Those Americans who are familiar with the name Claude Lanzmann most likely know him as the director of “Shoah,” his monumental 1985 documentary about the extermination of the European Jews in the Nazi gas chambers. As it turns out, though, the story of Lanzmann’s eventful life would have been well worth telling even if he had never come to direct “Shoah.” In addition to film director, Lanzmann’s roles have included those of journalist, editor, public intellectual, member of the French Resistance, long-term lover of Simone de Beauvoir and close friend of Jean-Paul Sartre, world traveler, political activist, ghostwriter for Jacques Cousteau — I could go on, but it’s a good deal more entertaining to hear Lanzmann himself go on, and thanks to the publication in English of his memoir, “The Patagonian Hare,” we now have the opportunity to do so. (previously)
posted by Trurl
on Apr 16, 2012 -
6 comments
The familiar '70s query, "Is it art or porn?," took on a whole new dimension with The Night Porter (NSFW), a stylish and astoundingly seamy fusion of erotica and stark concentration camp trauma. While many subsequent films, mostly Italian, took the Nazi sexploitation route to unbelievably tastless levels, Liliana Cavani's treatment remains more problematic. More concerned with mood and characterization than cheap thrills, the film is nevertheless extremely kinky and shocking enough to prove that its R rating is the product of a ratings system far different than the one we have now. [more inside]
posted by Trurl
on Oct 19, 2011 -
17 comments
A Teacher's Guide to the Holocaust - an overview of the people and events of the Holocaust through photographs, documents, art, music, and literature. It is designed to prepare K-12 teachers to approach this sensitive topic. The content is presented from three perspectives: Timeline, People, and The Arts. Produced by the University of South Florida.
posted by netbros
on Aug 29, 2007 -
7 comments
Who owns the products of slave labour? Or, more broadly, how do we remember the Holocaust?
A unique dispute over ownership rights to artwork in the case of the Auschwitz Memorial Museum vs. former camp prisoner Dinah Gottliebova Babbitt illuminates underlying moral questions about the Holocaust and post-Holocaust culture. Babbitt, now living in southern California, is a university-trained Czechoslovak artist who has been fighting to reclaim her art from the Auschwitz Museum since 1973... [She] was a Jewish prisoner there in 1944 when Josef Mengele learned of her artistic skills and forced her to make watercolor portraits of dying Gypsies in order to get the kind of documentation he wanted on exact skin color and ear shapes. Gottliebova Babbitt made a dozen such portraits, seven of which are now tucked away in Room No. 11 of the Auschwitz Museum. [...] "Mengele ordered me to do it as slave labor. But it was my work, my paintings."
posted by jokeefe
on Mar 28, 2002 -
20 comments
The Last Expression project is a forum to explore the roles, functions, meanings and making of art in the Nazi concentration camps of World War II, focusing on the notorious site of Auschwitz-Birkenau. ... It is neither widely recognized in the realm of Holocaust history, nor in the discipline of art history, that concentration camp prisoners -- victims of the Nazis -- produced works of art during their incarceration.
[from the Introduction.]
posted by tranquileye
on Feb 12, 2001 -
2 comments
