Nike Wagner, the composer's great-granddaughter, puts the question that this raises in these terms: "Should we allow ourselves to listen to his works with pleasure, even though we know that he was an anti-Semite?" There's a bigger issue behind this question: Can Germans enjoy any part of their history in a carefree way?
"A farming town hid a Jewish-born teacher during the Holocaust. I went to dig up what it had buried."
Though I grew up in America, I have been visiting my family in Poland since I was a child. But it is only recently, since the great debate began two years ago between [Jan] Gross and [Timothy] Snyder over the causes and extent of Polish co-operation with the Nazis during the Holocaust, that I thought to ask the old people of my family village about what happened during the war. My grandparents mentioned bits and pieces of our family’s World War II history over the years, but it often seemed too painful for them to recall, or as though they wanted the memories to simply be forgotten. When I finally decided to broach the topic with them, my grandmother repeated that she didn’t understand why I cared to dig so deep into the past, why I cared so much about Wladyslaw and his story.[more inside]
Elie Wiesel was attacked in a San Francisco hotel today by a Holocaust denier, intenton forcing the Nobel Prize winner confess that his book Night was a fictionalized account of his survival of Dachau. Incredibly, someone is taking credit for the attack.
"F*****g Jews... The Jews are responsible for all the wars in the world." The ugly truth about Mel Gibson's drunk-driving arrest oozes out, with exquisite timing. (Enter his name on linked form.) Apple/tree, etc. (via tmz)
In 1945-46, some of the (very few) Polish Jews who had survived the Final Solution returned -- sick, poor, wounded -- to Poland. In Elie Wiesel's words, "they had thought all too naively that antisemitism, discredited 6 million times over, had died at Auschwitz with its victims. They were wrong." In 2001 Princeton professor Jan T Gross published the story of the 1941 destruction of the Jewish community at Jedwabne, Poland, and proved how Jews were rounded up, clubbed, drowned, gutted or burned to death not by German forces as previously believed but by mobs of their own non-Jewish neighbors. Now professor Gross tells the story of the Kielce pogrom in his new book, "Fear". Of course, the Kielce butchery took place in 1946 -- more than a year after the end of WWII and defeat of Nazism. More inside.
Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy. The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.