12 posts tagged with horror by filthy light thief.
Displaying 1 through 12 of 12.
Four years ago, Lee Hardcastle remade John Carpenter's The Thing in a two minute short, featuring flightless birds made of Plasticine. After that he was “legally advised not to make any more claymations involving penguins and gore,” but he didn't stop making bloody, disgusting, humorous shorts. He remade that short with clay cats, and has made a number of new pieces over the years, including a horror story about toilets that won a place among an international cast of horror directors in a horror anthology. He has posted a number of additional shorts on YouTube, which he has also sorted into playlists for convenient browsing.
A Girl Walks Home Alone at Night is not your average vampire flick. For one, it features a who's who of Iranian actors (all speaking Persian), with various bits of the [Inland/]Southern California landscape serving as stand-ins for Iran. Plus, there's the stripped-down storytelling and the fusion of styles. It's been billed as the first "Iranian vampire Western."Join director Ana Lily Amirpour for Q&A on Iranian vampires and weird SoCal towns and learn more about her feminist horror film that turns horror film (and every day) tropes on their heads. [more inside]
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, Young Frankenstein. "I gave everybody in the crew a white handkerchief," said the 88-year-old comedy legend during a recent phone interview. "I said, 'When you feel like laughing, put this in your mouth.' Every once in a while, I'd turn around and see a sea of white handkerchiefs, and I said, 'I got a hit.'"An interview with Mel Brooks on the 40th anniversary of Young Frankenstein, with an overview of the events that lead to what Mel Brooks calls 'by far the best movie I ever made.' [more inside]
Young Frankenstein was more than a hit. It is a comic masterpiece.
Lauren Davis rounds up webcomics to give you thrills and chills on io9, calling out 18 specifically, then listing additional titles in some of the descriptions. [more inside]
Stefan Grabiński is often called "the Polish Poe" or "the Polish Lovecraft," which are both useful for short-hand, but don't quite capture Grabiński's style. As suggested by China Miéville in the Guardian, "where Poe's horror is agonised, a kind of extended shriek, Grabinski's is cerebral, investigative. His protagonists are tortured and aghast, but not because they suffer at the caprice of Lovecraftian blind idiot gods: Grabinski's universe is strange and its principles are perhaps not those we expect, but they are principles - rules - and it is in their exploration that the mystery lies." If you haven't heard of Grabiński, it is probably because only a few of his works have recently been translated to English. The primary translator is Miroslaw Lipinski, who runs a site dedicated to Grabiński. You can read Lipinksi's translation of Strabismus (PDF linked inside), and The Wandering Train online. [more inside]
"The cinema was made for horror movies. No other kind of film offers that same mysterious anticipation as you head into a dark auditorium. No other makes such powerful use of sound and image. The cinema is where we come to share a collective dream and horror films are the most dreamlike of all, perhaps because they engage with our nightmares." And so Mark Gatiss opens his three-part series, A History of Horror. "One of the great virtues of this series is that it is thoroughly subjective. Gatiss does not feel any particular obligation to give us an A to Z of horror, but instead lingers lovingly over his own favourites," taking the viewer with him from the Golden Age of Hollywood horror through the American horror movies of the 1960s and 1970s. [more inside]
From Reddit: What is the best horror story you can come up with in two sentences. When /r/shortscarystories are too long, and you've already read through MicroHorror (previously) and Flashes in the Dark.
False Positive is a a short story, webcomic anthology, which author and illustrator Mike Walton likes to call a stew, cooked from the gut, made with "a scoop of horror, a pinch of science-fiction, a dash of fantasy, and a bit of (To Be Determined)." Mike says the language could be rated PG-13, and the visuals feature a varying degrees of comic book violence and gore. There are 10 stand-alone "chapters" posted now, and new posts are made every Monday, Wednesday and Friday. Mike also made a short trailer to further pique your interest. [more inside]
"You must always be appearing. If you are not appearing, you are disappearing" -- José Mojica Marins, "the murderer of Brazilian cinema"
In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table. He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min). That dream lead to the creation of Zé do Caixão (anglicized as Coffin Joe), the main character in Brazil's first horror movie, and Marins' first big movie success: À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs) (At Midnight I'll Take Your Soul). This was one of the up-ticks in a life of some ups and lots of downs for the South American Roger Corman or Ed Wood (NYT), and the birth of a character who would become Marins public persona. [more inside]
YouTube user deb4tlj has uploaded seven out-of-print titles to YouTube: three silent films starring Lon Chaney -- The Penalty (1920), The Unknown (1927), and Laugh, Clown, Laugh (1928); two films starring Bela Lugosi -- Island of Lost Souls (1932) and Murders in the Rue Morgue (1932); and two films starring Boris Karloff -- The Ghoul (1933), and The Walking Dead (1936). [Notes inside] [more inside]
What's 51 years old and made of silicone with red food dye? The Blob, best known for it's work in The Blob, an independent film released in 1958, with Steve McQueen's second movie role (following Never Love a Stranger, which was released earlier that same year). The movie has been considered the definitive '50s film about a town that won't listen to the kids until it's too late (as noted in a review for the Criterion laserdisc release), with a super-catchy theme song (extended single version and b-side Saturday Night in Tiajuana) that was Burt Bacharach's third US hit song. (See more: theatrical trailer, full film on Veoh, full film as YouTube playlist) Times change, and so do monsters, and things got a bit wacky in the 1970s, with Beware! The Blob (aka Son of Blob; wiki, trailer, full film). The sequel played more to the slapstick comedy than the sci-fi/horror spectrum of things. Thirty years after the original, The Blob was remade in 1988 (wiki, trailer, full film), and is supposedly being re-created by Rob Zombie, though his statement about reviving The Blob without "the big red blobby thing" has people asking, then why remake The Blob? (previous blobby goodness) [more inside]
Though film is not generally Andy Warhol's field of greatest fame, some see his long and storied history in film as "where Warhol's supreme achievement lies". And then there are the two horror films from 1973: Andy Warhol's Frankenstein (or Flesh for Frankenstein) and Andy Warhol's Dracula (or Blood for Dracula). The two films were filmed quickly and inexpensively in the Spring of 1973, using the Roger Corman method of filming two movies at one location using the same actors to decrease costs. Frankenstein was filmed first, using Space-Vision 3-D. But filming 3D footage was too expensive and time-consuming, so Dracula was shot in standard 35mm film. [more inside]