Wafa Younis is an Arab Israeli musician who organised a youth orchestra in the Jenin refugee camp. She recently brought her orchestra to play for Holocaust survivors at an Israeli old age home. The performance was strongly criticised by Palestinians as a hostile political act. Now the orchestra has been disbanded, its performance space sealed, and Ms Younis has been expelled from the West Bank. [more inside]
posted by Joe in Australia on Apr 2, 2009 - 49 comments

A Teacher's Guide to the Holocaust - an overview of the people and events of the Holocaust through photographs, documents, art, music, and literature. It is designed to prepare K-12 teachers to approach this sensitive topic. The content is presented from three perspectives: Timeline, People, and The Arts. Produced by the University of South Florida.
posted by netbros on Aug 29, 2007 - 7 comments

Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy.
The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.
posted by matteo on Apr 10, 2006 - 7 comments

you'll then have a grave in the clouds where you won't lie too cramped
"No, no, I never met Paul Celan. This poem is too CLASSIC, too cold, and too difficult to follow. It does nothing to me".
Singing, Painting and the Holocaust: Interview with Leon Greenman, Auschwitz Survivor 98288
posted by matteo on Aug 29, 2005 - 9 comments