Whether she's volunteering to take her sister's place in the arena or grooming her son to lead the resistance; gunning down the gangsters who sell drugs to the kids in her neighborhood or swinging swords to avenge her daughter, the "strong female character" is often stirred by a maternal concern, a quintessential desire to preserve her community, to protect the weak and vulnerable. Her bad-assery must be in the service of a greater good. Even when she's more ethically complex (like the Bride, who begrudgingly admits that all the people she killed to get to her daughter, "felt good"), she never takes a place at the table of Walter White's grand epiphany: "I did it for me."
Carrie does what Beatrix Kiddo and Ellen Ripley and Katniss Everdeen don't: She does it for herself. Her vengeance, her violence, is in service to no one, no noble good. She doesn't kill because her family and friends have been threatened. There are no friends, no fellow outcasts, to protect from the bullies. No little sister to shield from Mama's wrath. Only her. And she is enough. Carrie kills because she was wronged.
Placing a bag over the boy‘s head, Dr. Silkini proceeded to cut if off with a knife. The girls in the audience squealed and screamed as blood dripped over the white tablecloth. Just after this decapitation, the Frankenstein monster seized the newly-severed head and started down the steps into the audience. At that precise moment, the house lights went off. Enthralled onlookers thought the rampaging creature was loose in the dark.
During the blackout, girls shrieked and boys shouted as ghosts, bats, and eerie faces zoomed about overhead and up and down the aisles. On the stage a chorus line of glowing skeletons danced in front of tombstones and vanished as they floated skyward. After three minutes of special effects and imaginative terror, there was a flash explosion and then the lights came on.
William Prince's short Click is very simple little horror film about a bunch of kids, an abandoned building, and a light switch that you'd better watch before it gets dark. The short was a finalist in Popcorn Horror's Blood Games short film competition. You can view the other five finalists here.
posted by orange swan
on May 5, 2013 -
In the spirit of Halloween and scary movies: a remix of Mr. Sandman set to a supercut of some of the spookiest scenes from horror cinema: Full-On Lovemaking. Warning, NSFW. Further warnings for the squeamish below the jump. [more inside]
posted by codacorolla
on Oct 26, 2012 -
"It is a scene etched in film history. ...the drowning of the little girl in Frankenstein was a truly transgressive moment in a film already overloaded with gruesome happenings. Actor Boris Karloff protested, as did audiences and critics when the film previewed. The scene was jettisoned, cutting off suddenly as The Monster reaches for the child."
John Cox went looking for the spot where this scene was shot, join him in The Return to Malibou Lake. [more inside]
posted by marxchivist
on Oct 8, 2009 -