Alice Herz-Sommer, the oldest known Holocaust survivor and subject of the film "The Lady in Number Six" has died at the age of 110. Before World War II, Alice was a concert pianist who travelled across Europe. During the war, Alice's mother and husband were sent to Auschwitz where they were murdered, and Alice and her six year old son were sent to Theresienstadt. Alice performed more than 100 concerts at Theresienstadt, and immigrated to Israel with her son after surviving the camp. [more inside]
Wafa Younis is an Arab Israeli musician who organised a youth orchestra in the Jenin refugee camp. She recently brought her orchestra to play for Holocaust survivors at an Israeli old age home. The performance was strongly criticised by Palestinians as a hostile political act. Now the orchestra has been disbanded, its performance space sealed, and Ms Younis has been expelled from the West Bank. [more inside]
A Teacher's Guide to the Holocaust - an overview of the people and events of the Holocaust through photographs, documents, art, music, and literature. It is designed to prepare K-12 teachers to approach this sensitive topic. The content is presented from three perspectives: Timeline, People, and The Arts. Produced by the University of South Florida.
Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy. The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.
you'll then have a grave in the clouds where you won't lie too cramped "No, no, I never met Paul Celan. This poem is too CLASSIC, too cold, and too difficult to follow. It does nothing to me". Singing, Painting and the Holocaust: Interview with Leon Greenman, Auschwitz Survivor 98288