Thanks to Sci-Fi and Horror fiction podcasts are finally a thing. or perhaps they've been a thing for a bit longer than that.
The end of WTF D&D's epic saga of 90's music stars and cosmic horrors has finally begun, half a year after that post (which contains links to the entire story so far). Zack and Steve's zany game logs from the interim: Death Star plans on Naboo (1, 2), Dark Heresy: The Lost Dog Detectives (1, 2), a redneck WWE wrestler, a 90's Marvel character trapped in the Cinematic Universe (1, 2) and a Ghostbusters franchise in North Dakota (1, 2). As evidenced by the site's archives, much pointing and laughing at sourcebooks did indeed also ensue.
Cookie Jar, a short story by Stephen King
In 1909, Julian Hawthorne (Nathaniel H.'s dashing, reckless son) released a wildly eclectic anthology called The Lock and Key Library: ten shotgun blast volumes of mystery, detection, horror, suspense, crime, decadence, and romance, comprised of stories, novel excerpts, folktales, and memoirs gathered from Russia, Denmark, Hungary, Italy, Spain, Japan, China, Tibet, Iran, the Ottoman Empire, India, Arabia, Ancient Greece, Ancient Rome, Germany, France, England, Ireland and the United States. [more inside]
Twittering from the Circus of the Dead A short story from Joe Hill, from the May 2016 edition of Nightmare Magazine.
Reddit user _9MOTHER9HORSE9EYES9 is leaving long comments on various seemingly unrelated threads that link together into a very horrifying secret history of LSD, WWII, and the end of the world. [more inside]
Children of the Stones (previously) is the revolutionary 1977 British children's television drama telling the story of an astrophysicist and his son who arrive in the village of Milbury to study the giant Neolithic stones which surround it, and the community which is held in a strange captivity by the psychic forces generated by the stones. For BBC Radio, writer and comedian Stewart Lee explores the ground breaking television series and examines its special place in the memories of those children who watched it on its initial transmission in a state of excitement and terror. [more inside]
After many months, Something Awful (and now also The Bad Guys Win) comedy/insanity writer Zack Parsons (previously) has finally confirmed the long-promised finale of his and Steve Sumner's series of Call of Cthulhu 1990's Handbook campaigns starring Kurt Cobain, Lisa "Left Eye" Lopes and Eazy-E as they battle forces beyond human ken: the custom module Hard Ticket to Baghdad. (He also eventually finished the Tooth Tooth series because word is bond, god.) Beneath the fold: the entire story so far, including the recent 'solo project' campaigns. [more inside]
"The underground bad place is always in the present, whether literally or in memory, and it is always about the past." Bernadette Lynn Bosky on underground and secret spaces in Peter Straub’s fiction.
Jezebel ran a Scary Story contest this year, here's the wonderful (though sometimes badly edited) results. Need more? Then check out last year's winners, especially the one titled "Look at Me".
Facebook, funeral homes and the feeding of our lives as we fade away. A horror story by Andrew F. Sullivan for Hazlitt.
Zack Parsons, Something Awful's resident writer of much weirdness (oldest articles in that listing may be misattributed) has resumed his beloved series with Steve Sumner (the Max to his Sam), WTF D&D. While Zack still writes for Something Awful, he and Steve's reviews of weird pen-and-paper RPG sourcebooks and art, and their rollicking RPG campaigns, have resumed on Zack's new site, The Bad Guys Win, which also features other new articles from Zack (all of the new WTF D&D, currently a two-part adventure in the Ravenloft setting starring Steve as an idiot monk, is collected under Games). [more inside]
"I’ve been infected by a parasite. I won’t tell you what because I don’t want you to search for it. By the time this reaches you it won’t matter much, anyway. In fact, I’m forbidding you right now from looking for anything or asking anyone. Apparently I have about twelve hours as myself. They won’t say what happens next, because it’s kind of unpredictable. There are lots of animals who’ve had it, but only two people. They won’t tell me." -- The Glad Hosts, a SF short story by Rebecca Campbell
What are the most disturbing novels? [The Guardian] [Books] Guardian Books discusses disturbing reads:
"Bret Easton Ellis has haunted some of our readers for days, and on the books desk we’re still getting over certain depictions of dangerous obsessions and hellish orgies. Which fiction has most unnerved you?"
Locus Magazine has published its 2014 Recommended Reading List. BestSF.net has given its Best SF Short Story Award for 2014. Tables of contents have been announced for The Year's Best Science Fiction, Thirty-Second Annual Collection edited by Gardner Dozois, Year's Best Weird Fiction, Volume Two edited by Kathe Koja and Michael Kelly, and The Best Science Fiction and Fantasy of the Year, Volume Nine edited by Jonathan Strahan. And several writers have called out their favorite stories of the year too, e.g. Ken Liu, Carmen Maria Machado and Sofia Samatar, Usman Malik, and Fran Wilde, Michael R. Underwood, Tina Connolly, and Beth Cato. Quite a few of these short fiction selections from 2014 have been published online in full. [more inside]
It was Christmas Eve. I begin this way because it is the proper, orthodox, respectable way to begin, and I have been brought up in a proper, orthodox, respectable way, and taught to always do the proper, orthodox, respectable thing; and the habit clings to me. Of course, as a mere matter of information it is quite unnecessary to mention the date at all. The experienced reader knows it was Christmas Eve ... It always is Christmas Eve, in a ghost story.In Told After Supper (1891), Jerome K. Jerome parodied the tradition of telling Christmas ghost stories, but it's plain to see that he had fun writing them. And horror writer Ramsey Campbell, himself the author of a number of Christmas stories, recently dropped by /r/WeirdLit to list off a few places to find more. [more inside]
Tor.com presents Max Gladstone's A Kiss With Teeth, in which an ancient evil settles down and tries out middle-class married life.
The Uncanny Power of Weird Fiction, by Jeff VanderMeer in The Atlantic.
The closest a film has ever come to adapting King’s internal-horror aesthetic is a film King himself has publicly lambasted: Kubrick’s version of The Shining. It’s the most artful, scary, and beautifully directed of the King adaptations, and even excludes some of the novel’s more overt (and potentially silly) visual elements, such as the hedge animals that come to life and stalk the family in the yard. Yet, the film never tackles the serious human horrors that infect Jack Torrance throughout the novel, specifically his alcoholism, along with the themes of cyclical abuse and mounting financial pressure. King’s criticism of the film is that Torrance, as played by Jack Nicholson, is portrayed as unhinged right from the start, whereas the novel slowly unravels the man’s sanity, the haunted house he occupies pushing him deeper into madness and violence. [more inside]
Scared Yet? is a creepypasta review series produced by Kris Straub, himself the creator of the infamous "Candle Cove" creepypasta. Episodes one, two, three, and four critique "Jeff the Killer," the SCP Foundation, "The Russian Sleep Experiment," and The Josef K. Stories, respectively. [more inside]
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
SF Signal today finished a top 50 countdown of short SF/fantasy podcast fiction: 50-41, 40-31, 30-21, 20-11, 10-1. The Parsec Awards for SF podcasts honor many other stories annually, as well as related non-fiction, comedy, and music: 2014 nominees; 2013; 2012; 2011; 2010; 2009; 2008; 2007; and 2006. And since 2012, the Hugo Award nominees for Best Fancast have been two-time winner SF Squeecast!, plus The Coode Street Podcast, Galactic Suburbia, SF Signal, The Skiffy and Fanty Show, StarShipSofa, Tea and Jeopardy, Verity!, and The Writer and The Critic with the popular Writing Excuses podcast often appearing in another category. [more inside]
Stefan Grabiński is often called "the Polish Poe" or "the Polish Lovecraft," which are both useful for short-hand, but don't quite capture Grabiński's style. As suggested by China Miéville in the Guardian, "where Poe's horror is agonised, a kind of extended shriek, Grabinski's is cerebral, investigative. His protagonists are tortured and aghast, but not because they suffer at the caprice of Lovecraftian blind idiot gods: Grabinski's universe is strange and its principles are perhaps not those we expect, but they are principles - rules - and it is in their exploration that the mystery lies." If you haven't heard of Grabiński, it is probably because only a few of his works have recently been translated to English. The primary translator is Miroslaw Lipinski, who runs a site dedicated to Grabiński. You can read Lipinksi's translation of Strabismus (PDF linked inside), and The Wandering Train online. [more inside]
"In Advanced Readings in D&D, Tor.com writers Tim Callahan and Mordicai Knode take a look at Gary Gygax’s favorite authors and reread one per week, in an effort to explore the origins of Dungeons & Dragons and see which of these sometimes-famous, sometimes-obscure authors are worth rereading today." [more inside]
From Reddit: What is the best horror story you can come up with in two sentences. When /r/shortscarystories are too long, and you've already read through MicroHorror (previously) and Flashes in the Dark.
Sean Demory’s short story The Ballad of the Wayfaring Stranger and the Dead Man’s Whore is built round the mythology and atmosphere of classic American murder ballads like Knoxville Girl and In the Pines. It spooked the bejaysus out of me, and may do the same for you…
"If Shirley Jackson’s intent was to symbolize into complete mystification, and at the same time be gratuitously disagreeable, she certainly succeeded" - The New Yorker takes a look at the over 300 letters in reaction to The Lottery
‘I am a phantasmagoric maximalist. I like things to be overwhelmingly strange and capacitous. I want what I write to live; it isn’t about something, it is something’— Michael Cisco. [more inside]
Down to a Sunless Sea - a new short story by Neil Gaiman published by The Guardian as part of their series of Water stories.
About a week ago a series of tweets began to appear promoting a new TEDx conference taking place with all the normal social media bluster and back-patting - but was it? The event's isolated location should've set off warning bells (previously) when the tweets from "TedxSummerisle" because increasingly worrisome as the conference tumblr began posting videos with titles like "Our Friends the Bees, and Nanotech" and "The Secret Science of the Ancients". (via)
"It was John Polidori's misfortune to be comic without having a sense of humor, to wish to be a great writer but to be a terrible one, to be unusually bright but surrounded for one summer by people who were titanically brighter, and to have just enough of an awareness of all of this to make him perpetually uneasy. Also, he couldn't jump."
Brattleboro Days, Yuggoth Nights: an interview with H. P. Lovecraft on a single postcard.
"I have thrown a terrarium of land crabs on the floor at a party in a drunken rage, I have known regret. "
Actor and writer James Urbaniak (Venture Brothers, American Splendor) has a wry, occasionally upsetting "fictional podcast" with every episode written by a new author. Getting On With James Urbaniak.
... [Thomas] Ligotti's stories tend to have a profound emotional impact. His vision is exceedingly dark, and it is possible for his stories to infect the reader with a mild-to-severe case of depression. It is even possible for them to effect a change in the reader's self-perception and view of the universe. This warning is not meant to be sensationalistic, nor is it meant to turn new readers away. It is simply a statement of fact based upon the experiences of actual readers. Ligotti writes about the darkest of themes with an amazing power, and he means what he says. Often his stories seem to communicate a message below their surface, a sort of subliminal statement that should not rightly be able to traverse the barrier of verbal language. - Matt Cardin (previously) [more inside]
Robert Aickman wrote some of the best ghost stories of the last fifty years. He also edited one of the finest genre anthology series of his time: The Fontana Book of Great Ghost Stories. Between 1964 and 1972, he curated eight volumes of horror fiction without repeating an author, favoring always the subtle, the psychological, the poetic, the rare, the neglected. 59 of his selections can be found online. [more inside]
"Penpal" - from Reddit subreddit to Amazon bestseller. When Dathan Auerbach, aka 1000vultures, posted the first in a series of beautifully told tales making sense of his unsettling childhood memories on the Reddit subreddit NoSleep ["a place where people post horror stories; there, 'everything is true, even if it isn’t'"], he could have had no idea that by May of this year he would have a Kickstarter project completed and be on the Amazon bestseller lists with Penpal and a range of beautifully produced artwork. [more inside]
"There was a time when the woods near Duva ate girls. It’s been many years since any child was taken. But still, on nights like these, when the wind comes cold from Tsibeya, mothers hold their daughters tight and warn them not to stray too far from home. “Be back before dark,” they whisper. “The trees are hungry tonight.” Tor.com brings us some short horror/fairy tale fiction from Leigh Bardugo, "The Witch of Duva: A Ravkan Folk Tale."
"As the Nazis approached Paris, the American Colony broke camp & abandoned the city like rats from a sinking ship. Behind them they left a frail, elderly, impoverished, homeless Irish-American who, as a young man, had been an heir to wealth, a close friend to Beardsley & Wilde, & the only important American in the 1890s Aesthetic movement of England & France. He was Vincent O'Sullivan, one of the world's great authors of horror fiction..." [more inside]
"It's a Good Life" is a 1953 story by Jerome Bixby, who also wrote It! The Terror From Beyond Space, said to be the inspiration for Alien, and the Star Trek episode "Mirror, Mirror" (the one with evil bearded Spock.) It was made into a famous Twilight Zone episode, and is generally considered among the greatest SF stories ever written. Is "It's a Good Life" about God? Communism? 1950s suburban conformity? Or just about the horror of the self-contained world it creates in its few pages and the terrible realization that it would be possible to survive inside it, for a while?
"Bob Shuter, suburban vigilante. Driven by rage to wage a one-man war on the underworld of Kent, Bob Shuter is... The Reprisalizer."
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now." Buck up! It's Terry Finch's THE REPRISALIZER! Follow Bob Shuter, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND. Finch, writer of The Reprisalizer and DRAW!, the cowboy whose name means death, is soon to be the subject of a major motion picture from Matthew Holness, creator of Garth Marenghi's Darkplace.
AN ANACONDA UNHINGES ITS MAGNIFICENT JAW. INSIDE, THE BRIGHT SCREEN OF A FREE IPAD RESTS JUST WITHIN ARM'S REACH
Daniel Manitou is ActualPerson084 on Twitter. He writes slices of life about marketing and unspeakable horror. He is a real person and not a metal ghost in a rainbow box.
Kim Newman discusses the novels that inspired Anno Dracula, his epic pop-culture mashup of all things vampire, set in a Victorian London ruled by Dracula. Newman's long fascination with Dracula led to two more novels in the setting and several short stories, several of which can be found online.
Cold Reading - A rationalist ghost story by Alan Moore.
This may only occur to the obsessive student of The Parent Trap, but once the subtleties are noticed, hints start stacking up, and a creeping sense of the mythic pervades the film...Join Chris Stangl, King of the Beanplaters, as he obsessively studies The Parent Trap, Little Shop of Horrors, Beetlejuice, Teen Wolf, the original Buffy the Vampire Slayer, and more.
Are you an aspiring writer of genre fiction? Would you like to workshop your stuff before submitting it to magazines and publishers, but you don't happen to have a group of local friends that you can workshop with? Critters.org is an online, highly automated fiction workshop. You submit your manuscript, it waits in a queue until its time comes up, and then it gets sent out to all the active subscribers, some of whom will hopefully send you some helpful feedback! Make sure to critique at least one story every week, though, or you lose your privileges to post your own stories to the queue. [more inside]
Too Much Horror Fiction: "Covering horror literature and its resplendent paperback cover art, mostly from the 1960s through the early 1990s. Mostly."
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