What you see here is a prime example of what happens to film that is neglected and improperly stored. This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact, Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
Yet by 1944 the IRS named Barbara Stanwyck the highest-paid woman in America. From 1930-57, she did a minimum of two pictures a year, sometimes even four or five. Yet it wasn't workaholism, according to the actress: "I was afraid they'd get somebody better, frankly. I never really thought I had any clout. For a lot of years I was free-lancing, by choice, but I think discipline stays with you. It's this fear that maybe somebody can come in and take over. Maybe a Redford or a Streep can take the luxury of a year off, but I never thought I could. Of course, we were more workable in those days. And they make more money now. Anyway, I never had self-assurance about leaving."
Homicide detectives who have reopened an investigation into the death of Natalie Wood after three decades said on Friday that the film star's husband, actor Robert Wagner, was not considered a suspect. [more inside]
Leonard Michaels' "The Zipper": Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
"The Duke in His Domain" - a profile of Marlon Brando by Truman Capote, published in The New Yorker, November 9, 1957