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5 posts tagged with holocaust and nazism. (View popular tags)
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“I study dead Jews”

"So much for “never again.” So the problem has obviously not disappeared."
Raul Hilberg (1926-2007, NYT obit) explains why he added a chapter on Rwanda to the last edition of The destruction of the European Jews, a work that took him a lifetime and 3 editions to complete, meeting with indifference, then with criticism from those who didn't share his (at the beginning) functionalist view of the Holocaust. Hilberg became involved in other controversies about the Holocaust, but "The Destruction..." remains the "the closest of any work in print to being the Summa of Holocaust studies" (Christopher Browning). Also: Hilberg intervied by Claude Lanzmann in "Shoah" (YT) (previously).
posted by elgilito on Aug 7, 2007 - 41 comments

"The Holocaust is ultimately a ghost story, and Poles have many reasons to be haunted."

In 1945-46, some of the (very few) Polish Jews who had survived the Final Solution returned -- sick, poor, wounded -- to Poland. In Elie Wiesel's words, "they had thought all too naively that antisemitism, discredited 6 million times over, had died at Auschwitz with its victims. They were wrong." In 2001 Princeton professor Jan T Gross published the story of the 1941 destruction of the Jewish community at Jedwabne, Poland, and proved how Jews were rounded up, clubbed, drowned, gutted or burned to death not by German forces as previously believed but by mobs of their own non-Jewish neighbors. Now professor Gross tells the story of the Kielce pogrom in his new book, "Fear". Of course, the Kielce butchery took place in 1946 -- more than a year after the end of WWII and defeat of Nazism. More inside.
posted by matteo on Jun 25, 2006 - 107 comments

Full Fathom Nine

Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy.
The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.
posted by matteo on Apr 10, 2006 - 7 comments

Simon Wiesenthal, 1908-2005

Goodnight, mr. Wiesenthal
posted by matteo on Sep 20, 2005 - 68 comments

Singing, Painting and the Holocaust: Interview with Leon Greenman

you'll then have a grave in the clouds where you won't lie too cramped
"No, no, I never met Paul Celan. This poem is too CLASSIC, too cold, and too difficult to follow. It does nothing to me".
Singing, Painting and the Holocaust: Interview with Leon Greenman, Auschwitz Survivor 98288
posted by matteo on Aug 29, 2005 - 9 comments

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