, and it's fascinating reading that gives you a nice portrait of a guy with a story to tell, and his journey to get it told. If you're a geek for "the business" that is Hollywood, this is for you.