The Science of Life and Death in Mary Shelley’s Frankenstein [The Public Domain Review] Professor Sharon Ruston surveys the scientific background to Mary Shelley’s Frankenstein, considering contemporary investigations into resuscitation, galvanism, and the possibility of states between life and death.
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, Young Frankenstein. "I gave everybody in the crew a white handkerchief," said the 88-year-old comedy legend during a recent phone interview. "I said, 'When you feel like laughing, put this in your mouth.' Every once in a while, I'd turn around and see a sea of white handkerchiefs, and I said, 'I got a hit.'"An interview with Mel Brooks on the 40th anniversary of Young Frankenstein, with an overview of the events that lead to what Mel Brooks calls 'by far the best movie I ever made.' [more inside]
Young Frankenstein was more than a hit. It is a comic masterpiece.
"The cinema was made for horror movies. No other kind of film offers that same mysterious anticipation as you head into a dark auditorium. No other makes such powerful use of sound and image. The cinema is where we come to share a collective dream and horror films are the most dreamlike of all, perhaps because they engage with our nightmares." And so Mark Gatiss opens his three-part series, A History of Horror. "One of the great virtues of this series is that it is thoroughly subjective. Gatiss does not feel any particular obligation to give us an A to Z of horror, but instead lingers lovingly over his own favourites," taking the viewer with him from the Golden Age of Hollywood horror through the American horror movies of the 1960s and 1970s. [more inside]
From their archives, Mary Shelley writes about the origins of Frankenstein.
Comics artist Frazer Irving adapts Mary Shelly's Frankenstein in hauntingly beautiful black and white: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18.
Universal Horror: history of the early horror films made by Universal Studios such as Dracula, Frankenstein, The Hunchback of Notre Dame, King Kong, The Mummy and many more. Directed by Kevin Brownlow. Narrated by Kenneth Branagh. 1 :: 2 :: 3 :: 4 :: 5 :: 6 :: 7
The Edison Frankenstein, the first movie adaptation of Mary Shelley's story, and the first horror movie, is 100 years old as of last week. The Frankenstein blog has more details.
A Hierarchy of Classic Horror Monsters: Regular vampires are shit. They can only beat Zombies, Witches, assorted Poltergeists, and Mr. Hyde. That is BARELY BETTER THAN A REGULAR PERSON. Shut the fuck up about vampires. [more inside]
Vampires are over, argues Neil Gaiman. (Via the Guardian, who rather oddly suggest the similarly over-exposed zombies as a replacement)
Frankensteinia. Just about everything you can think of having to do with Victor Frankenstein and his monster is here. Everything from the actors who portrayed the doctor and the monster, toys, Nazi Frankensteins, illustrations, movie posters, and of course the story behind the book.
Though film is not generally Andy Warhol's field of greatest fame, some see his long and storied history in film as "where Warhol's supreme achievement lies". And then there are the two horror films from 1973: Andy Warhol's Frankenstein (or Flesh for Frankenstein) and Andy Warhol's Dracula (or Blood for Dracula). The two films were filmed quickly and inexpensively in the Spring of 1973, using the Roger Corman method of filming two movies at one location using the same actors to decrease costs. Frankenstein was filmed first, using Space-Vision 3-D. But filming 3D footage was too expensive and time-consuming, so Dracula was shot in standard 35mm film. [more inside]
Hammer films are back! ... The classic British horror film company has returned from the dead with the first new film in 20 years to be first broadcast in instalments via MySpace. This has allowed some news programs to camp it up just a little... See the trailer here. Behind the scenes. [more inside]