One Hundred Years, One Hundred Scores. The Hollywood Reporter and a jury of film music experts select the 100 greatest film scores of all time. One of the jury is Dan Goldwasser, editor of Soundtrack.net, which publishers interviews with composers, reviews of soundtracks and keeps a valuable list of trailer music - for when a new trailer uses old film music and you can't quite remember where it's from. [more inside]
posted by crossoverman on Apr 30, 2009 - 60 comments

The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
posted by boost ventilator on Jun 1, 2006 - 28 comments

This turns into one of those cases where researching a story gets weirder. The documentary Super Size Me centers on a documentary filmmaker's 30 day experience eating nothing but McDonalds. The film is doing amazingly well as a limited release documentary grossing more per screen than high-budget Troy. Here is the weird part, Reuters has picked up on a distributor press release claiming that MTV is refusing to air advertising for Super Size Me because the film is "disparaging to fast-food restaurants". The Reuters short seems to have quite a bit of legs. However a Hollywood Reporter article details MTVs side of the story placing the blame on the film's distributor. Is this really a case of a network getting cold feet? Or is it a case of distributor trying to pull the "too edgy for MTV" moneymaking ploy? And what is with the continually morphing Reuters clip that is just now being tossed onto doorsteps and stuffed into newsboxes across North America? (The film was previously discussed on metafilter back in January.
posted by KirkJobSluder on May 27, 2004 - 23 comments