The Witch as a Wes Anderson movie (Single link YouTube fake trailer)
Previously, we've seen the trailer for GINOSAJI, The Horribly Slow Murderer with the Extremely Inefficient Weapon. That was seven years ago, and now Richard Gale brings you ... the full movie! Due at some time in 2017. [more inside]
Joshua Hoffine brings his children's nightmares to life in a new book and gives them motion in his first short film, Black Lullaby. (previously) [more inside]
Luckily for my sanity, Annabelle did not do anything scary while I was in her presence, though I did see a moth flutter by her case at one point, and later, while listening to a recording of the interview, I heard a horrible growl on the tape that was probably my stomach but let's be real, was a demon. I also kept seeing my own movements reflected in the glass and thinking she was coming for me. Being inside the museum also left a musty smell in my hair that I didn't notice until later, when I was back at home watching Curb Your Enthusiasm — maybe not coincidentally, the one about the doll.
From the dreadful art work created for Nosferatu in 1922 till the present, horror movie posters has evolved with time, immensely. Having celebrated the twisted, the sick, the ghastly, the disgusting and the terrifying, this genre of art is highly evocative. It may be just another creepy photograph conveying malicious promises, or an abstract interpretations rendered by an elaborate painting, designers are experimenting with their creative juices from time immemorial to bring out the ghastly effect in their posters.
Lotta Losten and David F. Sandberg make movies about visitors in their apartment. You may remember Lotta from Lights Out, now a trilogy with Cam Closer and Pictured. [more inside]
Watership Down: Parents left 'horrified' as Channel 5 airs 'traumatic' film on Easter Sunday [more inside]
We are the killers. We stink of death. We carry it with us. It sticks to us like frost. We cannot tear it away. [...]
The Aztecs in the shock of the conquest, of utter destruction, tried to regain their speech, and they tried to describe simple things. A cave. A cave is a place of darkness. It is full of fear. It is dark, yes, very dark. And fear looms there. And do we dare to enter? Because the cave is big and it is dark.A 70-minute conversation with Werner Herzog, loosely structured by one of his favorite books, J. A. Baker's The Peregrine. [more inside]
An aspiring documentary filmmaker records the post-college struggles of her best friend...sorta. (SLYT)
Stephen King On What Hollywood Owes Authors When Their Books Become Films: Question & Answer by Mike Fleming Jr. [Deadline] [more inside]
The girl in the closet. The doomed nurse. The cave creature. Just a few of the best jump cuts in horror movie history.
"Hollywood brings glitz, glamour and big budgets to movie-making; France has avant-garde artistry. But what about Britain? Looking at our selection of the 75 greatest British movies of the past century, you'll find that Britain excels at genres you'd expect (kitchen sink and period drama, class-obsessed satire) and plenty you wouldn't (strange sci-fi, blood-freezing contemporary horror). Here are the essential home-grown films to watch, listed in the order they were made..." [SLTelegraph]
Galaxy of Terror, Mutant (NSFW), Contamination and the joy of cheap alien knockoffs. Prefer the sequel? Here's Aliens remade under the name "Terminator 2". Sadly one take on the franchise that will not be seeing the light of day is Alien Identity, a fan film recently shut down by a cease and desist from Fox. Meanwhile the Neil Blomkamp Alien film continues to incubate.
The Vulture came up with a trailer for Marvel's upcoming Ant-Man film as a '50s-style horror picture -- complete with narration by the great Vincent Price! (Ant-Man previously, previously) [more inside]
Call of Tutu is a Lovecraftian short film by Aaron Vanek. An old man describes his cat... but is it really a cat? (SLYT)
“Derelict is an editing project for academic purposes,” explains Willins. “Prometheus wasn’t exactly an Alien prequel, but this treats it as such by intercutting the events of Alien with Prometheus in a dual narrative structure. The goal was to assemble the material to emphasize the strengths of Prometheus as well as its ties to Alien.”
RIP Sir Christopher Lee, actor most famous for playing Dracula in numerous horror films but also notable roles as Lord Summerisle in The Wicker Man, Scaramanga in the James Bond film The Man with the Golden Gun and Saruman in The Lord of the Rings and Hobbit film trilogies [more inside]
Predator: Dark Ages Templar Knights are put to the ultimate challenge, to hunt The Predator. Testing not only their skills as fighters but also their faith. Kickstarter funded fan film. IMDB. Facebook page.
Nerdist talks to Sam Raimi about fruit, his career in retail sales, how he got started making movies, the links between comedy and horror, the Evil Dead TV show and of course why Spider-Man 3 was "awful".
We knew Universal Studios was rebooting the classic monster movies into a new cinematic universe. So who's writing them? The "Monster Men," a collective of writers inspired by both the Pixar "brain trust" and the traditional tv writer's room. Among the writers on board: screenwriter/director Alex Kurtzman (Star Trek, Fringe); longtime Fast & Furious writer Chris Morgan; the creator and writer of the Fargo tv series, Noah Hawley; Prisoners screenwriter Aaron Guzikowski; and Bill & Ted’s Excellent Adventure and Men In Black screenwriter Ed Solomon. [more inside]
The film that frightened me most - Guardian writers on their personal cinematic nightmares: Threads, Ringu, The Sixth Sense, The Blair Witch Project, The Shining, The Texas Chainsaw Massacre, The Orphanage, Eden Lake, Watership Down, Psycho
Disclaimer: The facts are taken from the journal "Taste, Taboo, Trash: The Story of Ramsay Brothers" by Kartik Nair. I personally declare that the journal is only used as a reference & no intentions copying the content for any benefits, it's only to spread the knowledge regarding the working ways of Ramsay brothers. [more inside]
The Dissolve's "Movie of the Week" on this week leading to Halloween has been The Blair Witch Project, which it describes as "the most widely despised great horror movie". They discuss the legacy of the film fifteen years after its release and the future of the genre that it helped to create: found-footage horror. And where are the people who made it these days? Heather Donahue is growing pot. Josh Leonard is still acting (Michael C. Williams less so). And the directors Daniel Myrick and Eduardo Sánchez seem to want to catch that same lightning in a bottle, but with very underwhelming results.
Halloween is almost here which to me means one thing: overanalyzing horror flicks for any feminist undertones! ... [N]o season has better metaphors for misogynistic fears and powerful female sexuality than the scary movies that permeate almost every channel and film festival throughout October.At Autostraddle, Nina suggests nine horror films she likes in the "Blossoming-Teenage-Girl-Becoming-A-Woman" sub-genre. She is far from alone in her search for interesting feminist themes in horror cinema and literature. [more inside]
ComicsAlliance writer Benito Cereno has put together a collection of links to horror films available for streaming on Netflix this October: The Haunting of Netflix House 2: Your Sister is a Netflix
In 2004 Joseph Kahn directed the hyper-kinetic, poorly reviewed motorcycle action movie Torque. It was Kahn's directorial debut, and though he was tapped for (one of many) failed Neuromancer adaptations, he devoted the next six years to a largely self financed project: the horror-comedy farce Detention. Noted cultural critic Steven Shaviro discusses in this essay why Detention, despite also being reviewed negatively, is one of his favorite movies of the decade. Shaviro's review contains major spoilers for the plot, and it's probably best to go into the movie blind. A brief non-spoiler synopsis is available below the jump. [more inside]
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
Director, writer, and producer Mick Garris releases videos of his interviews with people in the horror and sci-fi entertainment industry at his new website, Mick Garris Interviews. There is also a YouTube channel. An introduction can be found at the about page. According to The Nerdist, interviews will be released at the rate of one per week. Interviews already uploaded: a four-parter with Director John Carpenter (here's Part 1 YT), and one segment with John Badham, director of Dracula (1979) and, incidentally, Saturday Night Fever (1977).
Jason Blum—producer of Paranormal Activity, Insidious, Sinister, The Purge, The Bay, and Oculus—participated in an interesting interview at SXSW Film 2014 about his model of producing high-quality low-budget horror films for wide release. The video is almost an hour long, but worth watching if you're interested in contemporary mainstream horror.
The gals at Anglo-Filles have an entertaining (and epicly long) talk about the history of Dracula and vampires as characters and symbols throughout the ages and throughout fiction - topics discussed include Varney The Vampire, The Vienna Vampire Scare, Where Does Sunlight Killing Vampires Come From, The Secret Spanish Dracula, and Jonathan Harker As An Abuse Survivor.
Metafilter favorite David Cronenberg (previously, previously, previously) has lately been making short films for festival exhibition. Most are aggressively simple, with only a few actors and even fewer locations. But they're all unmistakably Cronenberg films. [more inside]
"The Texas Chainsaw Massacre was the first real “slasher” film, and it changed many things—the ratings code of the Motion Picture Association of America, the national debate on violence, the Texas Film Commission, the horror genre—but it remained a curiously isolated phenomenon. The film itself, involving five young people on a twisted drive through the country, is a strange, shifting experience—early audiences were horrified; later audiences laughed; newcomers to the movie were inevitably stricken with a vaguely uneasy feeling, as though the movie might have actually been made by a maniac—but the story behind the film is even stranger." We begin with a couple of stolen barbecue chicken wings....
VOMICA is a short horror film about a British commando raid that finds an ancient evil in the crypts and tunnels of occupied France. It recently won Best Short Film prize at the 2014 H P Lovecraft film festival, and is available to watch on Vimeo—for today only—if you go here and use the password 'mayday'.
David Cronenberg: a virtual exhibition based on an exhibit at the Toronto International Film Festival.
BBC Radio 4's 'The Film Programme' talks to George A Romero. 'Forty five years after the release of genre-defining Night of the Living Dead, Francine Stock talks to the director George A Romero about inventing the undead zombie and where he might unearth horror in contemporary society. Plus why he doesn't rate Stanley Kubrick as a horror director.' [SL BBC Radio 4 episode] [more inside]
The Appointment is a horror film from 1981, starring Edward Woodward as the father of a family possessed by some sort of malevolent entity. Although it has (probably quite rightly) been largely forgotten, it does have a really fantastic opening scene. [more inside]
Dark Dreamers was a series of interviews with horror writers and directors and other icons. Several of them are on youtube: Clive Barker; Wes Craven Harlan Ellison (1, 2, 3); Richard Laymon; Richard Matheson; Julie Strain (MLYT)