A Stephen King interview: by Neil Gaiman
"I interviewed Stephen King for the UK Sunday Times Magazine. The interview appeared a few weeks ago. The Times keeps its site paywalled, so I thought I'd post the original version of the interview here. (This is the raw copy, and it's somewhat longer than the interview as published.) I don't do much journalism any more, and this was mostly an excuse to drive across Florida back in February and spend a day with some very nice people I do not get to see enough. I hope you enjoy it."
posted by Fizz
on Apr 28, 2012 -
" a comic about the effects of horrible mutating mimic blobs on a strained romantic relationship.
posted by The Whelk
on Feb 21, 2012 -
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.* (previously) [more inside]
posted by Trurl
on Feb 6, 2012 -
ALIEN age 11
- an adaptation created by an underage artist based on the Alan Dean Foster novelization and a few stills, without having seen the actual film.
posted by Artw
on Jan 30, 2012 -
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You
bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now."
Buck up! It's Terry Finch's THE REPRISALIZER!
Follow Bob Shuter
, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND
. Finch, writer of The Reprisalizer and DRAW!
, the cowboy whose name means death, is soon to be the subject of a major motion picture
from Matthew Holness, creator of Garth Marenghi's Darkplace
posted by Artw
on Dec 13, 2011 -
"While most other notable British Science Fiction shows were over-ambitious in their special effects, with results ranging from the troubling (Doctor Who
) to the disastrous (The Tomorrow People
), Sapphire & Steel
[ATV, 1979 - 1982] simply did not try
to do anything the budget wouldn't allow. The result called for milking surreal horror for all it's worth, creating a show that is, while definitely not for everyone, quite capable of reducing so-inclined viewers to quivering little heaps behind the sofa."
posted by Iridic
on Dec 12, 2011 -
The remarkable occurrences of which I am about to write were related by certain French persons of sound sense and unimpeachable veracity, who happened to be in Berlin a few weeks before the outbreak of the European War. The Kaiser, the most superstitious monarch who ever sat upon the Prussian throne, sternly forbade the circulation of the report of these happenings in his own country, but our gallant Allies across the Channel are, fortunately, not obliged to obey the despotic commands of Wilhelm II, and these persons, therefore, upon their return to France, related, to those interested in such matters, the following story of the great War Lord's three visitations from the dreaded ghost of the Hohenzollerns.
From "Wilhelm II and the White Lady of the Hohenzollerns," by Katharine Cox, as reproduced in S. Mukerji's charmingly digressive Indian Ghost Stories
posted by Iridic
on Oct 31, 2011 -
Just wait till we're alone together. Then I will tell you something new, something cold, something sleepy, something of cease and peace and the long bright curve of space. Go upstairs to your room. I will be waiting for you...
As a rare October blizzard drifts a blanket of white across the Northeast just before Halloween, what better time to settle in and read (or watch) Conrad Aiken's
most famous short story, "Silent Snow, Secret Snow."
About a small boy who increasingly slips into an ominous fantasy of isolation and endless snow, it could be viewed as a metaphor about autism, Asperger's syndrome, and even schizophrenia before such conditions even had names. In addition to the 1934 short story, the tale has also been adapted as a creepy
1966 black-and-white short film
(also at the Internet Archive
) and as a Night Gallery
) narrated by Orson Welles. Or for a more academic take, see the essay "The Delicious Progress"
examining Aiken's use of white as a symbol of psychological regression.
posted by Rhaomi
on Oct 29, 2011 -
In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table. He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min)
. That dream lead to the creation of Zé do Caixão
(anglicized as Coffin Joe
), the main character in Brazil's first horror movie, and Marins' first big movie success: À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs)
(At Midnight I'll Take Your Soul
). This was one of the up-ticks in a life of some ups and lots of downs for the South American Roger Corman or Ed Wood
(NYT), and the birth of a character who would become Marins public persona. [more inside]
posted by filthy light thief
on Oct 28, 2011 -
Horror movie blog Arbogast on Film
is counting down the days of October with studies of 31 cinematic screams
. Considered thus far: shrieks from The Tingler
, The Pit and the Pendulum
, Two on a Guillotine
, Macchie Solari
, The Black Cat
, Monster House
, The Silence of the Lambs
, She Demons
, The Thing
, L'Amante del Vampiro
, The Nesting
, and Witchcraft
. [more inside]
posted by Iridic
on Oct 12, 2011 -
There's a new crop of Australian bands that take inspiration from old blues, but twist the music in a strange fashion. The trend may have started with CW Stoneking (Jungle Blues
, Love Me Or Die
), who channeled the old bluesmen despite being a young man.
Its continued on to Sydney's Snowdroppers
, who started out as a house band for burlesque shows
and kept that dirty sensibility up with songs like Rosemary
, Do The Stomp
, and their signature tune Good Drugs, Bad Women
(lyrics NSW). Frequent Snowdroppers touring partners Gay Paris
add a Southern horror twist (House Fire In the Origami District, My First Wife? She Was A Foxqueen!
) and an antic stage energy. Some of the bands relay on gimmicks, like Adelaide's The Beards
, who sing about how you should consider having sex with a bearded man
and point out that if your dad doesn't have a beard, you've got two moms.
The Beards recently performed at the World Beard and Mustache Championships.
Horror-country-rockers Graveyard Train
have picked up the torch dropped when Sydney psychobilly masters Zombie Ghost Train
disbanded. Graveyard Train tunes like Mummy
, Ballad for Beelzebub
, Tall Shadow
and Dead Folk Dance
combine cheerful Misfits horror theming with stompy country. Most of the singers from this loose scene are joining forces in Sydney this week to pay tribute to Tom Waits.
posted by Lovecraft In Brooklyn
on Oct 4, 2011 -
From the start of Bill Lancaster writing the original script to the final edited cut of the film, The Thing underwent some serious changes. A lot of footage ended up littering the cutting room floor. The Collector's Edition DVD gives us a look at some of the Outtakes and Deleted Scenes, but it falls shy of showing us what really was cut.
- Deleted Scenes
from The Thing
and other assorted goodies at Outpost 31
.There is also a prequel of some kind.
posted by Artw
on Sep 20, 2011 -
Jason Zinoman, author of the newly-published Shock Value
, a study of horror films from the late 1960s/early 1970s, presents a four-part essay in which he diagnoses the ills of the modern horror film and presents a few solutions. (1 2 3 4
) [more inside]
posted by kittens for breakfast
on Jul 8, 2011 -
: history of the early horror films made by Universal Studios such as Dracula, Frankenstein, The Hunchback of Notre Dame, King Kong, The Mummy and many more. Directed by Kevin Brownlow
. Narrated by Kenneth Branagh. 1
posted by puny human
on May 16, 2011 -
Daughter of Horror
(original title: Dementia) was a 1955 avant garde film featuring a noir style
, a surrealist sensibility, and virtually no dialogue. A later version of the film even included an over-the-top voice over by none other than Tonight Show sidekick Ed McMahon
, but like Blade Runner the flick is better off without the narration. Daughter of Horror
is probably most famous for being the film playing in the theater overrun by The Blob
. And with a few more surrealistic elements and peculiar dialogue added, this could have been done by David Lynch in a later decade. The film, recently featured on Turner Classic Movies, is available for free
posted by Celsius1414
on May 1, 2011 -