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Annotated Filmography of Charlie Chaplin

Director and/or star of many of the greatest films ever made including The Great Dictator (2:05:16) [Globe scene and the eternally goosebump providing Final speech], The Immigrant (20:01), The Gold Rush (1:11:49), City Lights (1:22:40), Modern Times (1:27:01), and Monsieur Verdoux (1:59:03), Charlie Chaplin's movies have entered the public domain in most countries. Below the fold is an annotated list of all 82 of his official short and feature films in chronological order, as well as several more, with links to where you can watch them; it's not like you had work to do right? [more inside]
posted by Blasdelb on Sep 17, 2012 - 35 comments

Claude Lanzmann

Those Americans who are familiar with the name Claude Lanzmann most likely know him as the director of “Shoah,” his monumental 1985 documentary about the extermination of the European Jews in the Nazi gas chambers. As it turns out, though, the story of Lanzmann’s eventful life would have been well worth telling even if he had never come to direct “Shoah.” In addition to film director, Lanzmann’s roles have included those of journalist, editor, public intellectual, member of the French Resistance, long-term lover of Simone de Beauvoir and close friend of Jean-Paul Sartre, world traveler, political activist, ghostwriter for Jacques Cousteau — I could go on, but it’s a good deal more entertaining to hear Lanzmann himself go on, and thanks to the publication in English of his memoir, “The Patagonian Hare,” we now have the opportunity to do so. (previously)
posted by Trurl on Apr 16, 2012 - 6 comments

Liliana Cavani's "The Night Porter"

The familiar '70s query, "Is it art or porn?," took on a whole new dimension with The Night Porter (NSFW), a stylish and astoundingly seamy fusion of erotica and stark concentration camp trauma. While many subsequent films, mostly Italian, took the Nazi sexploitation route to unbelievably tastless levels, Liliana Cavani's treatment remains more problematic. More concerned with mood and characterization than cheap thrills, the film is nevertheless extremely kinky and shocking enough to prove that its R rating is the product of a ratings system far different than the one we have now. [more inside]
posted by Trurl on Oct 19, 2011 - 17 comments

Alain Resnais' "Night and Fog"

Alain Resnais' Night and Fog (1, 2, 3) [more inside]
posted by Trurl on Oct 3, 2011 - 12 comments

“Yes, but in my film time is shattered.”

"I would like to do better, to be better than I am". He's the French New Wave maverick and Academy Award winner (at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "the greatest film ever made", duly censored by French authorities. Four years later he baffled audiences with "the first modern film of sound cinema", shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "to stop death in its tracks" (French language link), only for one minute. But he is also the unabashed lover of la bande dessinée who learnt English by reading comic books and in the Seventies dreamed (French language link) of making "Spider-Man" into a movie (the Hollywood studios were not convinced), the MGM old-school musical and operetta nut so in love with design that "half of the fashion photography of the past 40 years owes a debt" to him. Now, Alain Resnais' new work, just shown at the Venice Film Festival where his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film inspired by an English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo on Sep 8, 2006 - 20 comments

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